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Isaimozhi
Lyrics & meaning

Inbamo Thunbamo

From Gumastha · 1953

Lyricist
A. Maruthakasi
Singer
A. M. Raja
Music director
C. N. Pandurangan
Details
Gumastha1953

Lyrics & meaning

Tanglish lyrics English translation
Male
Inbamo thunbamo edhuvumae nillaathaeNeither joy nor sorrow will stay forever;
Idhae iyarkkai niyathi…This is the law of nature...
Male
Nam jeeviyakkoodu kaliman oduOur body, the nest of life, is just a clay tile,
Aasaiyo manal veeduAnd our desire is but a castle made of sand.
Nam aasaiyo manal veeduOur desire is but a castle made of sand.
Suga vaazhvuthaan naaduvomWe seek only a life of pleasure,
Thuyar soozhnthu naam vaaduvomYet we wither when surrounded by sorrow.
Male
Nam jeeviyakkoodu kaliman oduOur body, the nest of life, is just a clay tile,
Aasaiyo manal veeduAnd our desire is but a castle made of sand.
Nam aasaiyo manal veeduOur desire is but a castle made of sand.
Male
Thaarugal adhigam seivomWe commit numerous mistakes,
Thalaivithiyena naam kolvomYet we blame it all on our fate.
Sollum thairiyam izhanthu veenaeLosing the courage to speak out, in vain,
Naam samuga adimaigalaavom…We become mere slaves to society...
Male
Nam jeeviyakkoodu kaliman oduOur body, the nest of life, is just a clay tile,
Aasaiyo manal veeduAnd our desire is but a castle made of sand.
Nam aasaiyo manal veeduOur desire is but a castle made of sand.
Male
Thoottridum ulagamae namai pottruthal sagajamaeThe world that censures us today will naturally praise us tomorrow;
Manam seraathae edhilumaeDo not get emotionally attached to anything.
Tholvi kandu athai enni veenilSeeing failure and pondering over it needlessly,
Soga pimbamaagaathaeDo not turn yourself into an image of grief.
Naamamae nogaathae kaalam maarum maravaathaeDo not let your mind hurt; time will change, never forget.
Male
Nam jeeviyakkoodu kaliman oduOur body, the nest of life, is just a clay tile,
Aasaiyo manal veeduAnd our desire is but a castle made of sand.
Nam aasaiyo manal veeduOur desire is but a castle made of sand.
Suga vaazhvuthaan naaduvomWe seek only a life of pleasure,
Thuyar soozhnthu naam vaaduvomYet we wither when surrounded by sorrow.

Beyond the translation

Song interpretation

This philosophical song from the 1953 Tamil movie Gumastha reflects on the transience of human existence, emotions, and worldly desires. The lyrics remind the listener that neither joy nor sorrow is permanent, as impermanence is the fundamental law of nature. Using vivid allegories such as comparing the human body to a fragile clay pot and human desires to ephemeral sandcastles, lyricist A. Maruthakasi emphasizes the futility of over-attaching oneself to societal validation or grieving over failures. The song also critiques human behavior—how people often make errors only to conveniently blame fate, while becoming silent victims of societal expectations. Ultimately, it delivers an uplifting message of resilience and stoicism: public opinion is fickle, times will inevitably change, and one must overcome failure without sinking into despair. A. M. Raja's soulful rendition adds depth to this contemplative timeless classic.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Nam jeeviyakkoodu kaliman odu / Aasaiyo manal veedu

The human body is compared to a fragile clay tile ('kaliman odu'), and desires are compared to temporary sandcastles ('manal veedu').

Antithesis / Contrast (Ethir-sol)

Inbamo thunbamo edhuvumae nillaathae

Contrasting opposites such as 'Inbamo' (pleasure) and 'thunbamo' (sorrow), as well as 'Thoottridum' (scolding/blaming) and 'pottruthal' (praising), are paired together to highlight life's dualities.

Rhyme & Alliteration (Ethirai / Monai)

Thoottridum ulagamae namai pottruthal sagajamae

Use of second-letter agreement (Ethirai) and initial letter matching (Monai) in lines like 'Thoottridum' and 'pottruthal', creating rhythmic flow.

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Trivia

Gumastha (1953) was a social drama depicting the economic hardship and moral dilemmas faced by lower-middle-class clerks (gumasthas). Lyricist A. Maruthakasi was renowned for weaving deep philosophical home truths into simple, accessible Tamil, a trademark evident throughout this song.

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