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Isaimozhi
Lyrics & meaning

Sokkipoi Pinnale Anbai

From Maaya Mohini · 1956

Lyricist
K. Devanarayanan
Singer
S. C. Krishnan
Music director
S. N. Thirupathi
Details
Maaya Mohini1956

Lyrics & meaning

Tanglish lyrics English translation
Male
Asainju asainju nadungi nadungiSwaying and swaying, trembling and trembling
Kadai pakkam ponnenI went towards the market shops
Pudhu azhagiyai therinjikkaTo find out about a new beauty
Ennaiyae soozhndhu nindraarThey surrounded me and stood around
Aiyaiyoo payandhuputtenOh my! I got so scared
Male
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Vandhaanga ennai paarkkaThey came to see me
Vandhaanga janangaThe crowd came
Vandhaanga ennai paarkkaThey came to see me
Vandhaanga janangaThe crowd came
Sokkipoyi pinnalae anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Male
Paatha nalla aalunga thangaLooking at them, they seem like decent people
Aana kelunga neengaBut listen to what happened
Paatha nalla aalunga thangaLooking at them, they seem like decent people
Aana kelunga neengaBut listen to what happened
Kanmani poraa …paarunnuLook, a darling is walking by, look!
Pasanga pesikittanga koodiThe young men gathered and talked among themselves
Kanmani poraa …paarunnuLook, a darling is walking by, look!
Pasanga pesikittanga koodiThe young men gathered and talked among themselves
Male
Paathu mayangi ponangannu thaanI thought they would just look and be mesmerized
NinaichenI thought so
Paathu mayangi povangannu thaanI thought they would just look and be mesmerized
Ninaichen..anaaa…I thought so... but...
Male
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Male
Ahaa paarungoo angae oruvanAha, look over there, a man
Palagaarakadai esamaanThe owner of a sweet shop
Ahaa paarungoo angae oruvanAha, look over there, a man
Palagaarakadai esamaanThe owner of a sweet shop
Ennai paarthaan alvaa theenjathuHe looked at me and burnt his halwa
Nadungi ponen ejamaanI trembled in shock, my master!
Ahaan nadungi ponen ejamaanAha, I trembled in shock, my master!
Ahaa unmaiyil naanaeAha, in truth, I am
Singaari thaanae pongaA gorgeous beauty indeed, go on!
Unmaiyil naanaeIn truth, I am
Singaari thaanae pongaA gorgeous beauty indeed, go on!
Male
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Male
Angirunthathae naan pogum pothuAs I was passing by that place
Paarthen oru aasaamiI saw a fellow over there
Beediyai veesi bodhaiyilae ennaiThrowing away his bidi, in a state of intoxication
Kannadichaanae paavi ..He winked at me, that sinner!
Ye nillunnu sonnaan paaviHey, stop! said that sinner
Male
Angirunthathae naan pogum pothuAs I was passing by that place
Paarthen oru aasaamiI saw a fellow over there
Beediyai veesi bodhaiyilae ennaiThrowing away his bidi, in a state of intoxication
Kannadichaanae paavi ..He winked at me, that sinner!
Ye nillunnu sonnaan paaviHey, stop! said that sinner
Male
Yeno naan gaandham pol aanenWhy did I become like a magnet?
VambhaachudhaiyaaIt turned into big trouble, sir!
Yen thaan gaandham pol aanenWhy did I become like a magnet?
VambhaachudhaiyaaIt turned into big trouble, sir!
Male
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Male
Ennai pudikka adichikittaangaThey fought each other to catch me
Pombilai vambidhu thagumaIs it right to harass a woman like this?
Ennai pudikka adichikittaangaThey fought each other to catch me
Pombilai vambidhu thagumaIs it right to harass a woman like this?
Paar enakkaaga kuthikittaangaLook, they stabbed each other for my sake
Aambillai pasanga ellaamAll those young men
Ahaan aambillai pasanga ellaamAha, all those young men
Male
Yen thaan endhan melaasaiWhy on earth did they fall in love with me?
Kondaar ariyaenI do not know!
Yen thaan endhan melaasaiWhy on earth did they fall in love with me?
Kondaar ariyaenI do not know!
Male
Aahaa sokkipoyi pinnale anbaaiAha, mesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Vandhaanga ennai paarkkaThey came to see me
Vandhaanga janangaThe crowd came
Vandhaanga ennai paarkkaThey came to see me
Vandhaanga janangaThe crowd came
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing
Sokkipoyi pinnale anbaaiMesmerized, behind me, with affection
Aadi vandhaangaThey came dancing

Beyond the translation

Song interpretation

This humorous Tamil film song from Maaya Mohini (1956) depicts a lively street narrative sung in a comic, folk-influenced style. The singer recounts walking into the local market and unintentionally creating complete chaos due to her captivating charm. As she walks, men gather, whisper compliments, throw away bidis, and even ruin their cooking—like a sweet shop owner burning his halwa while staring at her. The situation escalates into fights and brawls among men eager to win her attention, leaving her comically questioning why she acts like a magnet for unwanted male drama.

Writing craft

Poetic devices

Adukku Thodar (Repetition / Onomatopoeia)

Asainju asainju nadungi nadungi

The song opens with doubled action verbs ('Asainju asainju', 'nadungi nadungi') to create rhythmic movement and exaggerate the trembling, swaying gait of the protagonist.

Uvamai (Simile)

Yeno naan gaandham pol aanen

The singer compares herself to a magnet ('gaandham pol') to humorously illustrate how she irresistibly attracts all the men in the town bazaar.

Refrain and Pallavi Repetition

Sokkipoyi pinnale anbaai Aadi vandhaanga

The hook phrase 'Sokkipoyi pinnale anbaai Aadi vandhaanga' recurs regularly across stanzas to anchor the comedic tempo and narrative structure.

Did you know?

Trivia

S. C. Krishnan was a renowned playback singer in early Tamil cinema, famous for his energetic rendering of comedic, theatrical, and character songs, often collaborating with music directors like S. N. Thirupathi during the 1950s.

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