Ingum Angum Engum Inbame
From Raja Mukthi · 1948
- Lyricist
- Papanasam Sivan
- Music director
- C. R. Subbaraman
- Details
- Raja Mukthi1948
Lyrics & meaning
| ♫ Tanglish lyrics | ↻ English translation |
|---|---|
| Male | |
| Ingum angum engum inbamae | Joy is here, there, and everywhere. |
| Female | |
| Ingum angum engum inbamae | Joy is here, there, and everywhere. |
| Male | |
| Pangajamalar madhuvunnum vandupol | Like a honeybee sipping nectar from a lotus flower, |
| Female | |
| Pangajamalar madhuvunnum vandupol | Like a honeybee sipping nectar from a lotus flower, |
| Female | |
| Ulagelaam magizhavae thanadhuporul | To make the whole world rejoice, one's own wealth, |
| Male | |
| Udal uyirum udhavum udhaararaai | Generous souls who offer even their body and life, |
| Female | |
| Ulagelaam magizhavae thanadhuporul | To make the whole world rejoice, one's own wealth, |
| Male | |
| Udal uyirum udhavum udhaararaai | Generous souls who offer even their body and life, |
| Female | |
| Ulagilae porulilum pattrilaar | Being detached from material possessions in this world, |
| Male | |
| Utthama sathguna vitthagaraai | As noble experts filled with virtuous qualities, |
| Female | |
| Ulagilae porulilum pattrilaar | Being detached from material possessions in this world, |
| Male | |
| Utthama sathguna vitthagaraai | As noble experts filled with virtuous qualities, |
| Female | |
| Oru inbathil irumaandhidaamal | Without becoming arrogant in moments of pleasure, |
| Male | |
| Varum thunbathil manam oindhidaamal | Without losing heart when sorrow arrives, |
| Female | |
| Oru inbathil irumaandhidaamal | Without becoming arrogant in moments of pleasure, |
| Male | |
| Varum thunbathil manam oindhidaamal | Without losing heart when sorrow arrives. |
எம். எல். வசந்தகுமாரி
Joy is here, there, and everywhere.
இங்கும் அங்கும் எங்கும் இன்பமே
Joy is here, there, and everywhere.
இங்கும் அங்கும் எங்கும் இன்பமே
Like a honeybee sipping nectar from a lotus flower,
பாண்டுரங்கன் அருள் இருந்தால்......ஆ...ஆ...
இங்கும் அங்கும் எங்கும் இன்பமே
பாண்டுரங்கன் அருள் இருந்தால்...ஆ...ஆ...
இங்கும் அங்கும் எங்கும் இன்பமே
Like a honeybee sipping nectar from a lotus flower,
பங்கஜமலர் மதுவுண்ணும் வண்டுபோல்
To make the whole world rejoice, one's own wealth,
பங்கஜமலர் மதுவுண்ணும் வண்டுபோல்
Generous souls who offer even their body and life,
மாதவன் மலரடி மறவா மனத்தவர்க்கு
மாதவன் மலரடி மறவா மனத்தவர்க்கு
To make the whole world rejoice, one's own wealth,
இங்கும் அங்கும் எங்கும் இன்பமே
Generous souls who offer even their body and life,
உலகெல்லாம் மகிழவே தனதுபொருள்
Being detached from material possessions in this world,
உடலுயிரும் உதவும் உதாரராய்
As noble experts filled with virtuous qualities,
உலகெல்லாம் மகிழவே தனதுபொருள்
Being detached from material possessions in this world,
உடலுயிரும் உதவும் உதாரராய்
As noble experts filled with virtuous qualities,
உலகிலே பொருளிலும் பற்றிலார்
Without becoming arrogant in moments of pleasure,
உத்தம சத்குண வித்தகராய்
Without losing heart when sorrow arrives,
உலகிலே பொருளிலும் பற்றிலார்
Without becoming arrogant in moments of pleasure,
உத்தம சத்குண வித்தகராய்
Without losing heart when sorrow arrives.
ஒரு இன்பத்தில் இறுமாந்திடாமல்
வரும் துன்பத்தில் மனம் ஓய்ந்திடாமல்
ஒரு இன்பத்தில் இறுமாந்திடாமல்
வரும் துன்பத்தில் மனம் ஓய்ந்திடாமல்
இரவு பகல் ரங்கன் நினைவில்
மனோலயமாய் அந்தரங்க
சமரச உணர்வோடிருப்பவர்க்கு
ரங்கன் நினைவில்
மனோலயமாய் அந்தரங்க
சமரச உணர்வோடிருப்பவர்க்கு
இங்கும் அங்கும் எங்கும் இன்பமே
பாண்டுரங்கன் அருள் இருந்தால்...
Ingum angum engum inbamae
Joy is here, there, and everywhere.
Ingum angum engum inbamae
Joy is here, there, and everywhere.
Pangajamalar madhuvunnum vandupol
Like a honeybee sipping nectar from a lotus flower,
Pangajamalar madhuvunnum vandupol
Like a honeybee sipping nectar from a lotus flower,
Ulagelaam magizhavae thanadhuporul
To make the whole world rejoice, one's own wealth,
Udal uyirum udhavum udhaararaai
Generous souls who offer even their body and life,
Ulagelaam magizhavae thanadhuporul
To make the whole world rejoice, one's own wealth,
Udal uyirum udhavum udhaararaai
Generous souls who offer even their body and life,
Ulagilae porulilum pattrilaar
Being detached from material possessions in this world,
Utthama sathguna vitthagaraai
As noble experts filled with virtuous qualities,
Ulagilae porulilum pattrilaar
Being detached from material possessions in this world,
Utthama sathguna vitthagaraai
As noble experts filled with virtuous qualities,
Oru inbathil irumaandhidaamal
Without becoming arrogant in moments of pleasure,
Varum thunbathil manam oindhidaamal
Without losing heart when sorrow arrives,
Oru inbathil irumaandhidaamal
Without becoming arrogant in moments of pleasure,
Varum thunbathil manam oindhidaamal
Without losing heart when sorrow arrives.
Beyond the translation
Song interpretation
This uplifting philosophical song composed by Papanasam Sivan speaks of universal joy and spiritual equanimity. It describes noble and magnanimous individuals who derive pure bliss from life, much like bees gathering nectar from lotuses, and who selflessly dedicate their wealth, body, and soul for the well-being of the world. These virtuous beings live free from attachment to worldly riches. They demonstrate emotional balance by remaining humble and unboastful during moments of happiness, and resilient without losing heart during times of suffering.
Writing craft
Poetic devices
Monaai (Initial Alliteration)
“Ingum angum engum inbamae”
The repetition of similar starting vowel sounds creates a rhythmic opening cadence.
Upamai (Simile)
“Pangajamalar madhuvunnum vandupol”
Compares pure, sweet living to a honeybee imbibing nectar from a lotus flower using the explicit comparison marker 'pol'.
Muran (Antithesis / Contrast)
“Oru inbathil irumaandhidaamal / Varum thunbathil manam oindhidaamal”
Contrasts pleasure (inbam) and sorrow (thunbam), advocating emotional balance in both conditions.
Did you know?
Trivia
Raja Mukthi (1948) was a notable historical film starring M. K. Thyagaraja Bhagavathar (MKT) and P. Bhanumathi. The legendary Carnatic lyricist Papanasam Sivan penned the songs, while the music score was composed by C. R. Subburaman.
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