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Isaimozhi
Vaazhnthu Kaattuvom album cover
Lyrics & meaning

Hello Sir

From Vaazhnthu Kaattuvom · 1990

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
M. S. Vishwanathan
Movie name
Vaazhnthu Kaattuvom
Movie release year
1990
Lyrics added on
9 Jul 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Hello yes sir
Hello sir good morning
My name is geetha
What can i do for you sir
Hello yes sir
Hello sir good morning
My name is geetha
What can i do for you sir
Engenke payanangal
Vegunaalaa kaanom
Indreyaenum vaarungal sir
Enna honeymoon ellaam
Eppadi irunthichchu ok
Hello yes sir
Hello sir good morning
My name is geetha
What can i do for you sir
Engenke payanangal
Vegunaalaa kaanom
Indreyaenum vaarungal sir
Hello how are you
Ungalukku illaatha idamaa
Kalyaana hall undu
Illaamal ponaalum vaarungal sir
Pannirendu mani mattum
Paal room-il dance undu paarungal sir
Kalyaana hall undu
Illaamal ponaalum vaarungal sir
Pannirendu mani mattum
Paal room-il dance undu paarungal sir
Hello yes sir
Hello sir good morning
My name is geetha
What can i do for you sir
Engenke payanangal
Vegunaalaa kaanom
Indreyaenum vaarungal sir
Ingaeyum day and night service undu
Eppothum varaverkkum ladies undu
Service by ladies aama sir aama
Aal maari aalmaari anaiththaalthaan
Sugamundu aadungal sir
Mudhal thaaram maruthaaram
Ingaethaan palathaaram paadungal sir
Aal maari aalmaari anaiththaalthaan
Sugamundu aadungal sir
Mudhal thaaram maruthaaram
Ingaethaan palathaaram paadungal sir
Inamaethu kulamaethu uravaadungal
Iravaethu pagalethu vailaiyaadungal
Anupavinga sir anupavinga
Sexual immunity
Never feels communitty come on carry on
Hello yes sir
Hello sir good morning
My name is geetha
What can i do for you sir
Engenke payanangal
Vegunaalaa kaanom
Indreyaenum vaarungal sir
Hello seat saahaap kaise aap
We are seven hum saath lok hai
Yaek kamrae mil sakkae hainaa
Theen paththi sir rasthaa theen ladki sir ladka
Kelo mathsaap tum saaththu hmthono
Nahi baiya nahi baiya
Kaisae ho hugthaahai
………………….
En veedu mael maasi theruvil undu
Eppothu vanthaalum varaverpundu
En veedu mael maasi theruvil undu
Eppothu vanthaalum varaverpundu
You will come there i welcome you you do
Hello yes sir
Hello sir good morning
My name is geetha
What can i do for you sir
Hello, yes sir!
Hello sir, good morning!
My name is Geetha.
What can I do for you, sir?
Hello, yes sir!
Hello sir, good morning!
My name is Geetha.
What can I do for you, sir?
Where have your travels taken you?
Haven't seen you in so long!
Please come by today at least, sir!
So, how was your honeymoon?
How was it? All good?
Hello, yes sir!
Hello sir, good morning!
My name is Geetha.
What can I do for you, sir?
Where have your travels taken you?
Haven't seen you in so long!
Please come by today at least, sir!
Hello, how are you?
Is there any place here that isn't for you?
There is a marriage hall,
and even if you don't need one, please come, sir!
Until twelve o'clock midnight,
there's dancing in the ballroom, come and see, sir!
There is a marriage hall,
and even if you don't need one, please come, sir!
Until twelve o'clock midnight,
there's dancing in the ballroom, come and see, sir!
Hello, yes sir!
Hello sir, good morning!
My name is Geetha.
What can I do for you, sir?
Where have your travels taken you?
Haven't seen you in so long!
Please come by today at least, sir!
We have day and night service here too,
and ladies who are always ready to welcome you!
Service by ladies—yes sir, oh yes!
Only when you embrace someone new each time
is there true pleasure—so dance, sir!
A first wife, a second wife...
here you can have many companions—sing along, sir!
Only when you embrace someone new each time
is there true pleasure—so dance, sir!
A first wife, a second wife...
here you can have many companions—sing along, sir!
Forget caste and creed, just make merry!
Forget day and night, just enjoy and play!
Have fun, sir, enjoy yourself!
Sexual immunity
never cares about community—come on, carry on!
Hello, yes sir!
Hello sir, good morning!
My name is Geetha.
What can I do for you, sir?
Where have your travels taken you?
Haven't seen you in so long!
Please come by today at least, sir!
Hello Seth Sahib, how are you?
We are seven, seven of us in all!
Can we get a single room, please?
Playing cards on the way, three girls and boys...
Play along, sir, you with the two of us...
No, brother, no, brother!
How is that even possible?
...
My house is on Mel Masi Street,
whenever you come, you are warmly welcomed!
My house is on Mel Masi Street,
whenever you come, you are warmly welcomed!
You will come there, I welcome you, and you too!
Hello, yes sir!
Hello sir, good morning!
My name is Geetha.
What can I do for you, sir?
Female
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Beyond the translation

Overall song meaning

This song is a quintessential 1970s Westernized cabaret and club number sung from the perspective of a charismatic lodge/club hostess named Geetha. She interacts with various male guests over the telephone and at the reception, playfully inviting them to visit her establishment for entertainment, dancing, and late-night revelry. Through lighthearted banter and seductive charm, she urges patrons to leave behind social inhibitions, class barriers, and marital fidelity for an evening of hedonistic fun. The track uses a multilingual mix of Tanglish, English, and Hindi dialogue to depict the cosmopolitan, bustling atmosphere of a high-end nightlife spot. Geetha assures her patrons that endless hospitality, ballroom dancing, and welcoming hosts await them at any hour of the day or night.

Writing craft

Poetic devices

Iyaipu (End Rhyme)

Ingaeyum day and night service undu / Eppothum varaverkkum ladies undu

The repetitive ending with the word 'undu' creates a rhythmic cadence across lines.

Monai (Initial Alliteration)

Mudhal thaaram maruthaaram

Repetition of the 'm' sound at the beginning of adjacent words creates a musical flow.

Code-Mixing / Multilingualism

Hello seat saahaap kaise aap / We are seven hum saath lok hai

The lyrics mix Tamil, English, and Hindi phrases seamlessly to simulate a multi-ethnic hotel/club setting.

Did you know?

Trivia

This track highlights the iconic voice of L. R. Eswari, who was the definitive voice of club and cabaret songs in Tamil cinema throughout the 1960s and 1970s. Penned by Kannadasan with music by M. S. Viswanathan (MSV), the song captures the era's trendy fusion of Western jazz rhythms with experimental multilingual dialogues.

Keep listening

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