Skip to content
Isaimozhi
Lyrics & meaning

Enaiyalum Thayanithiye

From Harichandra -1944 Film · 1944

Lyricist
C. A. Lakshmana Das
Singer
P. U. Chinnappa
Music director
S. V. Venkatraman
Details
Harichandra -1944 Film1944

Lyrics & meaning

Tanglish lyrics English translation
Male
Enaiyaalum dhayaanidhiO treasure of mercy who rules over me!
Eesaa karunaa vilaasaaO Supreme Lord, manifestation of compassion!
Enaiyaalum dhayaanidhiO treasure of mercy who rules over me!
Eesaa karunaa vilaasaaO Supreme Lord, manifestation of compassion!
Enaiyaalum dhayaanidhiO treasure of mercy who rules over me!
Male
Unnai naan maravaadha dhyaanamUnforgetting meditation upon You
Ondrae nee udhavudhaanamIs the sole grace/help You must bestow upon me.
Unnai naan maravaadha dhyaanamUnforgetting meditation upon You
Ondrae nee udhavudhaanamIs the sole grace/help You must bestow upon me.
Punidha bhoomimaevum gnaanaAbiding in the holy land of wisdom,
Punidha bhoomimaevum gnaanaAbiding in the holy land of wisdom,
Punidha bhoomimaevum gnaanaAbiding in the holy land of wisdom,
Bodha naadha odha naaval seiO Lord of enlightenment, grant me eloquent speech to chant Your praise!
Enaiyaalum dhayaanidhiO treasure of mercy who rules over me!
Male
Padiyaai thirumudipoi maruHaving lost my divine crown and fallen into hardship,
Padivaai maiyaal kadanumaanaenI have become deeply indebted due to dire misfortune.
Padiyaai thirumudipoi maruHaving lost my divine crown and fallen into hardship,
Padivaai maiyaal kadanumaanaenI have become deeply indebted due to dire misfortune.
Padivaar manai maganum thooyaMy virtuous wife and my beloved son
Maraiyor thamakkadimaiyaanaarHave become slaves to pure Vedic scholars.
Maraiyor thamakkadimaiyaanaarHave become slaves to pure Vedic scholars.
Male
Kodiyon ena pasuvai naalumLike a wicked man daily unto a cow,
Kolaiyae seiyum kulaiyanaanaenI have become an executioner who slays.
Kodiyon ena pasuvai naalumLike a wicked man daily unto a cow,
Kolaiyae seiyum kulaiyanaanaenI have become an executioner who slays.
Adimai yaanum udalai kaakkaIs it appropriate for me, even as a slave protecting this body,
Adimai yaanum udalai kaakkaIs it appropriate for me, even as a slave protecting this body,
Laagumo paraabaramaeIs this acceptable, O Supreme Being?
Male
Enaiyaalum dhayaanidhiO treasure of mercy who rules over me!
Eesaa karunaa vilaasaaO Supreme Lord, manifestation of compassion!
Enaiyaalum dhayaanidhiO treasure of mercy who rules over me!

Beyond the translation

Song interpretation

In this soulful song from the 1944 film 'Harichandra', King Harichandra pours out his heart in prayer to God Shiva (Paraabaran). Having sacrificed his kingdom, crown, wealth, and status to uphold truthfulness at all costs, he suffers extreme humiliation and grief. He recounts how his beloved wife Chandramathi and son Devadasan were sold into slavery to a holy Brahmin, while he himself was forced to become a graveyard guard—a role metaphorically described as an executioner's trade. Plunged into deep sorrow, Harichandra begs the Almighty for the grace to keep meditating on Him despite all suffering, questioning if such extreme trials are appropriate for maintaining physical existence while walking the path of righteousness.

Writing craft

Poetic devices

Anaphora / Refrain

Enaiyaalum dhayaanidhi / Eesaa karunaa vilaasaa

The repetition of 'Enaiyaalum dhayaanidhi' and 'Eesaa karunaa vilaasaa' throughout the song reinforces the devotee's continuous reliance on God's mercy.

Edukki (Second-Letter Rhyming)

Padiyaai thirumudipoi maru / Padivaai maiyaal kadanumaanaen

The second consonant sound matches across lines to create internal rhythm in Tamil classical verse (e.g., 'Padi...' and 'Padi...').

Apostrophe

Laagumo paraabaramae

Directly addressing the divine using terms of address like 'Eesaa', 'Dhayaanidhi', and 'Paraabaramae'.

Did you know?

Trivia

The 1944 film Harichandra, starring P. U. Chinnappa, was an iconic retelling of King Harishchandra's unwavering commitment to truth (Satya). Lyricist C. A. Lakshmana Das crafted these verses in classical Tamil theater style, bridging traditional drama traditions with early Indian sound cinema.

Keep listening

More from Harichandra -1944 Film