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Lyrics & meaning

Aadi Vanthen Aadi Vanthen

From Palayathu Amman · 2000

Lyricist
Kalidasan
Singer
K. S. Chithra
Music director
S. A. Rajkumar
Details
Palayathu Amman2000

Lyrics & meaning

Tanglish lyrics English translation
Female
Aadi vanthaen aadi vanthaenI came dancing, I came dancing
Anju kodaikaariThe divine goddess of the five umbrellas
Paadi vanthaen paadi vanthaenI came singing, I came singing
Paandiyanaar deviThe queen/goddess of the Pandyan king
Female
Thaedi vanthaen thaedi vanthaenI came searching, I came searching
Thaen vadikkum poovaFor the flower dripping with honey
Naan irukkum kovilukkuFor the temple where I reside
Naalum adhu thevaIt is required every single day
Female
Naan paambu ena venbu enaI belong to the lineage that transforms into a snake or white ash
Maarugira saathiA shape-shifting lineage
Maari iva sannithiyilIn the presence of this goddess Maari
Maaraathu needhiJustice remains unalterable
Female
Oorariyum ulagariyumKnown to the entire town and the whole world
Kettu paaru neeyaeAsk around and see for yourself
Maaya velai aagathammaaIllusory tricks will not work here, my dear
Naane oru maayaiFor I myself am the ultimate illusion
Female
Thottiyaththil azhagu thillaiyilIn Thottiyam, in beautiful Thillai
Trichy nagar uraiyoorilIn Uraiyur of Tiruchirappalli city
Kaali endru kovil konduTaking abode in temples as Goddess Kali
Kozhuvirukkum ammanum naanaeI am the mother goddess seated in state
Female
Pannaariyil samayapuraththilIn Bannari, in Samayapuram
Punjai valar thanjaiyinilIn Thanjavur blessed with fertile fields
Maari endru peyar padaiththuEarning the name of Goddess Maari
Makkalai kaakkum annaiyum naanaeI am the mother who protects all people
Female
Agilamum suzhalaathaaDoes not the entire universe revolve
Adiyae en pidiyinilaeBeneath my feet and within my grip?
Adhisayamum nigazhaathaaWill not miracles take place
Nenachchaa oru nodiyinilaeIn a single second if I so desire?
Female
Kaigalil sakkaram sangaiHolding the divine discus and conch in his hands
Konda govindarajanin thangaiI am the younger sister of Lord Govindaraja
Maarsadai meedhinil gangaiWith the river Ganga upon his matted hair
Konda vallalum vallidum nangaiI am the supreme lady who resides with that benevolent Lord Shiva
Aadi vanthaenI came dancing
Female
Aadi vanthaen aadi vanthaenI came dancing, I came dancing
Anju kodaikaariThe divine goddess of the five umbrellas
Thaedi vanthaen thaedi vanthaenI came searching, I came searching
Thaen vadikkum poovaFor the flower dripping with honey
Naan irukkum kovilukkuFor the temple where I reside
Naalum adhu thevaIt is required every single day
Female
Bambasaththam muzhangum velaiyilWhen the thunderous sound of the Pamba drum resounds
Pambaramaa aadikkittuDancing continuously like a spinning top
Paavaththukku neengi vanthaComing down to liberate people from their sins
Bairavi naan paaradiyammaaLook, my dear, I am Goddess Bhairavi
Female
Veppanjsela iduppil katraDraped in a garment woven from neem leaves around her waist
Vanjiyarkku vaazhvu thanthuBestowing prosperity and life upon women
Vaazha vaikka ennai vittaaTo grant life and sustain humanity, except me
Vaiyaththilae yaaradiyammaaWho else is there in this entire world, my dear?
Female
Karungallu silaithaannuDo not dismissively think that this is merely a black stone idol
Elithaa neeyum ninaikkaathaeDo not assume it is just an ordinary statue easily
Koduppatha kodukkaamaWithout offering what is due to the divine
Maraichchaa ingu nadakkaathaeTrying to conceal or withhold will not succeed here
Female
Poovaiyae poovaiyae keluListen to me, flower-like maiden, listen
Naan solluraen solluraen puththiI am bestowing words of true wisdom to you
Bhoomiyil yaedhadi kooruTell me, what power exists anywhere on this earth
Intha sakthiyai minjira sakthiThat can ever surpass this ultimate Supreme Sakthi?
Aadi vanthaenI came dancing
Female
Aadi vanthaen aadi vanthaenI came dancing, I came dancing
Anju kodaikaariThe divine goddess of the five umbrellas
Thaedi vanthaen thaedi vanthaenI came searching, I came searching
Thaen vadikkum poovaFor the flower dripping with honey
Naan irukkum kovilukkuFor the temple where I reside
Naalum adhu thevaIt is required every single day
Female
Naan paambu ena venbu enaI belong to the lineage that transforms into a snake or white ash
Maarugira saathiA shape-shifting lineage
Maari iva sannithiyilIn the presence of this goddess Maari
Maaraathu needhiJustice remains unalterable
Female
Oorariyum ulagariyumKnown to the entire town and the whole world
Kettu paaru neeyaeAsk around and see for yourself
Maaya velai aagathammaaIllusory tricks will not work here, my dear
Naane oru maayaiFor I myself am the ultimate illusion

Beyond the translation

Song interpretation

This powerful devotional track from the devotional film 'Palayathu Amman' (2000) depicts the supreme glory, divine power, and omnipresence of Goddess Palayathu Amman (an incarnation of Goddess Sakthi/Maari). The song highlights how the Goddess takes various forms across prominent temple towns of Tamil Nadu like Samayapuram, Bannari, Thottiyam, Uraiyur, and Thanjavur to protect her devotees and deliver justice.

Writing craft

Poetic devices

Anaphora / Repetition (Adukku Thodar)

Aadi vanthaen aadi vanthaen

Repeated words like 'aadi vanthaen', 'paadi vanthaen', and 'thaedi vanthaen' emphasize rhythmic movement and devotional urgency.

Rhyme / Alliteration (Monai & Ethirai)

Maari iva sannithiyil / Maaraathu needhi

Matching second letter rhyming ('Maari' / 'Maaraathu') creates traditional Tamil poetic cadence.

Simile (Upamai)

Pambaramaa aadikkittu

The Goddess compares her intense cosmic dance to a spinning top ('Pambaramaa aadikkittu').

Paradox / Divine Irony

Maaya velai aagathammaa / Naane oru maayai

The Goddess warns against deceit by claiming that she herself is the source of all Maya (illusion).

Did you know?

Trivia

'Palayathu Amman' (2000) was a major commercial hit in the Tamil devotional genre directed by Rama Narayanan, starring Meena as the Goddess. K. S. Chithra's high-energy vocal performance and S. A. Rajkumar's energetic folk-devotional composition made this song one of the most popular Amman songs played during village temple festivals across Tamil Nadu.

Keep listening

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