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Isaimozhi
Lyrics & meaning

Panchali Katharukiral

From Sigaram · 1991

Lyricist
Vairamuthu
Singer
M. Balamuralikrishna
Music director
S. P. Balasubrahmanyam
Details
Sigaram1991

Lyrics & meaning

Tanglish lyrics English translation
Male
Kaal irandilWith her two legs
Maanaththai moodikkonduTrying to cover her dignity
Kai irandil maarboduWith her two hands across her chest
Kavasam konduFormed like armor
Thannai thaan kaaththu vidaTrying to protect herself
Thaviththu konduStruggling in deep distress
Than kaiyaal thanmaanamHer own self-respect with her own hands
KaathukkonduTrying to safeguard
Male
Paanchaali kadharugiraalPanchali cries out in despair
Parandhaaman varavillaiLord Krishna (Parandhaman) has not arrived yet
Male
{Than maarbhil irundha karamThe hand that was on her chest
Eduththu vittaalShe removed it
Thalaikku mel than kaiyaiHer hands above her head
Kuviththuvittaal} (2)She folded together in surrender
Male
Yen kaiyil yedhum illaiThe hand that was on her chest
Endru sonnaalShe removed it
Yen kaiyil yedhum illaiHer hands above her head
Endru sonnaalShe folded together in surrender
Kaatchchi thandhu kannan avanThere is nothing in my control/hands
Kaakka vandhaanWhen she declared
Male
Thaan yendra aathmaavilThere is nothing in my control/hands
Inbam illaiWhen she declared
Saran adaindha jeevanukkuLord Krishna appeared before her
Thunbam illaiAnd came to protect her
Male
Paanchaali kadharugiraalIn a soul filled with ego
Parandhaaman varavillaiThere is no happiness
Paanchaali kadharugiraalFor a soul that completely surrenders
Parandhaaman varavillaiThere is no sorrow

Beyond the translation

Song interpretation

This profound song allegorizes Panchali's (Draupadi's) disrobing scene from the epic Mahabharata to illustrate the core philosophy of total spiritual surrender (Saranagathi). As long as Draupadi relies on her own physical effort and ego to save her honor, Lord Krishna does not appear. Only when she lets go of her own efforts and raises both hands above her head in absolute surrender does the divine intervene to protect her modesty. Lyricist Vairamuthu uses this story to impart a universal philosophical message: an ego-driven soul clinging to 'I' and 'mine' can never find true joy, whereas a soul that completely surrenders its self-will to the divine is liberated from all suffering.

Writing craft

Poetic devices

Allegory (Uvamaani)

Paanchaali kadharugiraal Parandhaaman varavillai

The epic story of Draupadi's Vastraharan is used as an extended metaphor for the human ego versus absolute divine surrender (Saranagathi).

Monai (Initial Rhyme / Alliteration)

Thannai thaan kaaththu vida / Thaviththu kondu

Repetition of the initial 'Th' sound across consecutive lines creating poetic rhythm.

Ethukai (Second-letter Rhyme / Anthesis)

Inbam illai / Thunbam illai

Rhyming of the second letter 'nba' along with contrasting philosophical concepts of joy (Inbam) and sorrow (Thunbam).

Anaphora (Repetition)

Yen kaiyil yedhum illai Endru sonnaal

Repetition of lines to emphasize Panchali's realization of her utter powerlessness.

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Trivia

The song is featured in the 1991 Tamil musical drama movie 'Sigaram', starring legendary singer S. P. Balasubrahmanyam. Uniquely, SPB himself composed the music for this film in addition to acting as the protagonist, a music director. Lyricist Vairamuthu brilliantly encapsulated the profound Vedantic philosophy of 'Saranagathi' using simple Mahabharata imagery in this track.

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