- Lyricist
- Mahakavi Subramanya Bharathiyaar
- Singer
- M. L. Vasanthakumari
- Music directors
- Chittor V. Nagaiah, A. Rama Rao
- Movie name
- Thai Ullam
- Movie release year
- 1952
- Lyrics added on
- 7 Aug 2019
Lyrics & meaning
Beyond the translation
Overall song meaning
'Vellai Thaamarai Poovil Iruppaal' is a classic devotional poem composed by the celebrated national poet Mahakavi Subramanya Bharathiyar, dedicated to Goddess Saraswati, the divine embodiment of knowledge, wisdom, and fine arts. In this hymn, Bharathiyar broadens the traditional concept of divinity by finding Goddess Saraswati not only on her traditional white lotus seat, but also in every expression of harmony, beauty, truth, and purity. She is present in the melodic sound of the Veena, the sweet voices of women, the innocent babble of young children, and the noble efforts of those who earn an honest living without deceit. Bharathiyar warmly calls upon the citizens of the Tamil land to come together in unity and offer their devotion to this divine mother of wisdom and virtue.
Writing craft
Poetic devices
Visual Imagery
“Vellai thaamarai poovil iruppaal”
The image of the white lotus creates a vivid mental picture symbolizing purity, divine knowledge, and spiritual enlightenment.
Iyaibu (Rhyming Refrain)
“Maadhar theengural paatil iruppaal”
The repetition of 'iruppaal' at the end of multiple lines creates a melodic cadence and reinforces the theme of omnipresence.
Monai (Alliteration)
“Maadhar theengural paatil iruppaal / Makkal pesum mazhalaiyil ullaal”
The repetition of initial consonants 'Ma' in 'Maadhar' and 'Makkal' creates auditory harmony in the verses.
Metaphor
“Vanjamattra thozhil purindhundu... Vaazhum maandhar kuladeivamaavaal”
Dedicating honest human labor as a realm where the divine deity resides elevates everyday ethical living to a act of worship.
Did you know?
Trivia
This song is an adaptation of Mahakavi Subramanya Bharathiyar's iconic poem 'Saraswathi Devi Stothram'. It was featured in the 1952 Tamil film 'Thai Ullam', starring R. S. Manohar and Chittor V. Nagaiah, with music composed by V. Nagayya and A. Rama Rao.
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