- Lyricist
- Kannadasan
- Singer
- S. C. Krishnan
- Music director
- R. Govarthanam
- Movie name
- Orey Vazhi
- Movie release year
- 1959
- Lyrics added on
- 8 Apr 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
'Orey Vazhi' (One Way / The Only Path) is a philosophical comic-philosophical song written by Kannadasan for the 1959 film of the same name. The song emphasizes the fundamental equalizer of human existence: birth and death are universal entry and exit points shared by all human beings. Despite this unified beginning and end, human beings overcomplicate their short lifetimes by pursuing endless desires, deceit, and conflicts. The lyrics contrast the noble path of marital fidelity, mutual understanding, and righteousness with the foolishness of lust, dishonesty, and religious division. Kannadasan playfully notes that while God created a simple, harmonious order in nature, humans divide themselves into confusing paths, concluding that living a truthful and courageous life is the only meaningful journey.
Writing craft
Poetic devices
Ezhugai (Rhyme / Alliteration)
“Piranthu vanthathum orae vazhi / Naam pirindhu povadhum orae vazhi”
Repetition of rhyming end-words 'orae vazhi' at the end of fundamental couplets to create a rhythmic refrain and reinforce the central theme of singular destiny.
Antithesis (Contrast)
“Vaazhum kaalam siriyathendraalum / Manidhan ninaippadhu kodi vazhi”
Juxtaposition of the brief lifespan ('Vaazhum kaalam siriyadhun') against human ambition and overthinking ('Manidhan ninaippadhu kodi vazhi').
Humor / Satire
“Indha kanakkinil laabam mudhugu vali”
Use of colloquial Tamil phrasing ('kanakku pannuvon', 'laabam mudhugu vali') to satirize unfaithful men, contrasting spiritual philosophy with mundane comedic reality.
Did you know?
Trivia
The song and the movie share the same title, 'Orey Vazhi' (1959). Featuring vocals by veteran playback singer S. C. Krishnan, known for his distinct theatrical comedic rendition, the track masterfully blends serious Advaitic philosophy with lighthearted social commentary characteristic of lyricist Kannadasan's early signature style.
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