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Isaimozhi
Lyrics & meaning

Ulagam Ellaam

From Kanne Kaniyamudhe · 1986

Lyricist
Tha. Kannan
Singers
S. P. Balasubrahmanyam, S. Janaki
Music director
M. S. Vishwanathan
Details
Kanne Kaniyamudhe1986

Lyrics & meaning

Tanglish lyrics English translation
Male
Thagathimithom thaamthagathom thadhimthomRhythmic vocal percussion syllables (Solkattu).
Female :Ulagam ellaam kadhal vizha eduppomFemale: We will celebrate a festival of love across the entire world.
Male :Thagathimithom thaamthagathom thadhimthomMale: Rhythmic vocal percussion syllables (Solkattu).
Female :Urai ezhutha kannamathai koduppomFemale: We will offer our cheeks as a page to write poetic commentary.
Male
Thagathimithom thagathimithom thagathimi thomthomRhythmic vocal percussion syllables (Solkattu).
Female :Oru manathil maru manathai thiraiyiduvom naamFemale: We shall reflect one heart upon another.
Vizhiyilthaan vizhi kalappomWe will merge our eyes with each other's eyes.
Vizhiyilthaan vizhi kalappomWe will merge our eyes with each other's eyes.
Male
Thagatheemtha thagatheemtha thagatheemthaRhythmic vocal percussion syllables (Solkattu).
Thagatheemtha thagatheemthomRhythmic vocal percussion syllables (Solkattu).
Female :Madi meedhu thalai saaiththuFemale: Resting the head upon the lap,
Mugam meedhu mugam paarththu nammai marappomGazing face to face, we will forget ourselves.
Male :Thagatheemtha thagatheemtha thagatheemthaMale: Rhythmic vocal percussion syllables (Solkattu).
Thagatheemtha thagatheemthomFemale: Rhythmic vocal percussion syllables (Solkattu).
Female :Pudhu raagam uruvaagaFemale: For a new melody to be born,
Idhazhodu idhazh saerththu isai amaipomJoining lips together, we will compose music.
Male
Thagatheemtha thagatheemtha thagatheemthaRhythmic vocal percussion syllables (Solkattu).
Thagatheemtha thagatheemthomRhythmic vocal percussion syllables (Solkattu).
Female :Mana maalai varum naalaiFemale: Looking forward to the day of the wedding garland,
Thiru naalai vizhi theda imai thirappomSearching for that auspicious day, we will open our eyes.
Male :Kanavaai parappomMale: We will fly as a dream.
Female :Pudhithaai PirappomFemale: We will be born anew.
Male :Kanavaai parappomMale: We will fly as a dream.
Female :Pudhithaai PirappomFemale: We will be born anew.
Male
Thagathimithom thaamthagathom thadhimthomRhythmic vocal percussion syllables (Solkattu).
Female :Ulagam ellaam kadhal vizha eduppomFemale: We will celebrate a festival of love across the entire world.
Male :Thagathimithom thaamthagathom thadhimthomMale: Rhythmic vocal percussion syllables (Solkattu).
Female :Urai ezhutha kannamathai koduppomFemale: We will offer our cheeks as a page to write poetic commentary.
Male
Ival kaadhoram kadhai pesum kaatruThe wind whispers stories beside her ear.
Female :Nee naan veesa valainthaadum naattruFemale: Like young crops swaying as you and I blow like a gentle breeze.
Male :Ival kaadhoram kadhai pesum kaatruMale: The wind whispers stories beside her ear.
Female :Nee naan veesa valainthaadum naattruFemale: Like young crops swaying as you and I blow like a gentle breeze.
Male
Manam devaalayamThe heart is a sacred temple.
Female :Adhil nee gopuramFemale: In it, you are the grand tower (Gopuram).
Both :Ingu thaalangal raagangal pooththoovumaeBoth: Here, rhythms and melodies will shower like blossoms.

Beyond the translation

Song interpretation

The song is a passionate and lyrical romantic duet where two lovers express their devotion through musical and poetic metaphors. They imagine their love as a grand celebration spanning the world, comparing intimacy to creating music with joined lips and capturing shared emotions. The composition intertwines classical rhythmic beat syllables (Solkattu) with romantic poetry, highlighting how love transforms their lives into a sacred temple where beats and melodies rain down like flowers.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Manam devaalayam / Adhil nee gopuram

Compares the human heart to a sacred temple and the beloved to its majestic tower.

Imagery & Musical Metaphor

Idhazhodu idhazh saerththu isai amaipom

Creates vivid visual and auditory imagery by equating an intimate kiss to creating musical melody.

End Rhyme (Iyaibu)

Kanavaai parappom / Pudhithaai Pirappom

Uses matching rhyming suffixes ('parappom' and 'pirappom') to reinforce harmony and rhythm.

Rhythmic Solkattu (Cadence)

Thagathimithom thaamthagathom thadhimthom

Incorporates classical dance syllables to infuse rhythmic structure into poetic expression.

Did you know?

Trivia

The track from the 1986 film 'Kanne Kaniyamudhe' extensively uses classical rhythmic cadence (solkattu/jathis) integrated seamlessly into light romantic poetry by lyricist Tha. Kannan.

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