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Isaimozhi
Gumastha album cover
Lyrics & meaning

Inbamo Thunbamo

From Gumastha · 1953

Lyricist
A. Maruthakasi
Singer
A. M. Raja
Music director
C. N. Pandurangan
Movie name
Gumastha
Movie release year
1953
Lyrics added on
18 Jun 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Inbamo thunbamo edhuvumae nillaathae
Idhae iyarkkai niyathi…
Nam jeeviyakkoodu kaliman odu
Aasaiyo manal veedu
Nam aasaiyo manal veedu
Suga vaazhvuthaan naaduvom
Thuyar soozhnthu naam vaaduvom
Nam jeeviyakkoodu kaliman odu
Aasaiyo manal veedu
Nam aasaiyo manal veedu
Thaarugal adhigam seivom
Thalaivithiyena naam kolvom
Sollum thairiyam izhanthu veenae
Naam samuga adimaigalaavom…
Nam jeeviyakkoodu kaliman odu
Aasaiyo manal veedu
Nam aasaiyo manal veedu
Thoottridum ulagamae namai pottruthal sagajamae
Manam seraathae edhilumae
Tholvi kandu athai enni veenil
Soga pimbamaagaathae
Naamamae nogaathae kaalam maarum maravaathae
Nam jeeviyakkoodu kaliman odu
Aasaiyo manal veedu
Nam aasaiyo manal veedu
Suga vaazhvuthaan naaduvom
Thuyar soozhnthu naam vaaduvom
Whether joy or sorrow, nothing lasts forever,
this is the law of nature...
Our body of life is a shell of clay,
and desire is just a house of sand,
yes, our desire is just a house of sand.
We seek only a life of comfort,
yet we wither when sorrow surrounds us...
Our body of life is a shell of clay,
and desire is just a house of sand,
yes, our desire is just a house of sand.
We commit so many mistakes,
and then we blame it all on fate.
Losing the courage to speak up,
we needlessly become slaves to society...
Our body of life is a shell of clay,
and desire is just a house of sand,
yes, our desire is just a house of sand.
The world that insults us will also praise us; it is only natural.
Never lose heart over anything.
Dwelling in vain upon your failures,
do not turn into a picture of grief.
Do not let your spirit ache; never forget that times will change...
Our body of life is a shell of clay,
and desire is just a house of sand,
yes, our desire is just a house of sand.
We seek only a life of comfort,
yet we wither when sorrow surrounds us...
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Beyond the translation

Overall song meaning

This philosophical song from the 1953 Tamil movie Gumastha reflects on the transience of human existence, emotions, and worldly desires. The lyrics remind the listener that neither joy nor sorrow is permanent, as impermanence is the fundamental law of nature. Using vivid allegories such as comparing the human body to a fragile clay pot and human desires to ephemeral sandcastles, lyricist A. Maruthakasi emphasizes the futility of over-attaching oneself to societal validation or grieving over failures. The song also critiques human behavior—how people often make errors only to conveniently blame fate, while becoming silent victims of societal expectations. Ultimately, it delivers an uplifting message of resilience and stoicism: public opinion is fickle, times will inevitably change, and one must overcome failure without sinking into despair. A. M. Raja's soulful rendition adds depth to this contemplative timeless classic.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Nam jeeviyakkoodu kaliman odu / Aasaiyo manal veedu

The human body is compared to a fragile clay tile ('kaliman odu'), and desires are compared to temporary sandcastles ('manal veedu').

Antithesis / Contrast (Ethir-sol)

Inbamo thunbamo edhuvumae nillaathae

Contrasting opposites such as 'Inbamo' (pleasure) and 'thunbamo' (sorrow), as well as 'Thoottridum' (scolding/blaming) and 'pottruthal' (praising), are paired together to highlight life's dualities.

Rhyme & Alliteration (Ethirai / Monai)

Thoottridum ulagamae namai pottruthal sagajamae

Use of second-letter agreement (Ethirai) and initial letter matching (Monai) in lines like 'Thoottridum' and 'pottruthal', creating rhythmic flow.

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Trivia

Gumastha (1953) was a social drama depicting the economic hardship and moral dilemmas faced by lower-middle-class clerks (gumasthas). Lyricist A. Maruthakasi was renowned for weaving deep philosophical home truths into simple, accessible Tamil, a trademark evident throughout this song.

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