- Lyricist
- Ku. Ma. Balasubramaniam
- Singers
- Seerkazhi Govindarajan, Jikki
- Music director
- T. M. Ibrahim
- Movie name
- Avan Amaran
- Movie release year
- 1958
- Lyrics added on
- 7 Apr 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
The song 'Vaanmathi Neeyarivaai' from the 1958 film 'Avan Amaran' is a soulful lament on class divide and the tragic pain of unfulfilled love. The protagonist confides in the moon, calling it as a witness to his pure and guileless devotion. Although their love is genuine and unfading, societal status and differences in wealth prevent the lovers from being together, as the woman hails from a wealthy, noble lineage while he lives in poverty. Through poetic imagery, he reflects on the unfairness of social hierarchy. He compares his beloved to a delicate garden vine struggling to survive in a desert, weeping over his impoverished state. The song passionately questions whether the artificial barriers of rich and poor will forever destroy human happiness and true affection.
Writing craft
Poetic devices
Monaib (Initial Rhyme / Alliteration)
“Vaanmathi neeyarivaai / Vanjamillaa kadhaliyaal / Vaadugindrean vedhanaiyaal”
Repetition of initial consonant sounds in consecutive lines, such as 'Vaanmathi', 'Vanjamillaa', and 'Vaadugindrean'.
Upamai (Simile)
“Vilaiyaadum nilaa polae / Nam kadhalum seraatho”
Comparing the expected gentle union of their love to moonlight dancing over ocean waves ('Vilaiyaadum nilaa polae').
Uruvagaimai (Metaphor)
“Pasunjolaiyin poongodithaan / Kadumpaalaiyil vaadaatho”
Metaphorically describing the rich, pampered woman as a flowering creeper from a lush garden ('Pasunjolaiyin poongodi') forced into a desert.
Iyaibu (End Rhyme)
“Nam kadhalum seraatho / Veen pedhamum theeraatho”
Matching ending rhyming words across lines such as 'seraatho' and 'theeraatho', as well as 'vaadaatho' and 'yaenguvatho'.
Did you know?
Trivia
'Avan Amaran' (1958) was directed by S. Balachander and featured music composed by T. M. Ibrahim. Lyricist Ku. Ma. Balasubramaniam was renowned for embedding strong socialist themes and critiques of class discrimination into romantic duets and solos during the golden age of Tamil cinema.
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