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Lyrics & meaning

Periyoney En Rahmaaney

From The GoatLife – Aadujeevitham · 2024

Lyricist
Mashook Rahman
Singers
Jithin Raj, Chorus
Music director
A. R. Rahman
Details
The GoatLife – Aadujeevitham2024

Lyrics & meaning

Tanglish lyrics English translation
Male
Periyone en rahamaaneyOh Great One, my Merciful God
Periyone rahimOh Great One, the Most Compassionate
Periyone en rahamaaneyOh Great One, my Merciful God
Periyone rahimOh Great One, the Most Compassionate
Male
Megha kuyilaeOh cuckoo of the clouds
Megha kuyilaeOh cuckoo of the clouds
Mannil pudhu mazhai peigirathaeNew rain falls upon the earth
Mannil pudhu mazhai peigirathaeNew rain falls upon the earth
Male
Thullum vaan mugil anjal serkumoWill the dancing cloud in the sky deliver my message?
Anjum aadena thanjam thedidumLike a frightened goat seeking refuge
Nenjam aarudhal adaiyumoWill this heart find solace?
Thalladum indha kaadhalum vaazhkaiyumThis faltering love and life
Kannukkul aadidum poi kanavooIs it a false dream dancing before my eyes?
Kannukkul aadidum poi kanavooIs it a false dream dancing before my eyes?
Kannukkul aadidum poi kanavooIs it a false dream dancing before my eyes?
Chorus
Periyone rahamaaneyOh Great One, Merciful God
Periyone rahimOh Great One, Most Compassionate
Periyone rahamaaneyOh Great One, Merciful God
Periyone rahimOh Great One, Most Compassionate
Male
Ethanai dhooram karaiyooHow far away is the shore?
Ethanai dhooram piraiyooHow far away is the crescent moon?
Ethanai dhooram nizhaloo ohHow far away is the shadow? Oh
Ethanai dhooram pirivooHow far away is this separation?
Male
Dhorakkiliyin keechumThe chirping of the pet parrot
Pillai tamilum pun sirippumThe innocent baby talk and gentle smile
Maraikkum vellai irulaeOh white darkness that hides them all
Kadhalin agal vilakkinIn the chamber of my soul yearning to see
Velicham kaan en uyirin araiyil…The light of love's small clay lamp...
Male
Aazh manadhil naan thedumWhat I search for deep within my heart
Thaai mannin thooliThe cradle of my motherland
Maru karaiyill.. ohIs on the distant shore... oh

Beyond the translation

Song interpretation

'Periyone' from the survival drama 'Aadujeevitham' (The GoatLife) is a soulful, haunting prayer of a man stranded in an unforgiving desert landscape. Trapped in isolation and extreme hardship, the protagonist addresses the Almighty (Rahman and Rahim), pleading for divine intervention, mercy, and comfort. The song contrasts the harsh, blinding heat of the desert with nostalgic memories of home—rain, family, a child's laughter, and the beloved land he left behind. Through poetic imagery of cloud messengers, false dreams, and 'white darkness,' the lyrics evoke deep grief, existential exhaustion, and unwavering spiritual devotion. The protagonist questions the vast distance separating him from his home and loved ones, finding ultimate hope only in God's mercy and the deep yearning to return to his motherland.

Writing craft

Poetic devices

Oxymoron / Metaphor

Maraikkum vellai irulae

Describing the blinding, scorching desert glare as 'vellai irulae' (white darkness) creates a vivid image of a dazzling light that paradoxically blinds and imprisons him.

Simile / Theme Imagery

Anjum aadena thanjam thedidum

Compares the protagonist's trembling, vulnerable state to a frightened goat ('anjum aadena') seeking sanctuary, echoing the central motif of the film.

Apostrophe / Personification

Thullum vaan mugil anjal serkumo

Addresses the sky cloud ('vaan mugil') as a messenger capable of carrying his heartfelt petitions back home.

Anaphora / Devotional Refrain

Periyone en rahamaaney

Repeatedly invokes divine names ('Periyone', 'Rahamaaney', 'Rahim') to establish a rhythmic rhythm of plea and surrender.

Did you know?

Trivia

'Periyone' is a central musical motif in Blessy's film adaptation of Benyamin's bestselling Malayalam novel 'Aadujeevitham'. A. R. Rahman tailored the composition to blend Islamic devotional invocation with universal human suffering, using sparse instrumentation and resonant choral vocals to reflect the vastness of the desert.

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