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Isaimozhi
Lyrics & meaning

Salaiyile Rendu Maadu

From Pengal Veettin Kangal · 1990

Lyricist
Vaali
Singers
Mano, Suja Radhakrishnan
Music director
Sankar Ganesh
Details
Pengal Veettin Kangal1990

Lyrics & meaning

Tanglish lyrics English translation
Male
Saalaiyilae rendu maaduTwo cattle on the road,
Oththa maadu sandi maaduOne is solitary, one is stubborn,
Adi aathaaOh my lady,
Female :Hmm mmmFemale: Hmm mmm
Male :Adha paathaMale: Looking at that,
Oru mookanangkayiru maattidanumI must put a nose-rope on it,
Naan aambala singamunnu kaatidanumAnd prove that I am a male lion,
Oru mookanangkayiru maattidanumI must put a nose-rope on it,
Naan aambala singamunnu kaatidanumAnd prove that I am a male lion,
Female
Saalaiyilae rendu maaduTwo cattle on the road,
Oththa maadu sandi maaduOne is solitary, one is stubborn,
Adhu naekkaaIt cleverly,
Male :Haa haangMale: Haa haang
Female :Tharum taekkaFemale: Gives a dodge,
Romba muttaama modhaama paarthidanumWe must make sure it doesn't butt or collide,
Namba pattyil kondu poi serthidanumAnd bring it to safety in our pen,
Romba muttaama modhaama paarthidanumWe must make sure it doesn't butt or collide,
Namba pattyil kondu poi serthidanumAnd bring it to safety in our pen,
Male
Soodum vara moodum varaUntil heat and mood build up,
Uchiyil kikkum thaan yerudhadiA kick rises right to the top,
Female :AhaanFemale: Ahaan
Male :Mel azhagum keezhazhagumMale: Top beauty and bottom beauty,
Mamudhan sindhu thaan koorudhadiNectar pours out and speaks,
Female :Kaanja maadu kambula thaanFemale: Like a hungry bull in a crop field,
Male :AhaanMale: Ahaan
Female :Paanjathoru thembula thaanFemale: With the strength of a charge,
Male :HahahahMale: Hahahah
Female :Aaga motham anbula thaanFemale: Overall, only out of love,
Maatikitta vambula thaanIn the trouble I got caught in,
Male :Haei mookkula naakula muthu pallakkulaMale: Hey, in the nose, tongue, and pearl palanquin,
Urangaama mayangurenSwooning without sleep,
Female
Haan saalaiyilae rendu maaduHaan, two cattle on the road,
Oththa maadu sandi maaduOne is solitary, one is stubborn,
Adhu naekkaaIt cleverly,
Male :HaangMale: Haang
Female :Tharum taekkaFemale: Gives a dodge,
Male :Oru mookanangkayiru maattidanumMale: I must put a nose-rope on it,
Naan aambala singamunnu kaatidanumI must prove that I am a male lion,
Female
Orangatta sarangattaOrganized and fine-tuned,
Rombavum takkara paaduriyaeYou sing so grandly!
Male :AdadaaMale: Oh dear!
Female :Poovum vachu pottum vachuFemale: Wearing flowers and a bindi,
Ponnukku soappu thaan poduriyaeYou flatter the girl endlessly,
Male
Haei aavaniyilae thaedhi vechuHey, fixing a date in the month of Aavani,
Thaavaniya naan pudippenI will hold onto the half-saree,
Thaavaniya naan pudichuHolding onto that half-saree,
Laavanaiya naan padippenI will sing a graceful song,
Female :Vaaduren thaeduren unnathaan padurenFemale: I wither, I search, I sing for you,
Mavarasan nenapulaIn the thoughts of my great king,
Male
Hae saalaiyilae rendu maaduHey, two cattle on the road,
Oththa maadu sandi maaduOne is solitary, one is stubborn,
Adi aathaaOh my lady,
Female :HaahaanFemale: Haahaan
Male :Adha paathaMale: Looking at that,
Oru mookanangkayiru maattidanumI must put a nose-rope on it,
Naan aambala singamunnu kaatidanumAnd prove that I am a male lion,
Female
Saalaiyilae rendu maaduTwo cattle on the road,
Oththa maadu sandi maaduOne is solitary, one is stubborn,
Adhu naekkaaIt cleverly,
Male :Haa haangMale: Haa haang
Female :Tharum taekkaFemale: Gives a dodge,
Romba muttaama modhaama paarthidanumWe must make sure it doesn't butt or collide,
Namba pattyil kondu poi serthidanumAnd bring it to safety in our pen.

Beyond the translation

Song interpretation

This playful folk-style duet uses the vivid metaphor of taming stubborn cattle on a country road to represent the playful battle of wits between two lovers. The male lead asserts his masculinity and desire to win over his stubborn sweetheart, while the female lead teasingly dodges his advances while acknowledging her growing affection for him. Through energetic banter and rhythmic local idioms, the lovers playfully challenge each other, leading up to promises of marriage in the auspicious Tamil month of Aavani.

Writing craft

Poetic devices

Metaphor (Uvamaani)

Saalaiyilae rendu maadu / Oththa maadu sandi maadu

Comparing a headstrong, spirited partner or relationship dynamics to stubborn bulls ('sandi maadu') on a road needing to be tamed with a nose-rope.

Ethirai (Second-letter rhyme)

Soodum vara moodum vara

The second letters 'uu' in 'Soodum' and 'moo' in 'moodum' create a rhythmic Tamil rhyme structure.

Iyaibu (End Rhyme)

Thaavaniya naan pudippen / Laavanaiya naan padippen

The lines end with matching rhyming endings ('pudippen', 'padippen').

Did you know?

Trivia

Written by the legendary Tamil lyricist Vaali, this track uses classic Tamil rural idioms and folk rhythm tricks (such as 'orangatta sarangatta' and 'sandi maadu') to evoke the traditional atmosphere of village romance and bull-taming metaphors commonly found in 1980s and 1990s Tamil cinema.

Keep listening

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