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Lyrics & meaning

Athai Magane Poivarava

From Paadha Kaanikkai · 1962

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Vishwanathan-Ramamoorthy
Movie name
Paadha Kaanikkai
Movie release year
1962
Lyrics added on
18 Aug 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Athai magane poi varavaa
Ammaan magane poi varavaa
Athai magane poi varavaa
Athai magane poi varavaa
Ammaan magane poi varavaa
Athai magane poi varavaa..aaa
Undhan manadhai kondu sellavaa
Endhan ninaivai thandhu sellavaa
Undhan manadhai kondu sellavaa
Endhan ninaivai thandhu sellavaa
Athai magane poi varavaa
Ammaan magane poi varavaa
Athai magane poi varavaa..aaa
Malligai malar soodi
Kaathu nirkavaa
Maalai ilam thendral thannai
Thoodhu vidavaa
Malligai malar soodi
Kaathu nirkavaa
Maalai ilam thendral thannai
Thoodhu vidavaa
Nalladhor naal paarthu sedhi sollavaa
Nalladhor naal paarthu sedhi sollavaa
Naatorai saatchi veithu vandhu vidavaa
Naatorai saatchi veithu vandhu vidavaa
Athai magane poi varavaa
Ammaan magane poi varavaa
Athai magane poi varavaa..aaa
Pen paarkum maapilai
Mugam paarkavaa
Mugam paarka mudiyaamal
Nilam paarkavaa
Pen paarkum maapilai
Mugam paarkavaa
Mugam paarka mudiyaamal
Nilam paarkavaa
Nilam paarthu medhuvaaga
Unai naadavaa
Nilam paarthu medhuvaaga
Unai naadavaa
Unai naadi unai naadi..
Unai naadi unai naadi..uravaadavaa
Athai magane poi varavaa
Ammaan magane poi varavaa
Athai magane poi varavaa..aaaa
My aunt's son, may I take your leave?
My uncle's son, may I take your leave?
My aunt's son, may I take your leave?
My aunt's son, may I take your leave?
My uncle's son, may I take your leave?
My aunt's son, may I take your leave?
Shall I take your heart along with me?
Shall I leave my thoughts behind with you?
Shall I take your heart along with me?
Shall I leave my thoughts behind with you?
My aunt's son, may I take your leave?
My uncle's son, may I take your leave?
My aunt's son, may I take your leave?
Wearing jasmine flowers in my hair,
shall I stand and wait for you?
Through the gentle evening breeze,
shall I send you a message?
Wearing jasmine flowers in my hair,
shall I stand and wait for you?
Through the gentle evening breeze,
shall I send you a message?
Shall I find an auspicious day and send you word?
Shall I find an auspicious day and send you word?
Shall I come to you with the townspeople as witness?
Shall I come to you with the townspeople as witness?
My aunt's son, may I take your leave?
My uncle's son, may I take your leave?
My aunt's son, may I take your leave?
At you, the groom who comes to see his bride,
shall I look upon your face?
Shy and unable to meet your eyes,
shall I gaze at the ground?
At you, the groom who comes to see his bride,
shall I look upon your face?
Shy and unable to meet your eyes,
shall I gaze at the ground?
Looking down at the ground, slowly,
shall I draw close to you?
Looking down at the ground, slowly,
shall I draw close to you?
Drawing close to you, drawing close to you...
Drawing close to you, shall I unite with you in love?
My aunt's son, may I take your leave?
My uncle's son, may I take your leave?
My aunt's son, may I take your leave?
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

Athai Magane Poi Varavaa from the 1962 Tamil film Paadha Kaanikkai is a tender, classic romantic track penned by Kannadasan, set to music by the legendary duo Viswanathan-Ramamoorthy, and rendered by P. Susheela. The heroine bids a playful and affection-laden farewell to her cross-cousin (her traditional suitor in Tamil culture), asking if she may take his heart along while leaving her own sweet memories behind. She expresses her eager anticipation for their marriage, envisioning how she will adorn herself with jasmine blossoms and send the evening breeze as her romantic messenger. The song highlights classical Tamil courtship customs, depicting the heroine's coy modesty (Naanam) as she imagines looking down at the ground when he officially arrives to see her as a prospective bride, longing to unite with him in matrimony before the townspeople.

Writing craft

Poetic devices

Ethukai (Second-letter Rhyme)

Undhan manadhai kondu sellavaa / Endhan ninaivai thandhu sellavaa

The second consonant sound matches across adjacent lines ('Undhan' and 'Endhan'), creating a smooth rhythmic flow characteristic of traditional Tamil poetry.

Personification / Thoodhu

Maalai ilam thendral thannai / Thoodhu vidavaa

The evening breeze ('Maalai ilam thendral') is personified as an envoy or messenger (Thoodhu) carrying romantic messages between lovers.

Adukkuthodar (Repetition for Emphasis)

Unai naadi unai naadi..uravaadavaa

The phrase 'Unai naadi' is repeated continuously to intensify the expression of deep love, longing, and singular dedication.

Cultural Metaphor of Naanam (Modesty)

Mugam paarka mudiyaamal / Nilam paarkavaa

Gazing down at the earth ('Nilam paarkavaa') serves as an iconic literary metaphor for female modesty and shyness in Tamil culture when facing one's suitor.

Did you know?

Trivia

In Tamil culture, 'Poi Varavaa' literally translates to 'I will go and return', as saying a direct 'goodbye' or 'go' is traditionally considered inauspicious. The song beautifully reinforces the cross-cousin marriage tradition (Athai magan / Ammaan magan) prevalent in Tamil Nadu, captured with emotional perfection by Kannadasan's lyricism and Viswanathan-Ramamoorthy's composition.

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