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Isaimozhi
Lyrics & meaning

Silai Seiya Kaigal Undu

From Justice Viswanathan · 1971

Lyricist
Kannadasan
Singers
T. M. Soundararajan, P. Susheela
Music director
S. Vedhachalam
Details
Justice Viswanathan1971

Lyrics & meaning

Tanglish lyrics English translation
Male
Silai seiya kaigal unduThere are hands to carve a statue
Thangam konjam thaevaiA little gold is needed
Singaara paadal unduThere is a beautiful song
Thamizh konjam thaevaiA little Tamil is needed
Male
Silai seiya kaigal unduThere are hands to carve a statue
Thangam konjam thaevaiA little gold is needed
Male
Aranmanai ondru unduThere is a grand palace
Raani illai inguThere is no queen here
Alangaara thottam unduThere is a decorated garden
Kili illai inguThere is no parrot here
Male
Manam ennum kovil unduThere is a temple named the heart
Deivam illai inguThere is no deity here
Maharaani ennai vittuLeaving me behind, my queen
Nee povadhenguWhere are you going?
Male
Silai seiya kaigal unduThere are hands to carve a statue
Thangam konjam thaevaiA little gold is needed
Singaara paadal unduThere is a beautiful song
Thamizh konjam thaevaiA little Tamil is needed
Male
Silai seiya kaigal unduThere are hands to carve a statue
Thangam konjam thaevaiA little gold is needed
Female
Aranmanai thaedi vandhuThe maid who came seeking the palace
Pani seiyum pennaiTo render her service
Andhapura raani endruCalling her the queen of the royal harem
Solvadhenna ennaiWhy do you address me so?
Female
Mannan andri yaararivaarWho else but the king would know
Kanni ilam kannaiThe gentle eyes of this maiden?
Manam ennum koyilukkulInside the temple of my mind
Silai vaithaen unnaiI have enshrined your statue
Female
Silai seiya thangam unduThere is gold to carve a statue
Kaigal konjam thaevaiA few hands are needed
Singaara thamizhum unduThere is sweet, ornate Tamil
Paadal ondru thaevaiA song is needed
Female
Silai seiya thangam unduThere is gold to carve a statue
Kaigal konjam thaevaiA few hands are needed
Male
Pidipatta maanai indruThe deer that has been captured today
Sirai vaithu paarpaenI shall keep captive and gaze upon
Pillai ena aadavittuLetting it dance like a child
Alli mugam saerpaenI will embrace and hold her close
Female
Mudivillai endra vannamIn a manner that knows no end
Mogha kadhai solvaenI shall recount tales of love
Muthamittu muthamittuShowering kiss upon kiss
Chithirangal kaanbaenI shall behold lovely pictures
Female
Silai seiya kaigal unduThere are hands to carve a statue
Thangam ingu unduGold is right here
Male :Singaara paadal unduMale: There is a beautiful song
Thamizh ingu unduTamil is right here
Both :Silai seiya kaigal unduBoth: There are hands to carve a statue
Thangam ingu unduGold is right here

Beyond the translation

Song interpretation

This classic romantic duet from 'Justice Viswanathan' (1971) expresses a poetic dialogue between two lovers using the artistic motif of sculpting and songwriting. The hero describes his life as incomplete—a palace without a queen, a garden without a parrot, and a heart-temple without a deity—until his beloved arrives to fulfill him like gold to a sculptor or Tamil words to a melody. The heroine modestly responds, questioning why a simple maid should be treated like a queen, to which the hero reaffirms that she is the divine idol enshrined within his heart. The song culminates in mutual affection, depicting love as a creative art form where both partners complete each other.

Writing craft

Poetic devices

Uruvagam (Metaphor)

Manam ennum kovil undu / Deivam illai ingu

Compares the human mind to a temple ('Manam ennum kovil') and the lover to the divine idol enshrined within it.

Anaphora (Repetition)

Silai seiya kaigal undu / Thangam konjam thaevai

The repeated opening refrain anchors the central creative metaphor of crafting art (statue/song) through love.

Uvamai (Simile / Metaphor)

Pidipatta maanai indru sirai vaithu paarpaen

The beloved is metaphorically compared to a captured deer ('Pidipatta maan') and a playful child ('Pillai ena aadavittu').

Yugmam (Antithesis / Dialogue Symmetry)

Silai seiya thangam undu / Kaigal konjam thaevai

The song swaps roles in the second movement: earlier the hands were ready waiting for gold, later the gold is ready waiting for hands, illustrating mutual need.

Did you know?

Trivia

'Justice Viswanathan' (1971) was directed by P. Madhavan and starred Ravichandran and Jayalalithaa. The soundtrack was composed by S. Vedhachalam, featuring poetic lyrics penned by Kannadasan. The track is notable for its playful call-and-response lyric structure and elegant classical Tamil metaphors.

Keep listening

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