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Isaimozhi
Lyrics & meaning

Gangai Karai Thottam

From Vanambadi · 1963

Lyricist
Kannadasan
Singer
P. Susheela
Music director
K. V. Mahadevan
Details
Vanambadi1963

Lyrics & meaning

Tanglish lyrics English translation
Female
GangaiGanges
Karai thottamA garden on the bank,
Kanni pengal kootamA crowd of young maidens,
Kannan naduvinilaeAnd Lord Krishna right in the middle.
Oo hoo oo kannan naduvinilaeOo hoo oo, Lord Krishna in the middle.
Female
Kaalai ilam kaatruThe gentle morning breeze,
Paadi varum paatuThe song coming with it,
Edhilum avan kuralaeIn everything, it is His voice.
Oo oo edhilum avan kuralaeOo oo, in everything, it is His voice.
Female
…………………...
Female
GangaiGanges
Karai thottamA garden on the bank,
Kanni pengal kootamA crowd of young maidens,
Kannan naduvinilaeAnd Lord Krishna right in the middle.
Oo hoo oo kannan naduvinilaeOo hoo oo, Lord Krishna in the middle.
Female
Kaalai ilam kaatruThe gentle morning breeze,
Paadi varum paatuThe song coming with it,
Edhilum avan kuralaeIn everything, it is His voice.
Oo oo edhilum avan kuralaeOo oo, in everything, it is His voice.
Female
{ Kannan{ Krishna's
Muga thotram kandenDivine face I saw,
Kandavudan maatram konden } (2)The moment I saw Him, I underwent a change } (2)
Female
{ Kan{ My eyes
Mayangi yengi nindrenFainted and yearned as I stood,
Kanni silayaga nindren } (2)I stood like a virgin statue } (2)
Female
EnnaWhat
NinaindhenoWas I thinking,
Thannai marandhenoDid I lose myself completely,
Kanneer perugiyadhaeTears welled up in abundance,
Oh hoo kanneer perugiyadhaeOh hoo, tears overflowed.
Female
GangaiGanges
Karai thottamA garden on the bank,
Kanni pengal kootamA crowd of young maidens,
Kannan naduvinilaeAnd Lord Krishna right in the middle.
Oo hoo oo kannan naduvinilaeOo hoo oo, Lord Krishna in the middle.
Female
{ Kannan{ Lord Krishna
Ennai kandu kondanNoticed me,
Kai irandil alli kondan } (2)And gathered me in both His arms } (2)
Female
{ Ponalagu{ Golden beauty
Meni endran pooIs your body, He said, and with flower
Charangal soodi thandhan } (2)Garlands He adorned me } (2)
Female
KanMy eyes
Thirandhu paarthenI opened and looked,
Kannan angu illaiKrishna was not there,
Kanneer perugiyadhaeTears welled up in abundance,
Oh hoo kanneer perugiyadhaeOh hoo, tears overflowed.
Female
AndruThe Krishna who
Vandha kannanCame that day,
Indru vara villaiHas not come today,
Endro avan varuvan oo hooSomeday He will return, oo hoo,
Endro avan varuvanSomeday He will return.
Female
{ Kannan{ The eyes
Mugam kanda kangalThat saw Krishna's face
Mannar mugam kaanbathillai } (2)Will never look at a king's face } (2)
Female
{ Kannanuku{ To Krishna,
Thandha ullamThe heart I gave away,
Innoruvar kolvadhillai } (2)No someone else can ever take } (2)
Female
KannanWhen Krishna
Varum naalil kanniArrives on that day, will I as a maiden
Irupeno kaatril maraivenoStill be here, or disappear into the wind?
Oo hoo kaatril maraivenoOo hoo, disappear into the wind?
Female
NaadiSeeking me
Varum kannanWhen Krishna comes,
Kolamani maarbilOn His jewel-adorned chest,
Naanae thavalndhirupenI alone will rest,
Oo hoo naanae thavalndhirupenOo hoo, I alone will rest.
{ Kanna aa aaaa….. } (3){ Oh Krishna aa aaaa... } (3)
Female
GangaiGanges
Karai thottamA garden on the bank,
Kanni pengal kootamA crowd of young maidens,
Kannan naduvinilaeAnd Lord Krishna right in the middle.
Oo hoo oo kannan naduvinilaeOo hoo oo, Lord Krishna in the middle.

Beyond the translation

Song interpretation

This classic song from the movie 'Vanambadi' (1963) encapsulates the divine longing ('Madhura Bhava' / 'Nayaka-Nayaki Bhava') of a devotee for Lord Krishna. Set against the serene backdrop of a garden on the banks of the river Ganges, the protagonist perceives Krishna's presence in every element of nature—from the morning breeze to the gentle melodies around her. She recounts a deep spiritual trance where she glimpses His face, loses herself, and experiences a dreamlike embrace where Krishna praises her and adorns her with flowers, only to awaken to the painful realization of His absence. Despite her sorrow, her devotion remains steadfast and uncompromising. She asserts that eyes that have beheld the divine face of Krishna will never look upon an earthly king, and a heart given to Him can belong to no other mortal. She contemplates her own mortality while eagerly awaiting His eventual return, ultimately finding solace in the hope of union with the divine.

Writing craft

Poetic devices

Personification

Kaalai ilam kaatru Paadi varum paatu

The gentle morning breeze is personified as a singer bringing a song.

Upamai Ani (Simile)

Kanni silayaga nindren

The heroine compares her still, spellbound state in devotion to a frozen statue ('silayaga').

Iyaipu (End Rhyme)

Mayangi yengi nindren / Kanni silayaga nindren

Both lines end with the rhyming word 'nindren'.

Monai (Initial Rhyme / Alliteration)

Kaalai ilam kaatru

Repetition of the 'Ka' sound in 'Kaalai' and 'kaatru'.

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Trivia

Written by the master lyricist Kannadasan, 'Gangai Karai Thottam' is historically sung by the legendary playback singer P. Susheela, set to music by the famous composer K. V. Mahadevan for the film 'Vanambadi' (1963). The lyrics draw heavily from classical Bhakti literature, particularly the traditions of Andal and Carnatic compositions centered on Krishna devotionalism.

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