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Isaimozhi
Lyrics & meaning

Salaiyile Rendu Maadu

From Pengal Veettin Kangal · 1990

Lyricist
Vaali
Singers
Mano, Suja Radhakrishnan
Music director
Sankar Ganesh
Movie name
Pengal Veettin Kangal
Movie release year
1990
Lyrics added on
4 Sept 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Saalaiyilae rendu maadu
Oththa maadu sandi maadu
Adi aathaa
Female :Hmm mmm
Male :Adha paatha
Oru mookanangkayiru maattidanum
Naan aambala singamunnu kaatidanum
Oru mookanangkayiru maattidanum
Naan aambala singamunnu kaatidanum
Saalaiyilae rendu maadu
Oththa maadu sandi maadu
Adhu naekkaa
Male :Haa haang
Female :Tharum taekka
Romba muttaama modhaama paarthidanum
Namba pattyil kondu poi serthidanum
Romba muttaama modhaama paarthidanum
Namba pattyil kondu poi serthidanum
Soodum vara moodum vara
Uchiyil kikkum thaan yerudhadi
Female :Ahaan
Male :Mel azhagum keezhazhagum
Mamudhan sindhu thaan koorudhadi
Female :Kaanja maadu kambula thaan
Male :Ahaan
Female :Paanjathoru thembula thaan
Male :Hahahah
Female :Aaga motham anbula thaan
Maatikitta vambula thaan
Male :Haei mookkula naakula muthu pallakkula
Urangaama mayanguren
Haan saalaiyilae rendu maadu
Oththa maadu sandi maadu
Adhu naekkaa
Male :Haang
Female :Tharum taekka
Male :Oru mookanangkayiru maattidanum
Naan aambala singamunnu kaatidanum
Orangatta sarangatta
Rombavum takkara paaduriyae
Male :Adadaa
Female :Poovum vachu pottum vachu
Ponnukku soappu thaan poduriyae
Haei aavaniyilae thaedhi vechu
Thaavaniya naan pudippen
Thaavaniya naan pudichu
Laavanaiya naan padippen
Female :Vaaduren thaeduren unnathaan paduren
Mavarasan nenapula
Hae saalaiyilae rendu maadu
Oththa maadu sandi maadu
Adi aathaa
Female :Haahaan
Male :Adha paatha
Oru mookanangkayiru maattidanum
Naan aambala singamunnu kaatidanum
Saalaiyilae rendu maadu
Oththa maadu sandi maadu
Adhu naekkaa
Male :Haa haang
Female :Tharum taekka
Romba muttaama modhaama paarthidanum
Namba pattyil kondu poi serthidanum
Two cattle on the road,
One is a stubborn one!
Oh dear girl,
Mmm-hmm...
Looking at it,
I must put a nose-rope on it,
And prove that I am a lion of a man!
I must put a nose-rope on it,
And prove that I am a lion of a man!
Two cattle on the road,
One is a stubborn one!
Very neatly and slyly,
Ha-ha!
It dodges and gives the slip!
We must make sure it doesn't butt or clash,
And guide it safely into our pen!
We must make sure it doesn't butt or clash,
And guide it safely into our pen!
As passion builds and the mood takes over,
A thrill rushes straight to my head, girl!
Aha!
Your beauty from top to bottom,
Sings the melody of Manmathan (the god of love)!
Like a starving cow in a millet field,
Aha!
You pounced with all your vigor,
Hahaha!
Yet in the end, it was all out of love,
That you got caught in this sweet trouble!
Hey, enchanted by your nose, tongue, and pearl-like teeth,
I lose my sleep and swoon in love!
Haan, two cattle on the road,
One is a stubborn one!
Very neatly and slyly,
Haan!
It dodges and gives the slip!
I must put a nose-rope on it,
And prove that I am a lion of a man!
Stringing rhythms and cornering lines,
You sing with such fantastic flair!
Oh wow!
Adorning me with flowers and a bindi,
You are just buttering up this girl!
Hey, fixing an auspicious date in Aavani (wedding season),
I will hold onto your half-sari!
Holding onto your half-sari,
I will sing passionate love duets!
I pine, I seek, and I sing only of you,
Lost in thoughts of my prince!
Hey, two cattle on the road,
One is a stubborn one!
Oh dear girl,
Ha-haan!
Looking at it,
I must put a nose-rope on it,
And prove that I am a lion of a man!
Two cattle on the road,
One is a stubborn one!
Very neatly and slyly,
Ha-ha!
It dodges and gives the slip!
We must make sure it doesn't butt or clash,
And guide it safely into our pen!
Male
Female
Male
Female
Female
Male
Male
Female

Beyond the translation

Overall song meaning

This playful folk-style duet uses the vivid metaphor of taming stubborn cattle on a country road to represent the playful battle of wits between two lovers. The male lead asserts his masculinity and desire to win over his stubborn sweetheart, while the female lead teasingly dodges his advances while acknowledging her growing affection for him. Through energetic banter and rhythmic local idioms, the lovers playfully challenge each other, leading up to promises of marriage in the auspicious Tamil month of Aavani.

Writing craft

Poetic devices

Metaphor (Uvamaani)

Saalaiyilae rendu maadu / Oththa maadu sandi maadu

Comparing a headstrong, spirited partner or relationship dynamics to stubborn bulls ('sandi maadu') on a road needing to be tamed with a nose-rope.

Ethirai (Second-letter rhyme)

Soodum vara moodum vara

The second letters 'uu' in 'Soodum' and 'moo' in 'moodum' create a rhythmic Tamil rhyme structure.

Iyaibu (End Rhyme)

Thaavaniya naan pudippen / Laavanaiya naan padippen

The lines end with matching rhyming endings ('pudippen', 'padippen').

Did you know?

Trivia

Written by the legendary Tamil lyricist Vaali, this track uses classic Tamil rural idioms and folk rhythm tricks (such as 'orangatta sarangatta' and 'sandi maadu') to evoke the traditional atmosphere of village romance and bull-taming metaphors commonly found in 1980s and 1990s Tamil cinema.

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