- Lyricist
- Muthulingam
- Singer
- Malaysia Vasudevan
- Music director
- Shankar Ganesh
- Movie name
- Aalay Pathu Malai Mathu
- Movie release year
- 1990
- Lyrics added on
- 21 Dec 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
The song 'Aalai Paaththu Maalai Maaththu' serves as a pragmatic philosophical caution on making critical life decisions, particularly marriage and choosing leaders. Drawing traditional metaphors such as examining soil quality before planting seeds and observing a mother's character before marrying a daughter, the lyricist emphasizes the importance of evaluating intrinsic character over superficial appearances. The lyrics extend this commentary to society and politics, critiquing hypocritical political leaders who preach public welfare while pursuing self-interest, and educated individuals who lack fundamental morals. It warns against deceitful individuals who maintain a facade of sweetness while harboring ill intentions, advocating humility, wisdom, and discernment instead.
Writing craft
Poetic devices
Metaphor (Uvamaani / Uvamaanam)
“Mannai paaththu vedhaiya podu”
Comparing evaluating a partner's character/lineage to inspecting soil quality before sowing seeds.
Rhyme / Ethirai (Second letter rhyme)
“Medaiyila muzhakkam idum thalaivargala paaru / Kolgaiyin mudivuppadi nadappavanga yaaru”
The second letter 'd' (ட) rhymes between 'Medaiyila' and 'Mudivuppadi'.
Moni / Rhyming Endings (Iyaibu)
“Aringar sonna vazhaiya vittu vilagi sellaathae / Azhagil mayangi unathu mudivai maattri kollaathae”
The end rhyme pattern '-aathae' ('sellaathae', 'kollaathae') emphasizes strong prohibitions.
Imagery / Metaphorical Comparison
“Anaivarum nari inam ariyanum podhu janam”
Describing hypocritical leaders as 'foxes' (nari inam) to signify cunningness and deceit.
Did you know?
Trivia
This track features Malaysia Vasudevan's signature energetic vocal delivery, which was frequently used for philosophical and moralistic songs in Tamil cinema during the 1980s and 1990s, continuing a tradition popularized by T. M. Soundararajan for MGR and Sivaji Ganesan.
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