- Lyricist
- Vaali
- Singers
- T. M. Soundararajan, P. Susheela
- Music director
- Vishwanathan-Ramamoorthy
- Movie name
- Dheiva Thaai
- Movie release year
- 1964
- Lyrics added on
- 9 Sept 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
Vannakkilli Sonna is a classic romantic duet from the 1964 Tamil film Dheiva Thaai, picturized on M. G. Ramachandran and Saroja Devi. The song captures a lively conversation between two lovers engaging in romantic teasing. The hero compares the heroine's sweet voice to a parrot, her smile to a peacock, and her cheeks to soft figs, expressing his desire to hold her hand and guard her heart. The heroine responds playfully, teasing his hesitation and pretending to complain to the town if he gets too playful. Through rich imagery of nature and traditional Tamil metaphors, lyricist Vaali weaves a poetic exchange that reflects shy coy warmth and playful romance, elevated by Viswanathan-Ramamoorthy's melodious composition.
Writing craft
Poetic devices
Uvamai (Metaphor/Simile)
“Vannakkilli sonna Mozhi enna mozhiyo”
Compares the heroine's speech to the sweet vocalizations of a colorful parrot ('Vannakkilli sonna mozhi') and her face to a fruit ('Aththipazha kannathilae').
Uvamai (Metaphor)
“Alli vizhi thulli vizha Kobam ennavo”
Compares the heroine's eyes to a lily flower ('Alli vizhi').
Adukkuthodar (Repetition for effect)
“Alli alli Kondu sella enna thayakkam..”
Repetition of words like 'Alli alli' and 'Anji anji' to add musical rhythm and emphasize emotion.
Edhukai (Second letter rhyme)
“Vannakkilli sonna / Vanji magal vaai thirandhu”
Rhyming of the second character across adjacent lines, such as 'Vannakkilli' and 'Vanji magal'.
Did you know?
Trivia
Dheiva Thaai (1964) was an important film in MGR's career, produced by RM Veerappan's Sathya Movies. Vaali penned all songs for this film, solidifying his role as MGR's primary lyricist for years to come. Viswanathan-Ramamoorthy created timeless melodies for the movie, with this track remaining an evergreen duet sung by T. M. Soundararajan and P. Susheela.
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