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Isaimozhi
Lyrics & meaning

Singapooru Thangachi Vanthiya

From Thanga Malar · 1969

Lyricist
Pattukkottai Narayanasamy
Singers
S. Janaki, A. L. Ragavan
Music director
T. G. Lingappa
Details
Thanga Malar1969

Lyrics & meaning

Tanglish lyrics English translation
Male
Singapore thangachi vanthiyaaDid you come, sister from Singapore?
Ingu serndhu nadanam aada vanthiyaaDid you come here to join together and dance?
Singapore thangachi vanthiyaaDid you come, sister from Singapore?
Ingu serndhu nadanam aada vanthiyaaDid you come here to join together and dance?
Aada vanthiyaa paada vanthiyaaDid you come to dance, did you come to sing?
Aada vanthiyaa paada vanthiyaaDid you come to dance, did you come to sing?
Aalai kavarndhida vanthiyaaDid you come to captivate everyone?
Singapore thangachi vanthiyaaDid you come, sister from Singapore?
Ingu serndhu nadanam aada vanthiyaaDid you come here to join together and dance?
Female
Sagasathilae ulagam mayangudhuThe world is mesmerized by worldly ploys and trickery.
Sagasathilae ulagam mayangudhuThe world is mesmerized by worldly ploys and trickery.
Adhu thannalathaiyae enni thayangudhuIt hesitates, consumed entirely by self-interest.
Veluthathellam paalum illaiAll that glitters white is not milk.
Veluthathellam paalum illaiAll that glitters white is not milk.
Veenai kettaal nadhamae illaiIf the veena is damaged, there is no musical melody.
Singapore thangachi vanthiyaaDid you come, sister from Singapore?
Ingu serndhu nadanam aada vanthiyaaDid you come here to join together and dance?
Male
Siricha mugathai katti neeyumShow a smiling face, and put up...
Singaara kondaiyum pottukko...a beautifully styled, attractive hair bun.
Puruvam naduvil azhagu kaanaTo enhance beauty right between your eyebrows...
Javvaadhu pottaiyum theettikoo...apply a fragrant javvaadhu mark.
Singapore thangachi vanthiyaaDid you come, sister from Singapore?
Ingu serndhu nadanam aada vanthiyaaDid you come here to join together and dance?
Female
Nallavar polae pesiduvaarMen will speak as if they are noble and good.
Raaja varisaiyum seithiduvaarThey will shower royal treatment and honor.
Nallavar polae pesiduvaarMen will speak as if they are noble and good.
Raaja varisaiyum seithiduvaarThey will shower royal treatment and honor.
Kallathanamaai kanni pengalaiDeceitfully, young innocent maidens...
Kallathanamaai kanni pengalaiDeceitfully, young innocent maidens...
Selladha kaasu pola aakkuvaar...they will reduce to useless, invalid coins.
Female
Thottaththu malarai kasakkiduvaarThey will crush the bloomed garden flower,
Sooda malarai naadiduvaarAnd then go seeking another fresh, unadorned flower.
Thottaththu malarai kasakkiduvaarThey will crush the bloomed garden flower,
Sooda malarai naadiduvaarAnd then go seeking another fresh, unadorned flower.

Beyond the translation

Song interpretation

This lively dance song from the 1969 Tamil movie 'Thanga Malar' greets a young woman styled as a visitor from Singapore while imparting cynical yet realistic wisdom about the deceitful nature of the world. Through playful rhythm and expressive dance cues, the lyricist warns that superficial appearances are misleading—not everything white is pure milk, and smooth-talking men who act like kings will eventually betray young women once they grow tired of them.

Writing craft

Poetic devices

Edhugai (Second letter rhyming)

Siricha mugathai katti neeyum / Singaara kondaiyum pottukko

Matching second consonants across lines, such as 'Sagasathilae' and 'Adhu', or 'Siricha' and 'Singaara'.

Proverb / Idiomatic Metaphor (Pazhamozhi)

Veluthathellam paalum illai

'Veluthathellam paalum illai' is a well-known Tamil proverb equivalent to 'All that glitters is not gold'.

Simile (Upamai)

Selladha kaasu pola aakkuvaar

Comparing ruined maidens to invalid/counterfeit coins ('selladha kaasu pola').

Metaphor (Uruvagam)

Thottaththu malarai kasakkiduvaar

Metaphorically comparing women to garden flowers ('thottaththu malar') that men crush after enjoyment.

Did you know?

Trivia

Composed by T. G. Lingappa, 'Singapore thangachi vanthiyaa' reflects the prominent cultural connection between Tamil Nadu and Singapore during the 1960s, often highlighted in vintage Tamil cinema through stage dance numbers and cabarets.

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