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Isaimozhi
Lyrics & meaning

Aadum Alaigalil Neendhi

From Sabatham · 1971

Lyricist
Kannadasan
Singer
S. Janaki
Music director
G. K. Venkatesh
Movie name
Sabatham
Movie release year
1971
Lyrics added on
5 Sept 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aadum alaigalil neendhi kondirunthaan
Yamunaiyile kannan
Aayar paadiyil gopiyar soola naduvinilae kannan
Pullan kulalisai meetuvathil thanai maranthan kannan
Pullan kulalisai meetuvathil thanai maranthan kannan
Poovaiyar gopiyar anbinilae thanai meimaranthan kannan
Mei maranthan kannan
Odiya vellathil vegathil kannan
Aadai naluviyathu
Ovena sirithar gopiyar
Ovena sirithar gopiyar
Kannanai naanam thazhuviyathu
Naanam thazhuviyathu
Karai vazhi vanthaal dhravpathi
Karai vazhi vanthaal dhravpathi
Kannan kavalaiyai paarkindral
Selai munthanaiyai oru puram eduthu
Orathai pirikindral
Devagi maindhanin maanathai kaaka
Neerinil erikindraal neerinil erikindraal
Kanni dhravpathii en maanathai kaathaai
Kannan nandri sonnen
Kannan nandri sonnen
Kaalamarindhu udhaviku varuven
Nandriku nandri solven
Nandriku nandri solven
Soothadi thottru vittaan
Paandava dharuman
Andha thooyavalai aattathil ilandhu vittaan
Vaathadum avaithanilae koondhal pattri
Maathavalai iluthu vandhan dhuriyan thambi
Kovrava kulathalaivan dhuriyothan
Kattalai idukindran
Iyvarin munnilaiyil aval aadaiyai pari endraan
Annai thudikindral konda ivarai paarkindral
Thammai maranthavarai ivar thalai kuninthirukindrar
Kanna manivanna deva deva
Hari hari hari hari endraal
Nandri solven endraai
Andha naalum iduvallavo
Indru varavidilo kanna
Innaiyor thunai undo
Kanna kanna kanna kanna
Thodai meedhu vaaventra thuriyothana
Undhan thodai keeri ratham edupen
Thuchadhana undhan pachai ratham kondu
Kodhai en koonthal mudipen
Annai parasakthi aanai
Manam konda ivari meethile aanai
Anbu thunai konda mannan paranthaman
Kannanin meethil aanai aanai aanai
Bharatha poril ventrathamma
Andha paandavar perum senai
Paarthipan kanaiyil vizhinthathamma
Andha kovravar kulathaanai
Beeman kathaiyil thodaiyai pilanthan
Thuriyothanan thannai
Vetri kanneer maraithu dhravpathi vel vizhiyal kannai
Vel vizhiyal kannai
Paavi thuchathanan ratham eduthu
Koonthal mudikindraal
Paranthaman mugam paarthae marupadi
Nandri uraikkindraal nandri uraikkindraal
Bharatha poril vendrathamma andha paanjali saritham
Paavaiyin koonthalil minnuthamma
Andha panjaaliyin sabadham sabadham sabadham
He was swimming in the dancing waves,
Krishna, in the river Yamuna.
In Ayarpadi, surrounded by gopis (cowherd girls), Krishna was in their midst.
Lost in playing his flute, Krishna forgot himself.
Lost in playing his flute, Krishna forgot himself.
In the love of the fair gopis, Krishna lost himself completely.
Krishna lost himself completely.
In the rush of the flowing waters,
Krishna's garment slipped away.
The gopis burst out laughing,
The gopis burst out laughing,
And shyness swept over Krishna.
Shyness swept over him.
Draupadi came walking along the riverbank,
Draupadi came walking along the riverbank,
She saw Krishna's distress.
Taking a corner of her saree,
She tore away an edge.
To protect the modesty of Devaki's son,
She threw it into the water, threw it into the water.
"Noble Draupadi, you protected my honor,
I, Krishna, thank you.
I, Krishna, thank you.
At the right time, I will come to your aid,
And repay this debt of gratitude.
And repay this debt of gratitude."
Having gambled and lost,
Was the Pandava king Dharman.
In that game of dice, he lost that pure woman.
Seizing her hair in the debating court,
Duryodhana's brother dragged the noble woman inside.
Duryodhana, the leader of the Kauravas,
Gave the order:
"Strip off her clothes before her five husbands!"
She trembled in agony, looking at her husbands.
Stunned and helpless, they hung their heads.
"Krishna, my precious Krishna! God of gods!
Hari! Hari! Hari! Hari!" she cried.
"You said you would repay your debt,
Isn't today that very day?
If you do not come today, Krishna,
Do I have any other refuge?
Krishna! Krishna! Krishna! Krishna!"
"Duryodhana, who told me to come sit on your thigh!
I will split open your thigh and draw your blood!
Dushasana, with your fresh warm blood,
I, this woman, will tie up my hair!
I swear in the name of Mother Parasakthi!
I swear upon the husbands I wed!
Upon my loving protector, Lord Paranthaman,
Upon Lord Krishna, I swear, I swear, I swear!"
In the great Bharatha war,
The mighty Pandava army won!
To the arrows of Parthiban (Arjuna),
The vast Kaurava army fell!
With his mace, Bhima shattered the thigh
Of Duryodhana!
Holding back tears of victory in her spear-sharp eyes,
In her spear-sharp eyes,
Taking the blood of the sinful Dushasana,
She ties up her hair at last.
Looking once again at the face of Lord Krishna,
She offers her gratitude, offers her gratitude.
In the Bharatha war, the epic story of Panchali (Draupadi) won!
Shining bright in the woman's hair,
Is the fulfilled vow of Panchali, her vow, her vow!
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Beyond the translation

Overall song meaning

This dance-drama song tells the mythological backstory of Draupadi's vow and Krishna's divine protection. It begins with a legendary incident where young Krishna loses his garment while swimming in the Yamuna, and Draupadi tearfully tears a piece of her saree to help him preserve his dignity. Touched by her gesture, Krishna promises to repay her gratitude when she needs it most. The scene then transitions to the famous Mahabharata episode in the Kaurava assembly, where Yudhisthira loses Draupadi in dice, and Dushasana attempts to disrobe her on Duryodhana's command. Draupadi calls out to Krishna, who miraculously supplies endless cloth to protect her modesty. Fueled by righteous fury, Draupadi swears a fierce vow not to bind her hair until it is washed in Dushasana's blood. The narrative concludes with the resolution of the Kurukshetra war, where Bhima slays Duryodhana and Dushasana, allowing Draupadi to fulfill her oath and express her ultimate gratitude to Krishna.

Writing craft

Poetic devices

Emonai (Second-letter Rhyme)

Aadum alaigalil neendhi kondirunthaan / Aadai naluviyathu

Repetition of the second consonant 'da' / 'dha' across lines like Aadum / Aadai, creating rhythmic symmetry.

Monaai (Alliteration)

Pullan kulalisai meetuvathil thanai maranthan kannan

Repetition of the initial sound 'P' in 'Pullan kulalisai' and 'Poovaiyar'.

Anaphora / Repetition

Nandriku nandri solven

Dramatic repetition of 'Nandriku nandri solven' and 'aanai aanai aanai' to heighten emotional urgency and commitment.

Metaphor (Uruvagam)

Vetri kanneer maraithu dhravpathi vel vizhiyal kannai

'Vel vizhi' compares Draupadi's eyes to sharp spears, symbolizing her fierce determination and sorrow.

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Trivia

Composed by G. K. Venkatesh for the 1971 Tamil movie Sabatham, this track is styled as a classical musical dance drama (Sangeetha Natakam) set to ragas like Kapi and Shanmukhapriya. It showcases S. Janaki's exceptional vocal versatility in theatrical storytelling, covering a full narrative arc from playful Yamuna folklore to the intense rage of Panchali's vow.

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