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Lyrics & meaning

Thamarai Kannangal

From Ethir Neechal (1968 Film) · 1968

Lyricist
Vaali
Singers
P. B. Sreenivas, P. Susheela
Music director
V. Kumar
Details
Ethir Neechal (1968 Film)1968

Lyrics & meaning

Tanglish lyrics English translation
Female
{ Aaa aaa{ Ah ah
Male
Mmm mmm } (3)Mmm mmm } (3)
Male
{ Thamarai{ Lotus-like
Kannangal thenCheeks are like honey-filled
Malar kinnangal } (2)Flower cups } (2)
Male
Ethanai vannangalSo many vibrant colors!
Muthamaai sinthumpothuWhen spilled out as kisses,
Pongidum ennangalThoughts overflow with joy.
Female
{ Maalaiyil{ In the evening
Santhithen maiyalilI met my beloved, and in infatuation
Sinthithen } (2)I poured out my heart } (2)
Female
MangaiAs a young maiden,
Naan kannithenI tasted the nectar of love,
Kaadhalan theendumpothuAnd when my lover touched me,
{ Kaigalai mannithen } (2){ I forgave his bold hands } (2)
Maalaiyil santhithenI met him in the evening.
Male
{ Kothu malar{ Is this a divine picture
Kuzhal paathamOf flowery tresses reaching down to her feet,
Alanthidum sithiramoMeasuring grace?
Female
Aaa aaaaAh ah
Male
Muthu nagaiOr is it a ruby-red lips
Tharum melliyaOffering a soft,
Sevvidhazh rathinamoPearl-like smile?
Female
Aaa aaa } (2)Ah ah } (2)
Female
ThuyilDuring the peaceful hours
Konda velaiyilaeOf quiet slumber,
Kulir kanda meniyilaeWhen the body feels a cool chill,
Thunai vanthu serumbothuAnd one's companion arrives to embrace,
Sollavo inbangalCan those blissed feelings ever be described?
Female
MaalaiyilIn the evening
Santhithen maiyalilI met my beloved, and in infatuation
SinthithenI poured out my heart.
Female
MangaiAs a young maiden,
Naan kannithenI tasted the nectar of love,
Kaadhalan theendumpothuAnd when my lover touched me,
Kaigalai mannithenI forgave his bold hands.
Female
{ Aalilai{ Like Lord Krishna reclining
Meloru kannanaipolUpon a banyan leaf,
Ivan vanthavano noolidaiDid he arrive, while her slender thread-like waist
Meloru naadagam aadida nindravano } (2)Stood poised to perform a romantic drama? } (2)
Male
SumaiLike a heavy, sweet honey-laden fruit
Konda poonkodiyinOn a delicate flowering vine,
Suvai konda then kaniyaiWhen draped in beautiful garments,
Udai kondu moodumbothuCan your breathtaking beauty ever sleep?
Urangumo unnazhaguLotus-like
Male
ThamaraiCheeks are like honey-filled
Kannangal thenFlower cups
Malar kinnangalSo many vibrant colors!
Male
Ethanai vannangalWhen spilled out as kisses,
Muthamaai sinthumpothuThoughts overflow with joy.
Pongidum ennangalAh, in the evening
Female
Aaa maalaiyilI met my beloved, and in infatuation
Santhithen maiyalilI poured out my heart.
SinthithenAs a young maiden,
Female
MangaiI tasted the nectar of love,
Naan kannithenAnd when my lover touched me,
Kaadhalan theendumpothuI forgave his bold hands.
Kaigalai mannithen

Beyond the translation

Song interpretation

'Thamarai Kannangal' is a deeply romantic track from the 1968 Tamil classic film 'Ethir Neechal'. Set against an intimate backdrop, the song captures the tender conversation and romantic ecstasy shared between two lovers. Through lush imagery of lotus petals, honeyed cups, and radiant rubies, lyricist Vaali expresses the intoxicating warmth of romantic touch, forgiveness, and emotional surrender in the quiet hours of the evening.

Writing craft

Poetic devices

Uruvagam (Metaphor)

Thamarai Kannangal then Malar kinnangal

Compares soft cheeks to lotus flowers and honey-filled flower vessels ('Thamarai Kannangal then Malar kinnangal').

Ethukai (Second-letter Rhyme)

Santhithen maiyalil / Sinthithen / Naan kannithen / Kaigalai mannithen

Rhyming of the second consonant across lines: 'Santhithen', 'Sinthithen', 'Kannithen', and 'Mannithen'.

Anupirasam (Alliteration / Monai)

Kothu malar Kuzhal paatham

Repetition of initial consonant sounds like 'k' in 'Kothu malar / Kuzhal paatham'.

Did you know?

Trivia

Composed by M. S. Viswanathan with lyrics by Vaali, 'Thamarai Kannangal' remains one of the iconic duets rendered by P. B. Sreenivas and P. Susheela. The song features Nagesh and Jayanthi in the landmark comedy-drama 'Ethir Neechal', directed by K. Balachander.

Keep listening

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