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Isaimozhi
Lyrics & meaning

Enna Venum

From Anbulla Malare · 1984

Lyricist
Vairamuthu
Singers
Sudhakar, Saibaba, Grubb Singh, Chorus
Music director
Ilayaraja
Details
Anbulla Malare1984

Lyrics & meaning

Tanglish lyrics English translation
Male
Innaa venum yedhu venum kettukkaAsk what you want, ask whatever you need
Un ishtam pola thaedi paathu pudichukkaSearch, look, and choose as you wish
Unakku innaa venum yedhu venum kettukkaAsk what you want, ask whatever you need
Un ishtam pola thaedi paathu pudichukkaSearch, look, and choose as you wish
Keralaava paathu puttu kirukiruthu nikkaadhaeDon't stand there dazed looking at Kerala
Male
Aiyo haha hahahahaOh dear, haha hahahaha
Male
Andhirava paathu neeyumAnd looking at Andhra, you
Alarikkittu odaadhaeDon't run away screaming
Male
Aiyo haha hahaOh dear, haha haha
Male
Maratiyaa gujarathaaIs it Marathi or Gujarati?
Maratiyaa gujarathaaIs it Marathi or Gujarati?
Punjabaa aisaalakkadiIs it Punjabi or local tricks?
Innaa venumWhat do you need?
Male
{Paatti indha maratti gujarathu{Grandma, Marathi, Gujarati,
Punjaab ellaam kelvippattirukkenand Punjab, I have heard of all these
Adhu enna andha aisaalakkadi…What is that 'aisaalakkadi'?
Male
Adhu thaan daaThat is, my boy,
Namba ooru baemaania rogue from our local town!
Aei pangajam…Hey Pangajam...
Male
Innaa paatti…What is it, grandma?
Male
Party vandhukkudhuThe party has arrived,
Ellaatthaiyum koottiyaandhubring everyone together
Varinjalaa nikka vai paakkattumand make them stand in a line, let us see!
Male
Paatti paatti paatti aiyaiyaa…Grandma, grandma, grandma, oh no...
Ellaam odi poiyittaangalaeEveryone has run away!
Male
Ada povattum udraaAh, let them go, leave it!
Kavala padaadhae naan irukkenDon't worry, I am here!
Male : Aiyaiyo neeyaa } (Dialogue)Male: Oh no, is it you?} (Dialogue)
Male
Vendiyadha kelu ingirukku aaluAsk for what you want, the person is right here
Vekkappattu angae nikkalaamaa aa…Should you stand over there feeling shy?
Vendiyadha kelu ingirukku aaluAsk for what you want, the person is right here
Vekkappattu angae nikkalaamaaShould you stand over there feeling shy?
Dhutta konjam kaami naan unakku maamiShow me some cash, I am your aunt
Vittu vittu neeyum pogalaamaaCan you just leave and walk away repeatedly?
Male
Thathaa thatthi thaaStepping to the beat step by step
Vaa vaa kitta vaaCome, come closer
Thathaa thatthi thaaStepping to the beat step by step
Thaa thaa dhuttai thaaGive, give, give the money!
Thakadhimi thakajunuThakadhimi thakajunu rhythm
Pala vidha size laIn various sizes
Thakadhimi thakajunuThakadhimi thakajunu rhythm
Ponnunga edhukkuWhy are the girls here?
Thakkida dheem thadheem thadheemThakkida dheem thadheem thadheem
Kattilum methaiyum pottukkoSet up the bed and mattress
Thakkida thadhimi dheem thadheemThakkida thadhimi dheem thadheem
Kadhavai konjam saathikko appuramClose the door a little, and then
Male
Thakadhimi thakajunuThakadhimi thakajunu
thakadhimi thakajunuThakadhimi thakajunu
Thaathaa thaathaa thaithai thaithaiThaathaa thaathaa thaithai thaithai
Thaathaa thaithai thaathaa thaithaiThaathaa thaithai thaathaa thaithai
Thaathaa thaathaa thaathaa thaathaa thaathaaThaathaa thaathaa thaathaa thaathaa thaathaa
Male
Unakkaaga thaathaa thaathaa nnu kathiShouting 'Grandpa, Grandpa' for your sake
Thaathaa nyaabagam vandhuruchu poI remembered my grandfather, oh go on!
Ammaa ammaadi…………….(Dialogue)Oh my goodness...} (Dialogue)

Beyond the translation

Song interpretation

This song from the film 'Anbulla Malare' (1984) is a comedic, high-energy dance track rich in 'Madras Bashai' (local Chennai dialect). Set in a playful situational context, the narrative revolves around a humorous interaction involving local characters, playful solicitation, and comedic dialogue interludes. The speaker teases a prospective customer using regional stereotypes and local slang while demanding payment ('dhuttu'). The emotional arc is purely lighthearted and satirical. Interspersed with traditional rhythm syllables ('sollukattu') like 'Thakadhimi' and 'Thakkida', the song blends theatrical folk elements with comedic urban culture, culminating in a funny twist where dialogue interrupts the song's momentum.

Writing craft

Poetic devices

Ethugai (Second Letter Rhyme)

Vendiyadha kelu ingirukku aalu / Vekkappattu angae nikkalaamaa aa…

The second letter 'k/ng/k' soft sound structure creates a rhythmic harmony across these consecutive lines.

Monai (First Letter Alliteration)

Thathaa thatthi thaa / Thaa thaa dhuttai thaa

The repetition of the initial consonant sound 'Th' creates a catchy, percussive rhythm characteristic of Tamil folk beats.

Onomatopoeia / Sollukattu

Thakadhimi thakajunu / Thakkida dheem thadheem thadheem

Use of traditional rhythm syllables (Sollukattu) that mimic the sounds of dance footwork and percussion instruments.

Did you know?

Trivia

Written by lyricist Vairamuthu, this track stands out for its extensive use of authentic Madras Bashai (Chennai slang) terms like 'Innaa' (What), 'Baemaani' (Rogue/scoundrel), and 'Dhuttu' (Money), blending local urban dialect with traditional percussion mouth-solfas.

Keep listening

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