- Lyricist
- Thanjai N. Ramaiah Dass
- Singer
- M. L. Vasanthakumari
- Music director
- G. Ramanathan
- Movie name
- Vanangamudi – 1957 Film
- Movie release year
- 1957
- Lyrics added on
- 8 Apr 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
This song is an invocation to Goddess Saraswati (the deity of arts, wisdom, and music), poetically personified through Tamil literature. In the opening verse, the lyricist brilliantly personifies Tamil literature by allegorizing the Five Great Epics of Tamil (Aimperum Kappiyangal) as jewels worn by the Goddess: Sivaka Sinthamani on her head, Kundalakesi on her ears, Manimekalai around her waist, Valayapathi on her wrists, and Silappathikaram on her feet. The devotee earnestly calls upon the divine mother as 'Valarmathi' (waxing moon) and 'Kalai Nidhi' (treasure of arts) to grant boons and enlighten her life with music and bliss. She acknowledges how legendary poets like Kamban and Kalamega Pulavar derived their poetic brilliance through the Mother's grace, seeking the same divine patronage and spiritual joy.
Writing craft
Poetic devices
Uruvagamy (Metaphor / Allegory)
“Siramthil thigazhvathu seevaga sinthamani ... Kaalthanil olipathu silappathigaaram”
The Five Great Epics of Tamil literature are allegorized as physical ornaments adorning the body of Goddess Saraswati/Tamil Thai.
Monnai (Initial Rhyme / Alliteration)
“Valarmathiye va / Kalai nidhiye va / Varamarula va va va”
Repetition of initial consonant sounds like 'Va' in 'Valarmathiye' and 'Varamarula' or 'Ka' in 'Kambanodu', 'Kanintha', 'Kaaviyam', 'Kavalai'.
Esubhu / Anaphora (Repetition for Emphasis)
“Va va va”
Repeated call 'Va va va' (Come, come, come) creating rhythmic invocation and devotional fervor.
Did you know?
Trivia
This iconic invocation song features a famous opening verse composed using the allegory of the five classic Tamil epics (Aimperum Kappiyangal). Sung by the classical titan M. L. Vasanthakumari, it remains one of the finest classical invocations in Tamil cinema history, showcasing G. Ramanathan's mastery over Carnatic classical ragas.
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