Skip to content
Isaimozhi
Lyrics & meaning

Takku Takku

From Veerapandiya Kattabomman · 1959

Lyricist
Ku. Ma. Balasubramaniam
Singers
P. Susheela, A. P. Komala, S. Varalakshmi
Music director
G. Ramanathan
Details
Veerapandiya Kattabomman1959

Lyrics & meaning

Tanglish lyrics English translation
Female
Takku takkuTakku takku
Takku takkuTakku takku
Takku takku takkunnu adikkadi thudikkumIt throbs frequently with a 'takku takku' sound
Adikkadi thudikkum adi pennaeIt throbs frequently, oh girl
Nikkira idathilaeyae vandu pola suthi suthiSpinning in circles like a beetle right where it stands
Sakkaram adikkum kadikaram allaIt spins like a wheel, but it is not a clock
Takku takkuTakku takku
Takku takku takkunnu adikkadi thudikkumIt throbs frequently with a 'takku takku' sound
Adikkadi thudikkum adi pennaeIt throbs frequently, oh girl
Female
Methaiyila padutha kooda nithirai verukkumEven when lying on a soft bed, it despises sleep
Nithirai verukkumadi kannaeIt despises sleep, my dear
Endhan vaithiyaru pathiyam kodutha podhumEven when my doctor prescribes a strict diet
Pasikka marakkum adhu noiyum allaIt forgets hunger, but it is not a disease
Takku takkuTakku takku
Takku takku takkunnu adikkadi thudikkumIt throbs frequently with a 'takku takku' sound
Adikkadi thudikkum adi pennaeIt throbs frequently, oh girl
Female
Othai kaalil ninnukittu nithamum thavikkumStanding on a single leg, it suffers every single day
Nithamum thavikkum adi pennaeIt suffers every single day, oh girl
Kuthi vecha kanniyila ekkachekkamaga vandhuGetting caught completely in a set trap
Sikkiyae muzhikkum adhu kokkum allaIt blinks in confusion, but it is not a crane
Female
Ennavendru nee soladiTell me what it is, my friend
Adhu ennavendru nee solladiTell me what that thing is
Female
Kadhal endru nee sollammaSay that it is love, my dear
Pudhu kaadhal endru nee sollammaSay that it is brand new love, my dear
Female
Velanai paadum thiruneeru podumIt sings of Lord Murugan and applies holy ash
Veedhiyil thoongidum saami allaBut it is not an ascetic sleeping on the street
Velanai paadum thiruneeru podumIt sings of Lord Murugan and applies holy ash
Veedhiyil thoongidum saami allaBut it is not an ascetic sleeping on the street
Female
Nall iravu neram veshangal maarumIn the middle of the night, it changes disguises
Kollai adithidum kalvan allaBut it is not a thief who loots and plunders
Nall iravu neram veshangal maarumIn the middle of the night, it changes disguises
Kollai adithidum kalvan allaBut it is not a thief who loots and plunders
Female
Kaanikkai kettaal kathithanai neettumIf asked for a tax offering, it draws out a knife
Kaiyaale yeiyaadha karumi allaBut it is not a miser who gives nothing with his hands
Kaanikkai kettaal kathithanai neettumIf asked for a tax offering, it draws out a knife
Kaiyaale yeiyaadha karumi allaBut it is not a miser who gives nothing with his hands
Female
Anjaadha nadai podum yaanai allaIt is not a fearless walking elephant
Female :Arasi munn vilaiyaadum maanum allaFemale: Nor is it a deer playing in front of the queen
Female :Anjaadha nadai podum yaanai allaFemale: It is not a fearless walking elephant
Female :Arasi munn vilaiyaadum maanum allaFemale: Nor is it a deer playing in front of the queen
Female
Ennavendru nee keladiAsk me what it is, my friend
Female :Ennavendrae neeyum kaelammaFemale: Ask what it is, my dear
Female
Mannar endrae neeyum solladiSay that it is the King, my friend
Engal mannar endrae neeyum solladiSay that it is our King, my dear

Beyond the translation

Song interpretation

This classic song from 'Veerapandiya Kattabomman' is composed in the format of playful riddles (Vidukadhai) sung among court maidens. The song begins by describing mysterious physical and psychological symptoms—a racing heart, sleeplessness, loss of appetite, and restless yearning—that resemble non-living objects or illnesses, but ultimately point to the onset of love. In the second half, the riddles pivot from the abstract concept of love to the brave attributes of King Veerapandiya Kattabomman himself. The maidens compare his heroic traits—his devotion, night patrols, fierce resistance against unfair taxation, and grand stature—to various creatures and figures, concluding that the true answer to their riddle is both love and their beloved ruler.

Writing craft

Poetic devices

Onomatopoeia (Oli-kkurippu)

Takku takku takkunnu adikkadi thudikkum

The sound 'Takku takku' imitates the rhythmic beating of a heart and ticking motion of a clock.

Riddle / Paradox (Vidukadhai Structure)

Sakkaram adikkum kadikaram alla

Framing symptoms or actions with negative comparisons ('...alla') to create poetic riddles.

Simile (Uvamai)

Nikkira idathilaeyae vandu pola suthi suthi

Comparing the spinning motion of the restless mind or heart to a beetle ('vandu pola').

Alliteration & Rhyme (Monai and Ethukai)

Velanai paadum thiruneeru podum

Matching opening consonants and second-letter rhythms across consecutive lines for musical phrasing.

Did you know?

Trivia

Composed by G. Ramanathan for the iconic 1959 historical film 'Veerapandiya Kattabomman', this riddle song was rendered by P. Susheela, A. P. Komala, and S. Varalakshmi. The film won international acclaim at the 1960 Afro-Asian Film Festival in Cairo, where Sivaji Ganesan won Best Actor.

Keep listening

More from Veerapandiya Kattabomman