- Lyricist
- Vairamuthu
- Singer
- Ilayaraja
- Music director
- Ilayaraja
- Movie name
- Meendum Parasakthi
- Movie release year
- 1985
- Lyrics added on
- 3 Mar 2023
Lyrics & meaning
Beyond the translation
Overall song meaning
Kaattukkullae Kaaliyammaa is a high-energy folk devotional track from the 1985 Tamil film Meendum Parasakthi, featuring music composed and sung by Ilaiyaraaja with lyrics by Vairamuthu. The song depicts an ardent devotee reaching out to Goddess Kali in a secluded forest shrine, invoking her ferocious grace to destroy evil and restore righteousness in a world deteriorating into corruption. Rich in regional Tamil folk traditions, the song weaves iconic ritualistic imagery such as preparing pongal offerings, chanting mantras over ritual objects, playing the udukkai drum, and summoning divine trance (Sami aatam). Ilaiyaraaja's raw, rhythmic vocal delivery highlights the urgency of awakening the goddess to wield her trident against malevolent forces.
Writing craft
Poetic devices
Apostrophe (Direct Address)
“Ullae neeyum orangikittu irunthaa... Onakkum kooda aabaththu”
The singer directly addresses Goddess Kali in an urgent, conversational folk tone, even warning her that evil threatens divinity itself.
Ethirukaani / Second-Letter Rhyme (Ethugai)
“Ketta seyal seiyum neeyum / Kettavanum vanthaa neeyum”
The second consonant sound matches between adjacent lines, creating a rhythmic cadence common in Tamil poetry.
Folk Imagery & Motifs
“Naan kayil udukkeduththaa kadi konjam kalangum”
Uses authentic village ritual elements like 'Thirisoolam' (trident), 'Udukkai' (pellet drum), and 'Ponga' (sweet rice offering) to evoke regional deity worship.
Hyperbole (Exaggeration)
“Saamiyaadinaa….ada bhoomiyaadumae”
Exaggerates the dramatic physical impact of divine possession during ritual worship.
Did you know?
Trivia
Ilaiyaraaja frequently incorporated authentic Tamil folk deity worship styles (Gramiya Theiva Vazhipadu) into mainstream film soundtracks. His energetic rendition of rural folk chants using authentic percussion instruments like the udukkai gave the song a genuine temple-festival aura.
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