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Sivandha Kangal album cover
Lyrics & meaning

Gundan Chatti Pandaramadi

From Sivandha Kangal · 1982

Lyricist
Gangai Amaran
Singer
Malaysia Vasudevan
Music director
Gangai Amaran
Movie name
Sivandha Kangal
Movie release year
1982
Lyrics added on
3 Jun 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
……………….
Chorus :………………
Gundaan satti pandaaramadi ombothu
Chorus :Ombothu
Male :Kottaang kuchchi kummaalamadi ombothu
Chorus :Ombothu
Male :Ada angittu paaru ingittu paaru ombothu
Chorus :Ombothu
Male :Naalu anju aaru yaezhu ettu ombothu
Chorus :Ombothu
Gundaan satti pandaaramadi ombothu
Male :Ombothu
Chorus :Kottaang kuchchi kummaalamadi ombothu
Male :Ombothu
Chorus :Ada angittu paaru ingittu paaru ombothu
Male :Ombothu
Chorus :Naalu anju aaru yaezhu ettu ombothu
Male :Ombothu
Naan vaettiyum katti ravikka maattum
Aambala pombala rendumadaa
Male :Haan
Male :Idhu ammaiyappan thittamadaa
Nalla kummiyadichchi paadungadaa….
Male :Haan…haiyo….oo….aa….
Elani thonguthadaa etti etti pudichukkadaa
Chorus :Yaehae yaehae yaehae yaehae
Male :Odachchaa vazhukkaiyadaa onthalaiyum vazhukkaiyadaa
Ivan sollavum maattaan mellavum maattaan
Chorus :Ivan sollavum maattaan mellavum maattaan
Male :Vaayath thoranthaa moodavae maattaan
Chorus :Vaayath thoranthaa moodavae maattaan
Gundaan satti pandaaramadi ombothu
Chorus :Ombothu
Male :Haa kottaang kuchchi kummaalamadi ombothu
Chorus :Ombothu
Male :Ada angittu paaru ingittu paaru ombothu
Chorus :Ombothu
Male :Naalu anju aaru yaezhu ettu ombothu
Chorus :Ombothu
……………..
………………..
Santhula ponthula engumirukkum koottamadaa
Naanga kaalaiyum Illa pasuvum illa
Kannukkuttiyum poduvathilla
Chikkupukku chikku rayiladi
Naanga silirththukittaa mayiladi
Chorus :Chikkupukku chikku rayiladi
Naanga silirththukittaa mayiladi
Adi nallaa sonnae puththiyadi
Idhu naayadi peyadi neththiyadi
Male :Ennaa adi adhu
Male :Idhu naayadi peyadineththiyadi
Female :Adi aaththaadi
Idhu saelaiyum illa vaettiyum illa
Chorus :Idhu saelaiyum illa vaettiyum illa
Male :Suththamaa sonnaa onnumaeyilla
Chorus :Suththamaa sonnaa onnumaeyilla
Gundaan satti pandaaramadi ombothu
Chorus :Ombothu
Male :Haa kottaang kuchchi kummaalamadi ombothu
Chorus :Ombothu
Male :Ada angittu paaru ingittu paaru ombothu
Chorus :Ombothu
Male :Naalu anju aaru yaezhu ettu ombothu
Chorus :Ombothu
Male :Ombothu
Chorus :Ombothu…
...
Chorus: ...
A beggar with pots and pans, hey, number nine!
Chorus: Number nine!
Male: A coconut shell making merry, hey, number nine!
Chorus: Number nine!
Male: Hey, look over there, look over here, number nine!
Chorus: Number nine!
Male: Four, five, six, seven, eight, nine!
Chorus: Number nine!
A beggar with pots and pans, hey, number nine!
Male: Number nine!
Chorus: A coconut shell making merry, hey, number nine!
Male: Number nine!
Chorus: Hey, look over there, look over here, number nine!
Male: Number nine!
Chorus: Four, five, six, seven, eight, nine!
Male: Number nine!
Wearing a dhoti and putting on a blouse,
I am both a man and a woman, friend!
Male: Haan!
Male: This is the design of the Divine Mother and Father (Lord Shiva and Parvati)!
Clap your hands in Kummi folk dance and sing along!
Male: Haan... aiyoh... oo... aa...
Tender coconuts are hanging, reach out and grab them!
Chorus: Yehey yehey yehey yehey!
Male: Crack it open and it is tender pulp, and your head is bald too!
He won't say a word, nor will he swallow it down!
Chorus: He won't say a word, nor will he swallow it down!
Male: But if he opens his mouth, he won't shut it at all!
Chorus: But if he opens his mouth, he won't shut it at all!
A beggar with pots and pans, hey, number nine!
Chorus: Number nine!
Male: Ha, a coconut shell making merry, hey, number nine!
Chorus: Number nine!
Male: Hey, look over there, look over here, number nine!
Chorus: Number nine!
Male: Four, five, six, seven, eight, nine!
Chorus: Number nine!
...
...
We are a crowd found in every nook and cranny!
We are neither a bull nor a cow,
and we do not give birth to calves!
Chugging along like a train!
When we flaunt ourselves, we are like peacocks!
Chorus: Chugging along like a train!
When we flaunt ourselves, we are like peacocks!
Hey girl, you spoke some real sense!
This is a crushing blow, a direct hit to the head!
Male: What kind of hit was that?
Male: This is a crushing blow, a direct hit to the head!
Female: Oh my goodness!
This is neither a sari nor a dhoti!
Chorus: This is neither a sari nor a dhoti!
Male: Frankly speaking, it is nothing at all!
Chorus: Frankly speaking, it is nothing at all!
A beggar with pots and pans, hey, number nine!
Chorus: Number nine!
Male: Ha, a coconut shell making merry, hey, number nine!
Chorus: Number nine!
Male: Hey, look over there, look over here, number nine!
Chorus: Number nine!
Male: Four, five, six, seven, eight, nine!
Chorus: Number nine!
Male: Number nine!
Chorus: Number nine...
Male
Male
Chorus
Male
Male
Male
Chorus
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This energetic folk-style song from 'Sivandha Kangal' (1982) uses colloquial Tamil street-slang and folk rhythms to explore themes surrounding transgender identity and gender fluidity in society. The term 'ombothu' (number nine) is a well-known Tamil slang reference to transgender individuals. The song candidly describes the dual nature of their attire and identity—combining elements of both male and female clothing and demeanor—while invoking the mythological concept of 'Ammaiyappan' (Ardhanarishvara, the half-male half-female form of Lord Shiva) to validate their existence as part of nature's design. Through playful banter, rhythmic chants, and street performance style ('Kummi'), the lyrics reflect on how the transgender community navigates visibility, societal attitudes, and self-expression across every nook and corner of the city. While lighthearted and satirical on the surface, the song asserts their presence and humanity in mainstream popular culture.

Writing craft

Poetic devices

Muran (Antithesis)

Aambala pombala rendumadaa

Contrasting opposites 'Aambala' (Male) and 'Pombala' (Female) are placed together to emphasize gender duality.

Metaphor / Mythological Allusion

Idhu ammaiyappan thittamadaa

Compares dual gender identity to 'Ammaiyappan' (Ardhanarishvara), the combined form of Lord Shiva and Goddess Parvati.

Muran (Antithesis)

Idhu saelaiyum illa vaettiyum illa

Pairs the contrasting traditional garments 'Saelai' (Saree) and 'Vaetti' (Dhoti) to highlight non-binary identity.

Simile / Visual Imagery

Naanga silirththukittaa mayiladi

Compares the excitement and joyful expression of the dancers to a peacock fanning its feathers ('mayil').

Did you know?

Trivia

'Sivandha Kangal' (1982) is an action-drama film starring Vijayakanth and Menaka, directed by Ram Narayan. The music for the film was composed by M. S. Viswanathan with lyrics written by Gangai Amaran. This song stands out as a rare early 1980s Tamil cinema track that openly engaged with transgender themes using contemporary street dialect and folk dance rhythms.

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