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Isaimozhi
Lyrics & meaning

Poove Thamarai

From Avalukku Nigar Avale · 1974

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
V. Kumar
Movie name
Avalukku Nigar Avale
Movie release year
1974
Lyrics added on
12 May 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Poovae thaamarai poovae
Poovae thaamarai poovae
Indru poojai…..maniyosai….
Indru poojai…..maniyosai….
Minnum ponnin maeniyil
Thottil katta aasai…..
Poovae thaamarai poovae
Aalilae megalai arasaanik kaalgal
Anantha kumbangal abhishega pookkal
Aalilae megalai arasaanik kaalgal
Anantha kumbangal abhishega pookkal
Male udai megangal kaarkaala thiraigal
Male udai megangal kaarkaala thiraigal
Mellisai paaduthu rathidevi kalaigal
Mellisai paaduthu rathidevi kalaigal
Poovae thaamarai poovae
Indru poojai…..maniyosai….
Minnum ponnin maeniyil
Thottil katta aasai…..
Poovae thaamarai poovae…
Nettriyil theerththangal panneerin rasangal
Ninaivugal valaraamal thadaipodum karangal
Nettriyil theerththangal panneerin rasangal
Ninaivugal valaraamal thadaipodum karangal
Muttriya sugankaana munnodum vizhigal
Muttriya sugankaana munnodum vizhigal
Mudhal naalai kaanattum oru jodi kiligal
Mudhal naalai kaanattum oru jodi kiligal
Poovae thaamarai poovae
Indru poojai…..maniyosai….
Indru poojai…..maniyosai….
Minnum ponnin maeniyil
Thottil katta aasai…..
Poovae thaamarai poovae…
O flower, my lotus flower
O flower, my lotus flower
Today is worship... the sound of bells...
Today is worship... the sound of bells...
Upon your glowing golden body
I long to tie a cradle...
O flower, my lotus flower...
A leaf-slender waist with a girdle, and legs like royal wedding pillars
Pots of pure joy, flowers for a sacred bath
A leaf-slender waist with a girdle, and legs like royal wedding pillars
Pots of pure joy, flowers for a sacred bath
Your upper robes are like clouds, like monsoon curtains
Your upper robes are like clouds, like monsoon curtains
The graceful arts of Rati (goddess of love) sing sweet melodies
The graceful arts of Rati (goddess of love) sing sweet melodies
O flower, my lotus flower
Today is worship... the sound of bells...
Upon your glowing golden body
I long to tie a cradle...
O flower, my lotus flower...
Sacred drops upon your forehead, the essence of rosewater
Hands that try to hold back longing thoughts from growing
Sacred drops upon your forehead, the essence of rosewater
Hands that try to hold back longing thoughts from growing
Eyes that run ahead to taste complete bliss
Eyes that run ahead to taste complete bliss
Let this pair of parrots experience their first night together
Let this pair of parrots experience their first night together
O flower, my lotus flower
Today is worship... the sound of bells...
Today is worship... the sound of bells...
Upon your glowing golden body
I long to tie a cradle...
O flower, my lotus flower...
Male
Male
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

Poovae Thaamarai Poovae is a romantic classic from the 1974 film Avalukku Nigar Avale, rendered by T. M. Soundararajan with music composed by V. Kumar and lyrics penned by Kannadasan. The protagonist compares his beloved to a pristine lotus and uses sacred imagery like temple bells, holy baths, and ceremonial pots to describe her beauty and their intimate connection. The song gracefully weaves sensual imagery with auspicious wedding rituals, expressing a deep desire to embrace his lover and begin a domestic life together like a pair of devoted lovebirds.

Writing craft

Poetic devices

Metaphor (Uvamagani / Uruvagam)

Minnum ponnin maeniyil

The lover's body is metaphorically compared to gold ('Minnum ponnin maeniyil'), and the couple is framed as a pair of parrots ('oru jodi kiligal').

Initial Alliteration (Monai)

Anantha kumbangal abhishega pookkal

Repetition of initial consonant sounds like 'A' in 'Anantha' and 'abhishega' creates rhythmic flow.

Sacred Parallelism

Indru poojai…..maniyosai….

Kannadasan parallels physical intimacy with traditional temple worship (poojai, maniyosai, theerththangal).

Did you know?

Trivia

Composed by V. Kumar, who was known for his melodic sensibility and collaborative work with Kannadasan, this track stands out for how it subtly mixes sacred temple metaphors with romantic themes, a signature hallmark of Kannadasan's lyricism.

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