- Lyricist
- A. Maruthakasi
- Singers
- T. M. Soundararajan, K. Jamunarani
- Music director
- K. V. Mahadevan
- Movie name
- Kavitha
- Movie release year
- 1962
- Lyrics added on
- 12 Jun 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
This song from the 1962 Tamil film 'Kavitha' is a structured philosophical dialogue set to music, featuring a back-and-forth exchange between the singers. The male and female voices debate the tragic events that led to ruin, using rich allegories of wild elephants invading a peaceful grove and violent storms uprooting nature. The male character points to human malice, treachery, and evil motives as the causes of destruction, whereas the female character questions whether natural fate, cosmic design, or past sins were at play. Ultimately, the song pays homage to the character named Kavitha, playing on her name as a metaphor for an ideal, poetic woman whose presence and tragedy leave an indelible mark on the world.
Writing craft
Poetic devices
Allegory / Metaphor (Uvamaani)
“Yaanaigal puguntha solaigal azhindha”
The entering of wild elephants into a peaceful grove symbolizes treacherous outsiders invading and ruining a peaceful family or life.
Pun / Double Entendre (Slaidhai)
“Indha paarilae kavidhavai polae paavai kedaippaala”
Plays on the name of the protagonist 'Kavitha' and the Tamil word for poem ('kavidhai'), comparing a maiden's beauty and virtue to a fine poem.
Second-letter Rhyme (Edhugai)
“Saalaiyilae orunaal nee thaniyae vandhaayae / Solaiyilae rendu”
Repetition of the second consonant sound 'la' in consecutive rhyming lines (Saalaiyilae / Solaiyilae).
Assonance / Anaphora (Monai)
“Uyir velai mudinthathu vanjagaraalaa / Iyarkaiyinaalaa”
Matching end-rhyme suffixes across alternating dialogue lines (-aalaa suffix in vanjagaraalaa, iyarkaiyinaalaa, paadhagaralaa, paavathinaalaa).
Did you know?
Trivia
The song is composed by K. V. Mahadevan with lyrics by A. Maruthakasi for the 1962 film 'Kavitha'. Maruthakasi was known for his mastery over dramatic allegory and dialogue-driven songwriting, which allowed the film's narrative conflict to be seamlessly woven into musical numbers.
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