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Aathi Parasakthi album cover
Lyrics & meaning

Aayi Mahamayi

From Aathi Parasakthi · 1971

Lyricist
Kannadasan
Singer
P. Susheela
Music director
K. V. Mahadevan
Movie name
Aathi Parasakthi
Movie release year
1971
Lyrics added on
26 Oct 2017

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aaaa…..aaaaa……
Aayi magamaayi.. aayiram kannudaiyaal
Neeli thirisooli neengaadha pottudaiyaal
Samayapuraththaalae
Saambiraani vaasakiyae
Samayapuraththai vittu
Sadudhiyilae vaarumammaa..
{Maayi magamaayi
Mani manthira sekariyae
Enga aayi umaiyaanavalae
Asthaana maarimuththae} (2)
Silambu piranthathammaa
Sivalinga saalaiyilae
Pirambu piranthathammaa
Pichaandi sannidhiyil
Udukkai piranthathammaa
Uruthraatcha boomiyilae
Pambai piranthathammaa
Palingu maa mandabaththil
Maayi magamaayi
Mani manthira sekariyae
Enga aayi umaiyaanavalae
Asthaana maarimuththae
Parigaasam seidhavarai
Padhaipadhaikka vettiduvae
Parigaaram kettu vittaa
Pakkaththunai nee iruppae
Melnaattu pillaiyidam
Nee potta muththiraiyai
Nee paarththu aaththi vachaa
Naal paarththu poojai seivaan
Maayi magamaayi
Mani manthira sekariyae
Enga aayi umaiyaanavalae
Asthaana maarimuththae
Kuzanthai varunthuvadhu
Kovilukku ketkalaiyo
Mainthan varunthuvadhu
Maaligaikku ketkalaiyo
Ezhai kuzhanthaiyammaa..
Eduththorkku baalanammaa
Un kaalil paninthu vittaan
Dhayavudan nee paarumammaa
Kaththi pol veppilaiyaam..
Kaaliyamman maruththuvamaam
Eetti pol veppilaiyaam..
Eswariyin arumarunthaam
Veppilaiyil ullirukkum..
Viththaithanai yaar arivaar
Aayaa manamiranggu
En aaththaa manam iranggu
Ammaiyae nee irangu
En annaiyae nee iranggu
Aa... Aaaa...
O Mother, Great Goddess with a thousand eyes,
Dark Goddess, bearer of the trident, with the eternal mark on your brow,
O Goddess of Samayapuram,
O Goddess who delights in the fragrance of frankincense,
Leave your abode in Samayapuram,
And come swiftly to us, O Mother!
O Mother, the Great Goddess,
Mistress of sacred gems and chants,
Our Mother, who is Goddess Uma herself,
The royal Mariamman, precious as a pearl!
The sacred anklet was born, Mother,
Along the pathway of Lord Shiva!
The sacred cane was born, Mother,
In the shrine of Shiva the wandering mendicant!
The small hand-drum (udukkai) was born, Mother,
In the sacred land of rudraksha beads!
The ceremonial drum (pambai) was born, Mother,
In the grand pavilion of polished marble!
O Mother, the Great Goddess,
Mistress of sacred gems and chants,
Our Mother, who is Goddess Uma herself,
The royal Mariamman, precious as a pearl!
Those who dare to mock you,
You strike down in terrifying anger!
Yet, if they repent and seek your remedy,
You stand faithfully by their side as their protector!
On this child from a foreign land,
The mark of sickness you have placed—
If you look upon him with grace and cool his fever,
He will choose an auspicious day and offer you worship!
O Mother, the Great Goddess,
Mistress of sacred gems and chants,
Our Mother, who is Goddess Uma herself,
The royal Mariamman, precious as a pearl!
Does the torment of this child
Not echo within your temple walls?
Does the suffering of this son
Not reach your sacred palace?
He is a poor, helpless child, Mother,
A beloved son to those who raised him!
He has surrendered at your holy feet,
Please look upon him with mercy, O Mother!
Neem leaves shaped like knives,
Are the healing cure of Mother Kali!
Neem leaves pointed like spears,
Are the divine medicine of Goddess Eashwari!
The healing power hidden within the neem leaf—
Who can fathom its wondrous secret?
O Mother, have mercy!
My dearest Mother, soften your heart!
O divine Mother, show compassion!
My beloved Mother, have mercy on us!
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Beyond the translation

Overall song meaning

This song is a powerful devotional hymn addressed to Goddess Mariamman (an incarnation of Aathi Parasakthi / Kali). The devotee begins by praising the divine attributes, sacred places, and ritual instruments associated with the Goddess—such as the silambu (anklet), udukkai, and pambai drums. The lyrics highlight her formidable duality: she punishes arrogance and mockery severely, yet transforms into a deeply compassionate mother for those who seek forgiveness and grace. In the second half, the song portrays a tender plea for healing. The singer prays on behalf of an afflicted child, asking the Goddess to remove his illness (metaphorically represented by smallpox/fever marks). Praising the medicinal and mystical powers of neem leaves—the sacred emblem of Goddess Kali—the devotee begs the Mother Goddess to relent, soften her heart, and bestow divine health and mercy upon her suffering child.

Writing craft

Poetic devices

Edhugai (Second-letter Rhyming)

Silambu piranthathammaa / Pirambu piranthathammaa

The second letters of consecutive lines rhyme, creating a rhythmic, chant-like cadence (e.g., 'Silambu' and 'Pirambu', 'Kaththi' and 'Eetti').

Monai (Alliteration)

Maayi magamaayi / Mani manthira sekariyae

Repetition of initial consonant sounds across words in a line (M-alliteration) to enhance musicality.

Upamai (Simile)

Kaththi pol veppilaiyaam / Eetti pol veppilaiyaam

Comparing sacred neem leaves to sharp weapons (knife and spear) to represent their potent power in severing disease.

Anaphora / Repetition (Anaphora)

Aayaa manamiranggu / En aaththaa manam iranggu / Ammaiyae nee irangu / En annaiyae nee iranggu

Repetition of the pleading phrase 'manam iranggu' / 'nee irangu' at the end of consecutive lines for dramatic, emotional effect.

Did you know?

Trivia

This iconic devotional song is featured in the Tamil mythological film 'Aathi Parasakthi' (1971), directed by K. S. Gopalakrishnan. The film features Jayalalithaa playing the role of Goddess Parasakthi and Gemini Ganesan as Lord Shiva. The song captures authentic folk traditions of Mariamman worship in Tamil Nadu, including the use of neem leaves and ritualistic drumming.

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