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Isaimozhi
Lyrics & meaning

Sonnathellam Nadanthiduma

From Paadha Kaanikkai · 1962

Lyricist
Kannadasan
Singers
P. Susheela, L. R. Eswari
Music director
Vishwanathan-Ramamoorthy
Details
Paadha Kaanikkai1962

Lyrics & meaning

Tanglish lyrics English translation
Female
Thanam thananam thananam thanananam…Vocalizing musical rhythm...
Thanam thananam thananam thanananam…Vocalizing musical rhythm...
Thanam thananam thananam thanananam…Vocalizing musical rhythm...
Oooh…oohhh..Oooh…oohhh..
Both :Oooh…oohhh..Both: Oooh…oohhh..
Female
Sonnadhellaam nadanthidumaaWill everything that was promised actually happen?
Solladi kiliyaeTell me, oh parrot!
Aaa..solladi kiliyaeAh... tell me, oh parrot!
Sonnadhellaam nadanthidumaaWill everything that was promised actually happen?
Solladi kiliyaeTell me, oh parrot!
Aaa..solladi kiliyaeAh... tell me, oh parrot!
Female
Perum thottam thoravuBig gardens and well-watered fields,
Vaaikkaa pakkam oorukku veliyaeBy the side of the canal outside the village.
Female :Oohh.. oorukku veliyaeFemale: Oohh.. outside the village.
Female :Perum thottam thoravuFemale: Big gardens and well-watered fields,
Vaaikkaa pakkam oorukku veliyaeBy the side of the canal outside the village.
Female :Oohh.. oorukku veliyaeFemale: Oohh.. outside the village.
Both :Avarrrr..sonnadhellaam nadanthidumaaBoth: Will all that he promised come true?
Solladi kiliyaeTell me, oh parrot!
Female
Kannaththodae kannam vachchiPressing his cheek close against my cheek,
Kadhai alandhaaruHe spun sweet, endless romantic tales.
Female :Aamaam kadhaigalai alandhaaruFemale: Yes, he spun sweet tales.
Both :Hoi hoi kadhaigalai alandhaaruBoth: Hoi hoi, he spun sweet tales.
Female
Than kaigalaalae thalaiyai vaariCombing my hair gently with his own hands,
Poo mudichchaaruHe adorned it with flowers.
Female :Aamaa poo mudichchaaruFemale: Yes, he adorned it with flowers.
Female :Oohh..kaigalaalae thalaiyai vaariFemale: Oohh.. combing my hair with his hands,
Poo mudichchaaruHe adorned it with flowers.
Female :Aamaa poo mudiccaaruFemale: Yes, he adorned it with flowers.
Female
Thennampaalai pilandhadhu polaeLike the blossoming of a coconut flower spire,
Sirikka vechchaaruHe made me burst into radiant laughter.
Female :Aamaa sirikka vachchaaruFemale: Yes, he made me laugh.
Female :Poi thirumbi vandhu thaali kattaFemale: Promising to go, return, and tie the sacred wedding thread,
Urudhi sonnaaruHe gave me his solemn word.
Aamaa urudhi sonnaaruYes, he gave his solemn word.
Female
Kaathu kaathu kidandhadhinaalaeWaiting and longing continuously for him,
Kaalgal thalarndhachuMy legs have grown weary.
Aamaa kaalgal thalarndhachuYes, my legs have grown weary.
Both :Hoi hoi kaalgal thalarndhachuBoth: Hoi hoi, my legs have grown weary.
Female
Kaadhalennum viyaadhiyinaalaeDue to this affliction called love,
Kai valai pochchuMy bangles have slipped off my wrists.
Female :Aamaa kai valai pochchuFemale: Yes, my bangles slipped off.
Female :Ohoo kaadhalennum viyaadhiyinaalaeFemale: Ohoo, due to this affliction called love,
Kai valai pochchuMy bangles have slipped off my wrists.
Female :Aamaa kai valai pochchuFemale: Yes, my bangles slipped off.
Female
Paarthu paarthu aayiram paadamWatching and waiting endlessly,
Padichchi vandhaachchuI have learned a thousand lessons.
Female :Aamaa padichchi vandhachuFemale: Yes, a thousand lessons were learned.
Female
Mugam saerthu saerthu siriththadhinaalaeBy bringing our faces close and laughing together,
Sivappu vanthachuA blush of crimson came upon my cheeks.
Nandraai sivappu vanthachuIndeed, a deep crimson blush came upon my cheeks.

Beyond the translation

Song interpretation

The song 'Sonnadhellaam Nadanthidumaa' is a playful yet deeply emotional conversation in folk format (Kili Kanni / parrot song) between two female companions. The protagonist fondly recalls the intimate moments spent with her lover outside the village near the fields—how he held her cheek, combed her hair, crowned her with flowers, and made her smile like a fresh coconut blossom. He promised to return and wed her with the sacred thread (thaali). However, as time passes in restless anticipation, she experiences love-sickness (Pasalai). Her legs grow weary from waiting, her wrists thin down causing her bangles to slip off, and her longing matures into a deeper wisdom about love. Despite her anxious doubts asked to the parrot, her glowing crimson blush reveals her deep trust and passion for her lover.

Writing craft

Poetic devices

Simile (Upamai)

Thennampaalai pilandhadhu polae Sirikka vechchaaru

Compares the sweet, sudden flowering of laughter on the heroine's face to the opening of a coconut flower sheath (Thennampaalai).

Sangam Motif / Metaphor (Pasalai & Uruvagakani)

Kaadhalennum viyaadhiyinaalae Kai valai pochchu

Love is conceptualized as a physical disease (viyaadhi) causing weight loss and slipping bangles (kai valai pochchu), a classic Sangam poetry imagery.

Apostrophe (Kili Kanni format)

Sonnadhellaam nadanthidumaa Solladi kiliyae

Addressing a parrot (Solladi kiliyae) as a confidante to share heart's secrets, a traditional Tamil poetic convention.

Moonaik Kooru / Initial Rhyme (Edukai & Monai)

Sonnadhellaam nadanthidumaa Solladi kiliyae

Use of matching initial consonants in 'Sonnadhellaam' and 'Solladi' establishing rhythmic harmony.

Did you know?

Trivia

Composed by Viswanathan–Ramamoorthy for the 1962 film 'Paadha Kaanikkai', this track showcases a rare folk-pop vocal duet between P. Susheela and L. R. Eswari. Lyricist Kannadasan seamlessly adapted ancient Sangam literary motifs—such as the slipping bangles indicating love-sickness (pasalai) and parrot-addressing (kili kanni)—into highly accessible, rhythmic folk Tamil.

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