- Lyricist
- Pulamaipithan
- Singers
- T. M. Soundararajan, P. Susheela
- Music director
- Shankar Ganesh
- Movie name
- Jadhikkoru Needhi
- Movie release year
- 1981
- Lyrics added on
- 10 Feb 2022
Lyrics & meaning
Beyond the translation
Overall song meaning
This song is structured in the traditional Tamil folk style of 'Ettrapattu'—songs sung by farmers while operating a water-lift (picottah) to irrigate fields. Through this rustic setting, the lovers draw a poetic comparison between agricultural labor and married life. Just as two oxen must move together in perfect synchronization for the water-lift to work and make the fields flourish, a couple must live in mutual understanding for love to bring joy and prosperity into their lives. As the night falls, symbolized by the crescent moon appearing like a golden sickle in the sky, the couple exchanges romantic expressions. The imagery shifts to blooming jasmine and screwpine flowers reacting to nature, reflecting how the sight of the beloved causes spontaneous poetry and sweetness to erupt within the heart without ever being written down.
Writing craft
Poetic devices
Analogy / Metaphor
“Yaettraththukku maadu rendu inainju poganum / Antha ilakkanaththai naamum kooda therinju vaazhanum”
Compares the necessity of two oxen pulling together in a water-lift to the harmonious togetherness required in marital life.
Imagery / Visual Metaphor
“Vitterincha ponnarivaal vaanaththilae / Siru venn piraiyaai oornthu varum neraththilae”
Creates vivid visual imagery by comparing the rising crescent moon to a golden sickle tossed up into the night sky.
Iyaipu (End Rhyme)
“idhazh virikkum / madal virikkum / manam sirikkum / kavi pirakkum”
Uses matching verbal endings across consecutive lines to create a rhythmic, melodic flow typical of folk ballads.
Did you know?
Trivia
Written by the renowned poet and lyricist Pulamaipithan for the 1981 Tamil film 'Jadhikkoru Needhi', this track captures authentic Tamil rural life by drawing on the ancient tradition of 'Ettrapattu' (picottah water-drawing folk songs), seamlessly blending agricultural culture with romantic poetry.
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