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Isaimozhi
Lyrics & meaning

Kann Kavarum Bommaiyadi

From Thanga Malar · 1969

Lyricist
Kavi Kunjaram
Singers
P. Susheela, L. R. Eswari, Chorus
Music director
T. G. Lingappa
Details
Thanga Malar1969

Lyrics & meaning

Tanglish lyrics English translation
Female
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl,
Kanniyarin thiramaiyadiIt represents the skill of young maidens, my dear.
Kalai ezhilum kai thozhilumArtistic beauty and craftsmanship,
Kalandhaadum pudhumaiyadiBlend together in this novel creation, my dear.
Chorus
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl,
Kanniyarin thiramaiyadiIt represents the skill of young maidens, my dear.
Kalai ezhilum kai thozhilumArtistic beauty and craftsmanship,
Kalandhaadum pudhumaiyadiBlend together in this novel creation, my dear.
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl.
Female
Ahimsaiyaalae vidudhalai kandaLook at Mahatma Gandhi, who achieved freedom through non-violence,
Annal gandhiyai paaradiLook at our great Gandhi, my dear.
Chorus :Namm annal gandhiyai paaradiChorus: Look at our great Gandhi, my dear.
Female :Arasai veruthu anbai valarthaFemale: Look at immortal Buddha who renounced kingship and cultivated love,
Amarar buththar thaanadiHe is indeed the immortal Buddha, my dear.
Azhivu seiyum paaviyarkkumAnd look at Jesus who shows grace even to sinners,
Arul kaattum yesuvadiJesus who bestows divine mercy, my dear.
Chorus
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl,
Kanniyarin thiramaiyadiIt represents the skill of young maidens, my dear.
Kalai ezhilum kai thozhilumArtistic beauty and craftsmanship,
Kalandhaadum pudhumaiyadiBlend together in this novel creation, my dear.
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl.
Female
Palarum pugalum abhinayam kattumLook at Bharatanatyam, which displays expressiveness praised by all,
Bharathanattiyam paaradiLook at Bharatanatyam, my dear.
Chorus :…………………….Chorus: (Melodic vocal continuation)
Female
Palarum pugalum abhinayam kattumLook at Bharatanatyam, which displays expressiveness praised by all,
Bharathanattiyam paaradiLook at Bharatanatyam, my dear.
Malar kodi polae nelindhu aadumManipuri dance that sways like a flowering creeper,
Manipuri nadanam thaanadiIt is indeed the Manipuri dance, my dear.
Female
Malar kodi polae nelindhu aadumManipuri dance that sways like a flowering creeper,
Manipuri nadanam thaanadiIt is indeed the Manipuri dance, my dear.
Kalai mozhiyaal kadhakaliyaalThrough artistic expressions of Kathakali,
Kadhai sollum kaatchiyadiIt is a sight that narrates stories, my dear.
Chorus
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl.
Female
Than nizhal saayadha thanjai gopuramThe Thanjavur tower casting no shadow,
Tajmahal idhu thaanadiAnd look, this is the Taj Mahal, my dear.
Mannum kallum manidhargalaalaeLook how mud and stone were elevated to divine greatness,
Magimai adainthathai paaradiLook at how they achieved glory through human hands,
Magimai adainthathai paaradiLook at how they achieved glory, my dear.
Female
Manidhargal mattum maaradhaWhy do human beings alone remain unchanged,
Varumaiyil vaaduvadhenadiWithered and suffering in poverty, my dear?
Female
Thannalamum pottigalumSelfishness and competitive rivalries,
Sitharaadum vindhaiyadiAre the strange games that ruin life, my dear.
Chorus
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl,
Kanniyarin thiramaiyadiIt represents the skill of young maidens, my dear.
Kalai ezhilum kai thozhilumArtistic beauty and craftsmanship,
Kalandhaadum pudhumaiyadiBlend together in this novel creation, my dear.
Kann kavarum bommaiyadiIt is an eye-catching doll, my dear girl.

Beyond the translation

Song interpretation

Kann kavarum bommaiyadi is a culturally rich and thoughtful composition from the film Thanga Malar (1969). The song celebrates handcrafted dolls created by young women, using these artistic figures to showcase iconic spiritual figures, classic Indian dance traditions, and architectural masterworks. The lyricist highlights Mahatma Gandhi for non-violence, Lord Buddha for renunciation and love, and Jesus Christ for compassion, alongside traditional dances like Bharatanatyam, Manipuri, and Kathakali, as well as grand monuments like the Thanjavur Brihadisvara Temple and the Taj Mahal. In its final movement, the song delivers a poignant social commentary: while humans possess the remarkable talent to transform simple earth and stone into magnificent art and monuments, human society ironically continues to suffer in poverty due to ingrained selfishness and destructive competition.

Writing craft

Poetic devices

Ethukai (Second-letter rhyme)

Kann kavarum bommaiyadi / Kanniyarin thiramaiyadi

The second consonant 'nn' matches across consecutive lines, creating a classic Tamil poetic rhythm.

Simile (Upamai)

Malar kodi polae nelindhu aadum

Uses 'polae' (like) to compare the graceful movement of the Manipuri dancer to a flowering creeper swaying in the breeze.

Moonaai (Initial Alliteration)

Kalai ezhilum kai thozhilum

Repetition of the initial sound 'Ka' across 'Kalai' and 'kai' enhances the melodic flow.

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Trivia

Composed by T. G. Lingappa for the 1969 movie Thanga Malar, this song serves both as a stage performance / doll display song and a philosophical commentary on art, history, and social inequality. The lyrics by Kavi Kunjaram beautifully weave together national integration, art forms across Indian states, and high moral philosophy.

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