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Isaimozhi
Lyrics & meaning

Unakaaga Poojai Seidha

From En Aasai Unnoduthan · 1983

Lyricist
Vaali
Singers
P. Jayachandran, S. P. Sailaja
Music director
Sankar Ganesh
Details
En Aasai Unnoduthan1983

Lyrics & meaning

Tanglish lyrics English translation
Male
Unakkaga poojai seitha bhakthan ammaI am a devotee who worshipped for your sake, my lady
Urangaamal aasai veitha pithan ammaI am a madman who loved without sleep, my lady
Mana kovil dheviyaeOh goddess of the temple of my mind
Nee thaan en aaviyaeYou alone are my life/soul
Male
Kattu koondhal kaatril kaaadaAs tied hair sways in the wind
Pattu poovum thaenil aadaAs silky flowers dance in honey
Kann padathoo ammamma kai thodathoMay no evil eye fall, oh my, won't hand touch?
Ullaasam pongidathoWon't joy overflow?
Female
Enakkaaga poojai seitha….Who worshipped for my sake...
Male :Bhakthan ammaMale: Devotee, my lady
Female :Urangaamal aasai veithaFemale: Who loved without sleep
Male :Pithan ammaMale: Madman, my lady
Female :Mana kovil dheviyooFemale: Oh goddess of the mind's temple?
Naan thaan un aaviyooAm I indeed your soul/life?
Male
Kattu koondhal kaatril kaaadaAs tied hair sways in the wind
Pattu poovum thaenil aadaAs silky flowers dance in honey
Kann padathooMay no evil eye fall
Female :Ammamma kai thodathoFemale: Oh my, won't hand touch?
Ullaasam pongidathoWon't joy overflow?
Female
Naalilondru naanamendruThat shyness is one among the days,
Naanarindha paadam ondru maranthae pogumoWill the lesson I learned be forgotten?
Male :Paal irukkum paathirathaiMale: A vessel containing milk,
Nool irukkum aadai kondu maraithaal aagumaaWill covering it with a woven cloth suffice?
Female
Naalilondru naanamendruThat shyness is one among the days,
Naanarindha paadam ondru maranthae pogumoWill the lesson I learned be forgotten?
Male :Paal irukkum paathirathaiMale: A vessel containing milk,
Nool irukkum aadai kondu maraithaal aagumaaWill covering it with a woven cloth suffice?
Female
Nalliravil mella mella alliyathennaWhy gather gently in the dead of night?
Manmadhanin manthirathai solliyadhennaWhy chant the mantras of Cupid?
Male :Anaikkaamal kaadhal vegam adangaathammaMale: Without embracing, the speed of love will not subside, my lady
Anaikkaamal kaadhal vegam adangaathammaWithout embracing, the speed of love will not subside, my lady
Female
Enakkaga poojai seidha…bhakthan ammaWho worshipped for my sake... devotee, my lady
Urangaamal aasai veitha pithan ammaA madman who loved without sleep, my lady
Mana kovil dheviyooGoddess of the temple of the mind
Naan thaan un aaviyooAm I indeed your life?
Male
Kattu koondhal kaatril kaaadaAs tied hair sways in the wind
Pattu poovum thaenil aadaAs silky flowers dance in honey
Kann padathooMay no evil eye fall
Female :Ammamma kai thodathoFemale: Oh my, won't hand touch?
Ullaasam pongidathoWon't joy overflow?
Male
Vaalibathin leelai kaana kaalaiennaTo see the play of youth, what is morning,
Maalaienna azhaithaen odi vaaWhat is evening? I called out, run and come!
Female :Kaal nadakkum oviyathai kai anaikkaFemale: To embrace the walking painting with hands,
Meiyanaikka thudithaal poda vaaIf longing to touch the body, come on, go ahead!
Male
Vaalibathin leelai kaana kaalaiennaTo see the play of youth, what is morning,
Maalaienna azhaithaen odi vaaWhat is evening? I called out, run and come!
Female :Kaal nadakkum oviyathai kai anaikkaFemale: To embrace the walking painting with hands,
Meiyanaikka thudithaal poda vaaIf longing to touch the body, come on, go ahead!
Male
Kattazhagu pettagathai katti kollavaShall I embrace the treasure chest of beautiful form?
Kitta vandhu attaiyena otti kollavooShall I come close and stick like a leech?
Female :Adharkkaana neram ondru vara koodamaeFemale: A time for that ought to come soon
Adharkkaana neram ondru vara koodamaeA time for that ought to come soon
Male
Unakkaaga poojai seidha bhakthan ammaA devotee who worshipped for your sake, my lady
Urangaamal aasai veitha pithan ammaA madman who loved without sleep, my lady
Mana kovil dheviyaeGoddess of the temple of the mind
Nee thaan en aaviyaeYou alone are my life
Female
Kattu koondhal kaatril kaaadaAs tied hair sways in the wind
Pattu poovum thaenil aadaAs silky flowers dance in honey
Kann padathooMay no evil eye fall
Male :Ammamma kai thodathoMale: Oh my, won't hand touch?
Ullaasam pongidathoJoy will overflow!

Beyond the translation

Song interpretation

This romantic duet captures a passionate conversation between two lovers expressing their intense desire and devotion for each other. The male protagonist compares himself to a devoted worshipper and a restless lover driven mad by his adoration, viewing his beloved as a divine goddess occupying the temple of his heart. The female protagonist responds playfully, questioning her role as his soul while reciprocating his affection. Throughout the song, the lovers exchange poetic metaphors regarding intimacy, shyness, and youthful passion. The male expresses an urgency to embrace and be united, comparing her beauty to a vessel of milk or a living painting, while the female playfully teases him to wait for the auspicious moment. Ultimately, the song conveys the joyous anticipation and overwhelming ecstasy of romantic union.

Writing craft

Poetic devices

Uvamaani / Metaphor (உவமை உருவகம்)

Mana kovil dheviyae / Nee thaan en aaviyae

The lover is compared to a 'bhakthan' (devotee) and 'pithan' (madman), while the beloved is venerated as 'Mana kovil dhevi' (goddess of the heart's temple).

Edhugai (Ethugai / Second-letter Rhyme)

Kattu koondhal kaatril kaaada / Pattu poovum thaenil aada

The second consonant 't' (ட்/ட்டு) rhymes across consecutive lines (Kattu / Pattu).

Metaphor (Visual Imagery)

Kaal nadakkum oviyathai kai anaikka

'Kaal nadakkum oviyam' (a walking painting) is an evocative metaphor describing the female protagonist's artistic grace and physical beauty.

Simile (உவமை)

Kitta vandhu attaiyena otti kollavoo

'Attaiyena otti kollavoo' compares clinging close to someone like a leech, highlighting extreme physical closeness.

Did you know?

Trivia

Written by the legendary Tamil lyricist Vaali, this duet highlights his signature style of blending spiritual/devotional metaphors ('bhakthan', 'poojai', 'mana kovil dhevi') with romantic and sensuous themes, creating an elevated yet accessible poetic expression.

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