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Isaimozhi
Lyrics & meaning

Thegam Pon Thegam

From Anbulla Malare · 1984

Lyricist
Vairamuthu
Singer
S. Janaki
Music director
Ilayaraja
Details
Anbulla Malare1984

Lyrics & meaning

Tanglish lyrics English translation
Female
Dhegam pon dhegamGolden body, precious body
Ondrodu ondraagum vizhaaA celebration where two become one
Dhegam pon dhegamGolden body, precious body
Ondrodu ondraagum vizhaaA celebration where two become one
Thudikkavae padukkai nilaaThe bed-moon quivers with passion
Ilamaiyin inimaiyilIn the sweetness of youth
Ragasiya mazhaiyil nanaindhuDrenched in a secret rain
Female
Dhegam pon dhegamGolden body, precious body
Ondrodu ondraagum vizhaaA celebration where two become one
Chorus
Naanana nannannaNaanana nannanna
Naanana nanna nannaaNaanana nanna nannaa
Naanana nannannaNaanana nannanna
Naanana nanna nannaaNaanana nanna nannaa
Female
Thaekki vaitha aasaiThe desire stored inside
Theenda sollaadhoWon't it ask to be touched?
Naanam ennum paattaiThe song named shyness
Adhu paada chollaadhoWon't it ask to be sung?
Naayagan porvaiyil bodhai meerumaeIntoxication overflows under the lover's blanket
Paavaiyin paarkadal pongum neramaeIt is time for the maiden's milky ocean to overflow
Female
Dhegam engum dhaagamThirst everywhere in the body
Adhu thaedum panneer megamSearching for a cloud of rosewater
Dhegam engum dhaagamThirst everywhere in the body
Adhu thaedum panneer megamSearching for a cloud of rosewater
Mutham ennum yutham seiyum dhegamThe body that wages a war of kisses
Laalaa lalaalaa lalaalaa lalaalaa lalaaLaalaa lalaalaa lalaalaa lalaalaa lalaa
Chorus
Aa…aaa….aaa…aaa…aaa…aaa….Aa...aaa...aaa...aaa...aaa...aaa...
Haa….aaa….aaa….aaaa…aaa…aaaa….Haa...aaa...aaa...aaaa...aaa...aaaa...
Female
Naangu kaigal serndhuWhen four hands join together
Sorgam thedaadhoWon't they seek paradise?
Meni engum udhaduAcross the entire body, lips
Payanam pogaadhoWon't they embark on a journey?
Thogaiyin gopuram tholil serumaeThe maiden's tower will rest upon his shoulders
Thaamarai poovinai vandu keerumaeThe honeybee will pierce the lotus flower
Female
Inbam ennum uchamThe summit called pleasure
Adhil innum illai michamLeaving nothing left behind
Inbam ennum uchamThe summit called pleasure
Adhil innum illai michamLeaving nothing left behind
Poovil thaedum yogum seidha dhegamThe body that attained a meditative state seeking in a flower
Female
Dhegam pon dhegamGolden body, precious body
Ondrodu ondraagum vizhaaA celebration where two become one
Dhegam pon dhegamGolden body, precious body
Ondrodu ondraagum vizhaaA celebration where two become one
Thudikkavae padukkai nilaaThe bed-moon quivers with passion
Ilamaiyin inimaiyilIn the sweetness of youth
Ragasiya mazhaiyil nanaindhuDrenched in a secret rain
Laalaa lalaalaa lalaalaa lalaalaa lalaaLaalaa lalaalaa lalaalaa lalaalaa lalaa

Beyond the translation

Song interpretation

The song 'Dhegam Pon Dhegam' from the 1984 film Anbulla Malare is an evocative and sensuous romantic track celebrating physical intimacy and deep passion between two lovers. Lyricist Vairamuthu uses rich classical and nature-based metaphors—such as clouds of rosewater, a lotus being pierced by a bee, and secret rain—to describe the blossoming of youthful desire and the ecstatic union of two souls.

Writing craft

Poetic devices

Uvamei (Metaphor)

Dhegam pon dhegam

Describing the body as 'pon dhegam' (golden body) elevates the beloved's physical presence to something precious and divine.

Rupakam (Direct Metaphor)

Mutham ennum yutham seiyum dhegam

Refers to kisses as a battle ('mutham ennum yutham') and shyness as a song ('naanam ennum paattai').

Edhugai (Second letter rhyming)

Dhegam pon dhegam / Ondrodu ondraagum vizhaa

The second letter 'g' rhymes between 'Dhegam' and 'Ondrodu' (rhyming cadence across poetic lines).

Monai (Alliteration)

Dhegam engum dhaagam

Repetition of the starting 'D' sound ('Dhegam', 'dhaagam') creates an echoing musicality reflecting thirst.

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Trivia

The song is composed by Maestro Ilaiyaraaja for the 1984 Tamil drama film 'Anbulla Malare', which stars Vijayakanth and Shanthi Priya. The track features vocals by S. Janaki and S. P. Balasubrahmanyam, highlighting Vairamuthu's signature poetic style that blends erotic imagery with literary Tamil.

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