- Lyricist
- Vaali
- Singers
- S. P. Balasubrahmanyam, K. S. Chithra
- Music director
- Shankar Ganesh
- Movie name
- Thangamani Rangamani
- Movie release year
- 1989
- Lyrics added on
- 4 May 2021
Lyrics & meaning
Beyond the translation
Overall song meaning
Sembaruththi Poovithu is a romantic duet from the 1989 Tamil film Thangamani Rangamani, written by legendary lyricist Vaali. The song uses rich natural imagery—specifically a hibiscus flower blossoming by a fence waiting for rain, and a honeybee hovering near it—as an allegory for a woman's physical and emotional longing for her partner. The couple playfully dialogues about letting go of shyness, comparing union to simple addition and passion to the intense heat of midday. In the second movement, the lovers express their impatience for twilight and midnight rendezvous, comparing intimacy to a grafted plant that holds on tight. Vaali cleverly combines pastoral metaphors with sensual undertones to portray youthful passion and deep companionship.
Writing craft
Poetic devices
Uvamai (Metaphor / Allegory)
“Sembaruththi poovithu poovithu veliyoram”
The hibiscus flower ('Sembaruththi poovithu') and honeybee ('Vandu') serve as central metaphors for the heroine blooming with youth and the hero drawn to her.
Adukkuthodar (Repetitive Words for Sound Mimicry)
“Etti etti yaarai paakkutho”
'Etti etti' and 'Thodu thodunnu' use doubled words to create rhythmic intensity and reflect physical actions vividly.
Uvamai (Simile)
“Uchchi velai veyyil polae ushnam yaera”
'Veyyil polae ushnam yaera' compares the rising temperature of romantic passion to the intensity of midday sunlight.
Uvamai (Simile / Imagery)
“Ottu maanj sedi pol otti naaniruppaen”
'Ottu maanj sedi pol' uses the simile of a grafted mango plant to represent tight physical and emotional closeness.
Did you know?
Trivia
Thangamani Rangamani is a 1989 comedy-drama film. Lyricist Vaali was famed for using botanical and agricultural metaphors—such as hibiscus flowers, coconut trees, breeze, and grafted plants—to convey romantic and sensual themes gracefully in Tamil cinema while keeping within censorial decorum.
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