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Isaimozhi
Lyrics & meaning

Athisaya Raagam

From Apoorva Raagangal · 1975

Lyricist
Kannadasan
Singer
K. J. Yesudas
Music director
M. S. Vishwanathan
Details
Apoorva Raagangal1975

Lyrics & meaning

Tanglish lyrics English translation
Male
Adhisaya raagam…Miraculous ragam…
Aanandha raagam…Blissful ragam…
Azhaghiya raagam… mm mm mmBeautiful ragam… mm mm mm
Aboorva raagam…Rare ragam…
Male
Adhisaya raagam…Miraculous ragam…
Aanandha raagam…Blissful ragam…
Azhaghiya raagam… mm mm mmBeautiful ragam… mm mm mm
Aboorva raagam…Rare ragam…
Male
Adhisaya raagamMiraculous ragam
Male
Vasantha kaalathilIn the spring season
Mazhai tharum megamA cloud that brings rain
Andha mazhai neer arundhaTo drink that rainwater
Manadhinil mogamThere is desire in the heart
Mogam… mmm..mogam…Desire… mmm..desire…
Male
Vasantha kaalathilIn the spring season
Mazhai tharum megamA cloud that brings rain
Andha mazhai neer arundhaTo drink that rainwater
Manadhinil mogamThere is desire in the heart
Male
Isaiyenum amudhinilIn the nectar called music
Avaloru baagamShe is a part
Isaiyenum amudhinilIn the nectar called music
Avaloru baagamShe is a part
Indhira logathu chakkaravaagamShe is the Chakravaka bird of Indra's heavenly realm
Male
Adhisaya raagam…Miraculous ragam…
Aanandha raagam…Blissful ragam…
Azhaghiya raagam… mm mm mmBeautiful ragam… mm mm mm
Aboorva raagam…Rare ragam…
Male
Pinniya koondhalHer braided hair
Karunira naagamIs like a black cobra
Penmaiyin ilakkanamThe grammar of womanhood
Avaladhu dhegamIs her body
Male
Pinniya koondhalHer braided hair
Karunira naagamIs like a black cobra
Penmaiyin ilakkanamThe grammar of womanhood
Avaladhu dhegamIs her body
Male
Devargal valarthidumA poetic sacrificial ritual
Kaaviya yaagamNurtured by the gods
Andha dhevadhai kidaithaalIf that goddess is obtained
Adhu en yogamThat is my good fortune
Adhu en yogamThat is my good fortune
Male
Oru puram paarthaalIf viewed from one side
Midhilaiyin maithiliShe is Mithila's Maithili (Sita)
Maru puram paarthaalIf viewed from another side
Kaaviri maadhaviShe is Cauvery's Madhavi
Male
Oru puram paarthaalIf viewed from one side
Midhilaiyin maithiliShe is Mithila's Maithili (Sita)
Maru puram paarthaalIf viewed from another side
Kaaviri maadhaviShe is Cauvery's Madhavi
Male
Mugam mattum paarthaalIf you look only at her face
Nilavin edhiroliIt is the reflection of the moon
Mugam mattum paarthaalIf you look only at her face
Nilavin edhiroliIt is the reflection of the moon
Muzhuvadhum paarthaalIf you look at her in entirety
Avaloru bhairaviShe is a Bhairavi
Avaloru bhairavi avaloru bhairaviShe is a Bhairavi, she is a Bhairavi
Male
Adhisaya raagam…Miraculous ragam…
Aanandha raagam…Blissful ragam…
Azhaghiya raagam… mm mm mmBeautiful ragam… mm mm mm
Aboorva raagam…Rare ragam…

Beyond the translation

Song interpretation

Adhisaya Raagam from the 1975 classic film Apoorva Raagangal is an iconic composition that elevates the beauty, grace, and complexity of a woman by interweaving her identity with classical Carnatic ragas and epic literature. Kannadasan crafts a poetic landscape where the protagonist views his beloved as a rare, divine melody, comparing her physical beauty and spiritual essence to spring rains, heavenly creatures, and sacred rituals. Furthermore, he presents her multifaceted character through famous literary dualities—she embodies the devoted purity of Maithili (Sita from the Ramayana) as well as the artistic allure of Madhavi (from Silappatikaram), concluding that in her full glory, she is as majestic and formidable as Raga Bhairavi.

Writing craft

Poetic devices

Monai (Initial Alliteration)

Adhisaya raagam… / Aanandha raagam… / Azhaghiya raagam… / Aboorva raagam…

Repetition of the initial vowel sound 'A' ('அ') across consecutive opening lines to create rhythmic harmony.

Uruvagaim (Metaphor)

Isaiyenum amudhinil Avaloru baagam

Directly metaphorizing music into nectar ('isaiyenum amudhu') and the woman as a portion of that immortal nectar.

Upamai (Simile)

Pinniya koondhal Karunira naagam

Comparing long, dark braided hair directly to a black cobra.

Literary Juxtaposition / Contrast

Oru puram paarthaal Midhilaiyin maithili / Maru puram paarthaal Kaaviri maadhavi

Contrasting two archetype figures of Tamil/Indian epic tradition—chaste Sita (Maithili) and artistic court dancer Madhavi—to show the complex, dual nature of her personality.

Sileshai / Pun (Double Entendre on Raga Names)

Indhira logathu chakkaravaagam / Muzhuvadhum paarthaal Avaloru bhairavi

Cleverly embedding Carnatic raga names like Chakravakam and Bhairavi into the lyrical description of the heroine.

Did you know?

Trivia

Composed by M.S. Viswanathan and rendered by K.J. Yesudas, this song won Yesudas the National Film Award for Best Male Playback Singer in 1976. Director K. Balachander used the names of Carnatic ragas (such as Bhairavi) within Kannadasan's lyrics as symbolic character clues that directly mirrored the complex relationships and names in the film Apoorva Raagangal.

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