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Ponnu Vilaiyum Boomi album cover
Lyrics & meaning

Aangila Nagareegam Nallathu

From Ponnu Vilaiyum Boomi · 1959

Lyricist
K. S. Gopalakrishnan
Singers
P. Susheela, K. Jamunarani
Music director
K. H. Reddy
Movie name
Ponnu Vilaiyum Boomi
Movie release year
1959
Lyrics added on
16 Oct 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Hmmm
Aangila nagareegam nalladhu
Arpudhamana kalai ulladhu
Aangila nagareegam nalladhu
Arpudhamana kalai ulladhu
Pongidum inba isai kondadhu
Boomiyil eedu iniyattradhu
Pongidum inba isai kondadhu
Boomiyil eedu iniyattradhu
Oo oiyaarm konjudhu ..uu
Ulagathai minjudhu..uu
Oiyaarm konjudhu ..
Ulagathai minjudhu
Unmaiyil paarkka
Endhan ullam anjudhu
Aangila nagareegam nalladhu
Arpudhamana kalai ulladhu
Aangila nagareegam nalladhu
Hoo..ooo
Singaara chinna pennae nillamma
Sindhanai seidhu nee sollamma…
Hoo..ooo
Singaara chinna pennae nillamma
Sindhanai seidhu nee sollamma…
Ho ho ho oooi
Hoo ho ho oooi
Kalaigalil baedham kaanalaaguma
Yedhum kaanamal kuttram sollal nyayama
Hoo oo oo
Kalaigalil baedham kaanalaaguma
Yedhum kaanamal kuttram sollal nyayama
Oru malar pala manam veesuma
Oru malar pala manam veesuma
Makkal ullam endha naalum ondrai rasikkuma
Singaara chinna pennae nillamma
Sindhanai seidhu nee sollamma…
Hoo..ooo
Singaara chinna pennae nillamma
Sindhanai seidhu nee sollamma…
………………………
Balae balae balae
Balae balae ho ho ho
Ho ho ho ho oh oh ho ho
Hmm...
English culture is good,
It is filled with wonderful art.
English culture is good,
It is filled with wonderful art.
It has music brimming with joy,
Matchless anywhere in the world.
It has music brimming with joy,
Matchless anywhere in the world.
Oh, its stylish grace is so charming,
Surpassing the rest of the world!
Its stylish grace is so charming,
Surpassing the rest of the world!
Yet, to tell the truth,
My heart is still afraid.
English culture is good,
It is filled with wonderful art.
English culture is good.
Ho... oh...
Wait a moment, lovely girl,
Think it over and tell me!
Ho... oh...
Wait a moment, lovely girl,
Think it over and tell me!
Ho ho ho oy!
Ho ho ho oy!
Should we draw boundaries between the arts?
Is it fair to find fault without understanding?
Ho oh oh oh
Should we draw boundaries between the arts?
Is it fair to find fault without understanding?
Can a single flower give off many fragrances?
Can a single flower give off many fragrances?
Can people's hearts enjoy just one thing forever?
Wait a moment, lovely girl,
Think it over and tell me!
Ho... oh...
Wait a moment, lovely girl,
Think it over and tell me!
...
Bravo, bravo, bravo!
Bravo, bravo, ho ho ho!
Ho ho ho ho ho...
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Beyond the translation

Overall song meaning

This song presents a musical dialogue and cultural debate between two perspectives on modern Western civilization and art. One side marvels at Western music and elegance, praising its unmatched beauty while expressing a sense of awe and slight hesitation. The responding voice urges thoughtful consideration, arguing against discriminating between different art forms and questioning whether one should criticize unfamiliar cultures. Through analogies like flowers and human taste, the lyricist emphasizes that art takes many forms and that diversity in music and appreciation should be embraced rather than judged dismissively.

Writing craft

Poetic devices

Emona / Rhyme (Iyaibu)

Aangila nagareegam nalladhu / Arpudhamana kalai ulladhu

End-rhyme created using similar suffix endings 'nalladhu' and 'ulladhu' to create a rhythmic, melodic flow.

Rhetorical Question

Kalaigalil baedham kaanalaaguma / Yedhum kaanamal kuttram sollal nyayama

The lyricist uses rhetorical questions to challenge prejudice against foreign art forms and encourage open-minded reflection.

Analogy / Metaphor

Oru malar pala manam veesuma / Makkal ullam endha naalum ondrai rasikkuma

The flower fragrance analogy illustrates that just as nature offers diverse experiences, human appreciation of art is varied and cannot be restricted to a single style.

Did you know?

Trivia

Featured in the 1959 film 'Ponnu Vilaiyum Boomi', this song is structured as a classical-meets-western musical duel typical of 1950s Tamil cinema debates on modernism vs tradition. It brought together legendary playbacks P. Susheela and K. Jamunarani under the rare musical direction of K. H. Reddy.

Keep listening

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Help us improve the lyrics or English translation.