- Lyricist
- Ra. Pazhanisami
- Singers
- T. M. Soundararajan, Vani Jairam
- Music director
- V. Dakshinamurthy
- Movie name
- Oru Oothapoo Kan Simittukiradhu
- Movie release year
- 1976
- Lyrics added on
- 14 Jan 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
This classic song explores the philosophical connection between divinity, human desire, fate, and the natural progression of life and love. Set to a folk boatman rhythm (Ailasaa), the lyrics posit that just as a world cannot exist without God, a human heart cannot exist without desires. Fate guides lovers together just as water sustains fish, and Time weaves its unpredictable patterns across human lives. The song poetically traces human development from an innocent newborn whose eyes can barely open, to an adult consumed by love and longing, leading to union, marriage, and childbirth as ordained by the creator.
Writing craft
Poetic devices
Rhetorical Question
“Aandavanillaa ulagam edhu”
Posing questions that imply an obvious answer to emphasize the universal truths of creation and human nature.
Edukai (Second Letter Rhyme)
“Nadhiyirunthaal meenirukkum / Vidhiyirunthaal saernthirukkum”
The second consonant 'dhi' matches across consecutive lines ('Nadhiyirunthaal' / 'Vidhiyirunthaal'), creating a melodic harmony.
Extended Metaphor
“Ullathilae vidhai vizhunthu udhayamaavathu / Udalukkullae vaer vizhunthu adhigamaavathu”
Compares love and human passion to a seed taking root in the mind and body, eventually yielding new life.
Monaai (Initial Alliteration)
“Aanum pennum mannil vaiththaan / Aasai ondrai kannil vaiththaan”
Repetition of the 'Aa' vowel sound at the start of words across lines.
Did you know?
Trivia
'Oru Oothapoo Kan Simittukiradhu' (1976) was directed by S. P. Muthuraman and starred Kamal Haasan and Sujatha. The music was composed by the legendary Malayalam composer V. Dakshinamurthy, who brought a unique semi-classical folk style to the soundtrack. The song integrates boatmen folk chants ('Ailasaa') with philosophical lyrics penned by Ra. Pazhanisami.
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