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Isaimozhi
Lyrics & meaning

Thodu Thodu Vaa Mella

From Dharma Devathai · 1986

Lyricist
Vaali
Singers
K. J. Yesudas, S. Janaki
Music director
Raveendran
Details
Dharma Devathai1986

Lyrics & meaning

Tanglish lyrics English translation
Female
Aa… aa…Ah... ah...
Male
Aa… aa… aa… aa…Ah... ah... ah... ah...
Female
Ha… aa… aa… aa…aaHa... ah... ah... ah... ah
Ha… aa… aa… aa… aa..Ha... ah... ah... ah... ah..
Male :Aa… aa… aa… aa… …Male: Ah... ah... ah... ah...
Female :Ha… aa… haa… aa… haa.. aaFemale: Ha... ah... ha... ah... ha... ah
Thodu thodu vaa mellaCome slowly and touch me
Thoda thoda naan thullaAs you touch, I leap with joy
Nee theendum podhuWhen you touch me
Narambugal pudhu nadanangal puriyudhuMy nerves perform new dances
Male
Thodu thodu vaa mellaCome slowly and touch me
Thoda thoda naan thullaAs you touch, I leap with joy
Nee theendum podhuWhen you touch me
Narambugal pudhu nadanangal puriyudhuMy nerves perform new dances
Female
Thodu thodu vaa mellaCome slowly and touch me
Male :Thoda thoda naan thullaMale: As you touch, I leap with joy
Female
Yaavumae nee solli solli thaaTeach me everything by speaking it to me
Male :Thaevaiyai nee alli alli thaaMale: Hand over all my needs generously
Female
Vaalibam yen kollai ittadhoWhy has youth looted us like this?
Male :Aasaigal sol yaarai vittadhoMale: Tell me, whom have desires ever spared?
Female
Oruvarai oruvar urasum nilai idhuThis is a state where we brush against each other
Male :Iruvarum ulagai marakkum nilai idhuMale: This is a state where both of us forget the world
Female
Ammammaa appappaaOh my goodness, oh my!
Angangae anubhavam pudhidhoIs every experience here so entirely new?
Male
Thodu thodu vaa mellaCome slowly and touch me
Thoda thoda naan thullaAs you touch, I leap with joy
Nee theendum podhuWhen you touch me
Narambugal pudhu nadanangal puriyudhuMy nerves perform new dances
Female
Thodu thodu vaa mellaCome slowly and touch me
Thoda thoda naan thullaAs you touch, I leap with joy
Male
Aalilai un angam allavaaIsn't your body like a tender banyan leaf?
Female :Nee adhil or kannan allavaaFemale: Aren't you like Lord Krishna resting on it?
Male
Maangani thaen sotta sotta thaanLike a sweet mango dripping with honey
Female :Aan kili nee kotha kotha thaanFemale: As you, the male parrot, peck at it
Male
Nerungi vaa vishayamCome close, there is a lot of matter
Niraiya irukkudhuThere are so many things to share
Female
Vara vara vivaramGradually the reality of it all
Enakkum puriyudhuIs becoming clear to me too
Male
Naan aada nee aadaAs I dance and as you dance
Aanandham abinayam idhuvoIs this an expressive dance of pure bliss?
Female
Haa thodu thodu vaa mellaHa, come slowly and touch me
Thoda thoda naan thullaAs you touch, I leap with joy
Nee theendum podhuWhen you touch me
Narambugal pudhu nadanangal puriyudhuMy nerves perform new dances
Male
Thodu thodu vaa mellaCome slowly and touch me
Thoda thoda naan thullaAs you touch, I leap with joy
Nee theendum podhuWhen you touch me
Narambugal pudhu nadanangal puriyudhuMy nerves perform new dances
Female
Thodu thodu vaa mellaCome slowly and touch me
Male :Thoda thoda naan thullaMale: As you touch, I leap with joy

Beyond the translation

Song interpretation

This sensual duet from 'Dharma Devathai' (1986) portrays two lovers expressing their deep passion and emotional excitement through physical proximity. The lyrics describe the electric thrill of a beloved's touch, which makes the nerves feel as though they are dancing with delight. The song explores the innocence, intensity, and mutual enchantment of youthful desire. Rich in mythology and nature imagery—such as Krishna resting on a banyan leaf and a parrot pecking at a honeyed mango—Vaali creates an alluring atmospheric piece celebrating love, expression, and absolute bliss.

Writing craft

Poetic devices

Adukkuthodar (Repetition for emphasis)

Thodu thodu vaa mella

Words like 'Thodu thodu', 'solli solli', 'alli alli', and 'sotta sotta' are repeated consecutively to evoke rhythm, intensity, and deep sensation.

Mona (Initial Rhyme / Alliteration)

Thodu thodu vaa mella / Thoda thoda naan thulla

Matching initial consonant sounds ('Th') across paired lines to maintain poetic rhythm.

Uruvagam (Metaphor)

Aalilai un angam allavaa / Nee adhil or kannan allavaa

Comparing the female form to a banyan leaf ('Aalilai') and the male lover to Lord Krishna ('Kannan') resting upon it.

Did you know?

Trivia

Dharma Devathai (1986) stars Vijayakanth and Radhika in the lead roles. The music for the film was composed by Malayalam composer Raveendran, making it one of his notable Tamil film soundtracks.

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