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Isaimozhi
Lyrics & meaning

Kaathiruppan Kamalakannan

From Uthama Puthiran – 1958 Film · 1958

Lyricist
T. K. Sundara Vadhyar
Singer
P. Leela
Music director
G. Ramanathan
Details
Uthama Puthiran – 1958 Film1958

Lyrics & meaning

Tanglish lyrics English translation
Female
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Angae kaathiruppaan kamala kannanOver there, lotus-eyed Kannan will be waiting
Angae kaathiruppaan kamala kannanOver there, lotus-eyed Kannan will be waiting
Kanindhu kanindhu anbaiMellowing with tender love
Ninaindhu ninaindhu kannurangaamalThinking of her continuously without sleeping
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Kanindhu kanindhu anbaiMellowing with tender love
Ninaindhu ninaindhu kannurangaamalThinking of her continuously without sleeping
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Female
Aathangarai thanilae andhi pozhudhinilaeOn the riverbank at dusk
Aathangharai thanilae andhi pozhudhinilaeOn the riverbank at dusk
Poottha menmalar polaeLike a soft bloomed flower
Punidhamaana vanidhai raadhai varugai kaanaTo see the arrival of the pure woman Radha
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Female
Gopiyar konjum sallaabanPlayfully chatting with the Gopis
Gopiyar konjum sallaabanPlayfully chatting with the Gopis
Vaenghuzhalisai amudhoottumNurturing with nectar-like bamboo flute music
Ezhilodu sugam kaattumDisplaying joy along with elegance
Gopiyar konjum sallaabanPlayfully chatting with the Gopis
Vaenghuzhalisai amudhoottumNurturing with nectar-like bamboo flute music
Ezhilodu sugam kaattumDisplaying joy along with elegance
Gopiyar konjum sallaabanPlayfully chatting with the Gopis
Female
Thaavi pidippaan…He will leap and catch...
Aa… aa… aa… aa… aa..aa..Aa... aa... aa... aa... aa..aa..
Thaavi pidippaan thaavi pidippaanHe will leap and catch, leap and catch
Thaavi pidippaanHe will leap and catch
Vennai thayir kudathai thaduppaanHe will block the pots of butter and curd
Thaavi pidippaanHe will leap and catch
Vennai thayir kudathai thaduppaanHe will block the pots of butter and curd
Tharaiyil amarndhu raadhaiSitting on the ground, Radha's
Uruvam varaindhu kondu anguDrawing her portrait, over there
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Female
Vaedikkaiyaai seivaan alangaaramPlayfully he will adorn her
Vaedikkaiyaai seivaan alangaaramPlayfully he will adorn her
Veenai isaikka cholliAsking her to play the veena
Vaenduvaan sila naeramHe will request at times
Veenai isaikka cholliAsking her to play the veena
Vaenduvaan sila naeramHe will request at times
Female
Vaedikkaiyaai seivaan alangaaramPlayfully he will adorn her
Paaduvaan… aa…He will sing... aa...
Adharkkavalaaduvaal… aa… aa…For that, she will dance... aa... aa...
Female
Paaduvaan adharkkavalaaduvaalHe will sing, and she will dance for it
Pala naeram paaduvaan adharkkavalaaduvaalMany times he will sing and she will dance for it
Maru naeram paadham nogumaeAt other times, worrying that her feet might hurt
Endru parivudan kaadhalinbamaeWith compassion, the bliss of love
Thandha naayagan vandhuThe loving hero who gave it, comes and
Female
Kaathiruppaan kamala kannanLotus-eyed Kannan will be waiting
Kanindhu kanindhu anbaiMellowing with tender love
Ninaindhu ninaindhu kannurangaamalThinking of her continuously without sleeping
Kaathiruppaan kamala kannan…Lotus-eyed Kannan will be waiting...

Beyond the translation

Song interpretation

This song beautifully captures the romantic and divine anticipation of Lord Krishna ('Kamala Kannan') waiting for Radha along the riverbanks during dusk. It vividly portrays Krishna's charming attributes, ranging from his flute playing that feeds soul-nourishing nectar to his playful antics of stealing butter and intercepting curd pots. The lyrics describe intimate moments where Krishna sits on the ground drawing Radha's portrait, playfully adorning her, requesting her to play the veena, and singing while she dances to his tunes, all while caring deeply for her comfort and happiness.

Writing craft

Poetic devices

Uvamai (Simile)

Poottha menmalar polae

Compares the divine and pure Radha to a freshly bloomed soft flower using 'polae' (like).

Adukkuthodar (Repetition for Emphasis)

Kanindhu kanindhu anbai / Ninaindhu ninaindhu kannurangaamal

The words 'kanindhu kanindhu' and 'ninaindhu ninaindhu' are repeated to express deep, continuous affection and intense longing.

Monaai (Initial Alliteration)

Kanindhu kanindhu anbai... kannurangaamal

Matching initial consonant sounds in consecutive poetic phrases ('Kanindhu' and 'Kannurangaamal').

Metaphor / Imagery

Vaenghuzhalisai amudhoottum

Describing the melody of Krishna's bamboo flute as 'amudhoottum' (feeding nectar), creating sweet musical imagery.

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Trivia

This classical dance song is from the 1958 hit film 'Uthama Puthiran' starring Sivaji Ganesan and Padmini. Composed by legendary music director G. Ramanathan with lyrics by T. K. Sundara Vathiyar, the song is rendered primarily by P. Leela and Jamuna Rani, remaining a benchmark classic for Tamil bharatanatyam song sequences.

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