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Isaimozhi
Lyrics & meaning

Ezhumalai Title Track

From Ezhumalai – 2025 Film · 2025

Lyricist
Madhurakavi
Singer
V. M. Mahalingam
Music director
D. Imman
Movie name
Ezhumalai – 2025 Film
Movie release year
2025
Lyrics added on
31 Jul 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Ezhuvaththezhu malaiyile..
Kaatup puli koottathodu..
Simma puli meedhamarndhu..
Paanju varum
Malai maadheshwaaraa
Sambo.. siva..
Aanamala jenumala
Kaadumala kaanumala
Pachchamala pavalamala
Ponnachimala
Naduvula eesan sila
Nattu vacha soola mala
Nanaikkudhu jwala mazha
Anal ezhuppudhu ezhumala
Pattu thirai vilagida
Kottu melam muzhangida
Vettu minnal therithidudhe..
Netri kanngal thirandhida
Nenjil innal parandhida
Kannil arul surandhidudhe..
Ongaara thaandavane
Madheshaa
Samhaara aandavane
Sarveshaa
Ongaara thaandavane
Madheshaa
Samhaara aandavane
Sarveshaa
Samboo shiva samboo
Aanamala jenumala
Kaadumala kaanumala
Pachchamala pavalamala
Ponnachimala
Naduvula eesan sila
Nattu vacha soola mala
Nanaikkudhu jwala mazha
Anal ezhuppudhu ezhumala
Thiruvilaiyadal ellam
Unnidame arambame
Unnai minja yaru sivane?
Peru nadhi koodal ellaam
Un thalaiyin sangamame
Netri kannane arane
Peranda kaavalane
Maadheshaa
Nanjunda naayagane
Parameshaa
Peranda kaavalane
Maadheshaa
Nanjunda naayagane
Parameshaa
Shiva shivaa
Hara hara hara hara
Sadhashiva mahadevaa
Samboo shiva samboo
Nee sinam kondaal
Asura piralayame thaan
Nadandhidaadho
Nee nadam kandal
Kadalin peralaiye
Ezhumbidadho
Udaladhai sari padhi
Sakthikkena thandhavane
Arththanaareeshwarane
Uchandhalai meedhinile
Gangaiyathan vachavane
Gangadharap perumaane
O parameshwara
Om kareshwara
Malai madheshwarane..
Ellaamum kodukkura
Maadheshaa
Engeyum irukkura
Maadheshaa
Ellaamum kodukkura
Maadheshaa
Engeyum irukkura
Maadheshaa
Ongaara thaandavane
Madheshaa
Samhaara aandavane
Sarveshaa
Ongaara thaandavane
Madheshaa
Samhaara aandavane
Sarveshaa
Across the seventy-seven hills...
Amidst a pack of wild tigers...
Riding atop a fierce tiger...
Leaping forward, he comes,
Lord Male Mahadeshwara!
Shambho... Shiva...
Anaimalai, Jenumalai,
Kadumalai, Kanumalai,
Pachamalai, Pavalamalai,
And Ponnachimallai!
In the center stands the Lord's form,
On the holy hill planted with a trident,
Drenched in a shower of blazing fire,
As the seven hills kindle the burning flames!
As the silk curtain is drawn,
And the temple drums resonate,
Flashes of lightning strike!
As the third eye opens,
And all troubles vanish from the heart,
Grace pours forth from his eyes!
O dancer of the primal Om!
Madhesha!
O Lord of cosmic destruction!
Sarvesha!
O dancer of the primal Om!
Madhesha!
O Lord of cosmic destruction!
Sarvesha!
Shambho Shiva Shambho!
Anaimalai, Jenumalai,
Kadumalai, Kanumalai,
Pachamalai, Pavalamalai,
And Ponnachimallai!
In the center stands the Lord's form,
On the holy hill planted with a trident,
Drenched in a shower of blazing fire,
As the seven hills kindle the burning flames!
All divine plays
Have their beginnings only in you!
Who can ever surpass you, O Shiva?
The confluence of mighty rivers
Gathers upon the crown of your head!
O three-eyed Lord, O Hara!
O protector of the vast universe!
Madhesha!
O Lord who swallowed the poison!
Paramesha!
O protector of the vast universe!
Madhesha!
O Lord who swallowed the poison!
Paramesha!
Shiva Shiva!
Hara Hara Hara Hara!
Sadashiva Mahadeva!
Shambho Shiva Shambho!
If your anger rises,
Wouldn't a massive destruction
Of demons take place?
When your dance begins,
Wouldn't the giant waves of the ocean
Rise high into the sky?
The one who gave half his body
To Goddess Shakti,
O Ardhanarishwara (half-male, half-female Lord)!
Upon the crown of your head,
You hold the sacred Ganga,
O Lord Gangadhara!
O Parameshwara!
O Omkareshwara!
O Lord Male Mahadeshwara!
You who give us everything,
Madhesha!
You who are present everywhere,
Madhesha!
You who give us everything,
Madhesha!
You who are present everywhere,
Madhesha!
O dancer of the primal Om!
Madhesha!
O Lord of cosmic destruction!
Sarvesha!
O dancer of the primal Om!
Madhesha!
O Lord of cosmic destruction!
Sarvesha!
Male
Male
Male
Male
Male
Male
Chorus
Male
Male
Male
Male
Chorus
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This energetic devotional track praises Lord Male Mahadeshwara, a powerful incarnation of Lord Shiva venerated across the hills along the Tamil Nadu-Karnataka border. The song paints a grand imagery of the deity riding through wild forests accompanied by tigers and lions, dwelling amidst sacred hills such as Anaimalai, Pachaimalai, and Pavalamalai. The verses celebrate his iconic mythological manifestations including Ardhanarishvara (half-man, half-woman), Gangadhara (bearer of River Ganges), and Nanjundeshwara (consumer of poison). The emotional core weaves awe-inspiring descriptions of Shiva's fiery, cosmic rage capable of causing oceanic deluges alongside his compassionate nature that grants blessings, removes sorrow, and pours grace upon his devotees. Singer VM Mahalingam's earthy vocals combined with D. Imman's high-tempo folk beats elevate the song into a vibrant anthem of spiritual adoration.

Writing craft

Poetic devices

Iyaipu (Rhyming Endings)

Aanamala jenumala / Kaadumala kaanumala / Pachchamala pavalamala

Repetitive end-rhyming with the suffix 'mala' (mountain) creates a rhythmic, hypnotic folk cadence.

Metaphor

Nattu vacha soola mala

The idol/presence of Shiva in the hills is metaphorically described as a planted mountain shaped like a divine trident (Soolam).

Hyperbole

Nee sinam kondaal / Asura piralayame thaan / Nadandhidaadho

An exaggerated poetic description stating that if the deity experiences wrath, a cosmic, apocalyptic deluge will swallow the earth.

Monai (Initial Rhyme / Alliteration)

Ongaara thaandavane / Samhaara aandavane

Repetition of similar rhythmic structure and sound patterns at the beginning of phrases to emphasize the divine attributes.

Did you know?

Trivia

Lord Male Mahadeshwara is a popular folk deity revered intensely along the forested border regions of Karnataka and Western Tamil Nadu, traditionally depicted riding a tiger. VM Mahalingam is famous for his raw, rustic voice that seamlessly fits energetic Tamil folk and devotional tracks, perfectly suited for D. Imman's percussion-heavy music production.

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