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Isaimozhi
Lyrics & meaning

Boomi Enthan

From Sakthi Leelai · 1972

Lyricist
Kannadasan
Singer
K. B. Sundarambal
Music director
T. K. Ramamoorthy
Details
Sakthi Leelai1972

Lyrics & meaning

Tanglish lyrics English translation
Female
Boomi endhan sondhamendruA heart that considers this earth as its own possession,
Ennugindra nenjam ondruA single arrogant heart thinking so,
Mannan endra peril nindruStanding in the title of a king,
Narthana maaduvadhu sakthiyai meerudhu ammaDancing recklessly defies Sakthi, Oh Mother!
Female
Idi pirandhu mazhai pirandhahellamThe birth of thunder and the birth of rain,
Veyil pirandhu aval nadathumAnd the birth of sunshine are all conducted by Her;
Leelai endru ennam ammaRealize that it is all Her divine play, Oh Mother!
Aaduthu kottram aaduthu magudamThe scepter sways and the crown dances,
Paaduthu thannai meerudhu unnaiIt sings in arrogance, forgetting you,
Bakthiyai kaakum sathiya naayagi ammaOh Mother, Goddess of Truth who protects devotion!
Amma aa…aaa…ammaMother... ah... ah... Mother...
Female
Sakthiyenum deivam konda padai veeduThe supreme fortress held by the deity named Sakthi,
Sakthiyenum deivam konda padai veeduThe supreme fortress held by the deity named Sakthi,
Indha ulagam muluvathum avaloduThis entire world abides with Her,
Sakthiyenum deivam konda padai veeduThe supreme fortress held by the deity named Sakthi,
Indha ulagam muluvathum avaloduThis entire world abides with Her,
Sakthiyenum deivam konda padai veeduThe supreme fortress held by the deity named Sakthi,
Female
Bakthi seiyum makkal ulla idamengumWherever there are people who pray devoutly,
Aval pala peril vaazhugindraal uyiroduShe lives alive in many different names,
Bakthi seiyum makkal ulla idamengumWherever there are people who pray devoutly,
Aval pala peril vaazhugindraal uyiroduShe lives alive in many different names,
Female
Kaali maariyena aadhi deviyenaAs Kaali, as Maari, as the primordial Goddess,
Annai konda nooru pergal arivaayooDo you know the hundred names taken by the Mother?
Female
Sakthiyenum deivam konda padai veeduThe supreme fortress held by the deity named Sakthi,
Female
Unmai kandavargal thannaiThose who realized the truth,
Vendravargal kandaargalAnd those who conquered their egos have seen,
Dhinam unnai aalvadhoru penmaiThat a feminine cosmic power rules over you every day,
Endravargal sonnargalSo declared the wise ones.
Female
Annaiyindri unnaiWithout a mother,
Endha veetil pettrargalIn which household were you born?
Sakthiyandri bakthiyandriWithout Sakthi and without devotion,
Enna kattraargalWhat useful knowledge have they truly learned?
Female
Samayapurathil ulavum oruthiyaiThe divine mother who wanders in Samayapuram,
Anbargal azhaippadhu mahamaayiDevotees affectionately call Her Mahamaayi,
Thiruverkaattinil vaazhum oruthiyaiThe divine mother residing in Thiruverkadu,
Anbargal azhaipathu karumaariDevotees call Her Karumaari,
Female
Padavettammaal aval peraePadavettammal is Her sacred name,
Palaiyam enbathum aval oorePadaveedu is Her divine town,
Muthalammanum aval thaaneMuthalamman is none other than Her,
Moogaambiyum aval thaaneMookambika is none other than Her,
Thanjaiyil vaazhum mahamaayiThe Mahamaayi living in Tanjore,
Tharuvaal arulae sivasakthiSivasakthi will bestow Her divine grace!
Sakthi… sakthi sakthiSakthi... Sakthi Sakthi!

Beyond the translation

Song interpretation

This powerful devotional song from 'Sakthi Leelai' (1972), sung by K. B. Sundarambal, is a stern warning to arrogant human rulers and a glorious hymn to Goddess Sakthi. It opens by reminding worldly kings that their crowns and scepters are fleeting; true power lies with Goddess Sakthi, who governs the natural forces—thunder, rain, and sunshine—as part of Her divine cosmic play (Leelai). The lyrics highlight the omnipresence of the Divine Mother across various sacred shrines under different names, such as Samayapuram Mahamaayi, Thiruverkadu Karumaari, Padavettammal, Muthalamman, and Mookambika. Kannadasan poses deep philosophical questions, reminding humanity that without maternal force, life cannot exist, and without devotion to Sakthi, all intellectual pursuits are empty.

Writing craft

Poetic devices

Anaphora (Repetition)

Sakthiyenum deivam konda padai veedu

The line 'Sakthiyenum deivam konda padai veedu' is repeated systematically to emphasize the absolute power and omnipresence of the Goddess.

Emona / Etukai (Rhyme Scheme)

Annaiyindri unnai / Sakthiyandri bakthiyandri

The second consonant rhyming (Etukai) creates a rhythmic devotional cadence, such as 'Idi' and 'Veyil', or 'Annaiyindri' and 'Sakthiyandri'.

Rhetorical Question

Annaiyindri unnai / Endha veetil pettrargal

The poet uses provocative questions to shatter human ego, asking how anyone could exist without a mother or claim true wisdom without devotion.

Did you know?

Trivia

'Sakthi Leelai' (1972) is a classic Tamil mythological film featuring legendary classical singer and actress K. B. Sundarambal. Composed by T. K. Ramamoorthy after his famous separation from M. S. Viswanathan, this song highlights Sundarambal's remarkable vocal range and commanding pitch. Kannadasan's lyrics seamlessly weave together prominent South Indian Amman temples—including Samayapuram, Thiruverkadu, and Padaveedu—creating an iconic pilgrimage anthem.

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