- Lyricist
- Vaali
- Singer
- K. J. Yesudas
- Music director
- V. Kumar
- Movie name
- Then Sinthuthe Vanam
- Movie release year
- 1975
- Lyrics added on
- 30 May 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
This romantic masterpiece expresses a lover's deep fascination and emotional closeness to his beloved, whom he addresses as the goddess of sweet music. He compares her voice to melodic ragas and the song of a cuckoo, declaring that her spoken words are purely musical and her gaze divine. He imagines spending romantic moments with her that stretch into the early morning when the dawn raga Bhoopalam plays. In the second stanza, nature's elements like honey-dripping clouds, monsoon chills, and winter dew are metaphorically tied to their embrace. He asks her to transcend time—day or night—and compose a new song of passion on his lips, reiterating his absolute enchantment with her presence.
Writing craft
Poetic devices
Metaphor (Uruvagam)
“Innisai devathaiyae”
Addressing the beloved as the 'goddess of sweet music' (Innisai devathaiyae) and describing her words as music itself (vaarththaiyellaam sangeetham).
Anaphora / Repetition
“Unnidam mayangukiraen”
The opening phrase 'Unnidam mayangukiraen / Ullaththaal nerungugiraen' is repeated as a refrain to emphasize romantic spellbound obsession.
Iyaibu (End Rhyme)
“Thaen sinthum vaanamundu megaththinaal / Naan sollum gaanamundu raagaththinaal”
Rhyming words at line endings such as 'sangeetham' and 'deiveegam', as well as 'megaththinaal' and 'raagaththinaal'.
Imagery
“Kaarkaala kulirum maargazhi paniyum / Kannae un kaisera thaniyum”
Sensory imagery combining weather (monsoon cold, winter frost) and physical touch (holding hands to dispel the cold).
Did you know?
Trivia
'Unnidam Mayangukiren' from the movie 'Then Sinthuthe Vanam' (1975) features music composed by V. Kumar and lyrics by Vaali. Rendered beautifully by K. J. Yesudas, this song is considered one of the evergreen classic melodies of 1970s Tamil cinema, celebrated for its rich use of musical metaphors and classical raga shades.
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