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Lyrics & meaning

Palabishegam Seiyavo

From Muthana Muthallavo · 1976

Lyricist
Vaali
Singers
P. Jayachandran, P. Susheela
Music director
M. S. Vishwanathan
Movie name
Muthana Muthallavo
Movie release year
1976
Lyrics added on
24 Nov 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
…………….
Aa….aa….paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Alangaaravalli thirunaamam solli
Malar kondu poojai seiyyavo
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Manthira poojaigal maalaiyilathaan
Vanna malaranai podum velaiyilthaan
Manthira poojaigal maalaiyilathaan
Vanna malaranai podum velaiyilthaan
Manmathan sannathi vazhakkamithu
Kula mangaiyar sangama pazhakkamithu
Manmathan sannathi vazhakkamithu
Kula mangaiyar sangama pazhakkamithu
Punnagai enbathu pani vairam
Athu ponmagal soodum mani magudam
Punnagai enbathu pani vairam
Athu ponmagal soodum mani magudam
Kandavar kann padum perazhgu
Idhu kaal kondu nadakkindra therazhgu
Kandavar kann padum perazhgu
Idhu kaal kondu nadakkindra therazhgu
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Saagasa nadagam naanarivaen
Inba saarasa kalaigal nee arivaai
Saagasa nadagam naanarivaen
Inba saarasa kalaigal nee arivaai
Innamum ennidam ragasiyamaa
Intha achchamum nanamum avasiyamaa
Unnidam sonnathu oralavu
Nenjil ullathu aasai nooralavu
Unnidam sonnathu oralavu
Nenjil ullathu aasai nooralavu
Mellidai enbathu noolalavu
Adhai menmalar kai kondu nee thazhuvu
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
Female :Nalam paadum kannan
Naan kanda mannan
Valam vanthu poojai seiyyavo
Paalaapishegam seiyyavo
Unakku thaenaapishegam seiyyavo
...
Ah... ah... Shall I bathe you in milk?
Shall I bathe you in honey?
Shall I bathe you in milk?
Shall I bathe you in honey?
Chanting your holy name, my adorned beauty,
Shall I worship you with flowers?
Shall I bathe you in milk?
Shall I bathe you in honey?
Sacred prayers are meant for the evening,
Only when the bed of colorful flowers is prepared.
Sacred prayers are meant for the evening,
Only when the bed of colorful flowers is prepared.
This is the custom in the shrine of the love god,
This is the tradition of noble women uniting in love.
This is the custom in the shrine of the love god,
This is the tradition of noble women uniting in love.
A smile is like a dewy diamond,
A jeweled crown worn by a golden goddess.
A smile is like a dewy diamond,
A jeweled crown worn by a golden goddess.
Such great beauty that catches every eye,
Like a temple chariot walking on feet!
Such great beauty that catches every eye,
Like a temple chariot walking on feet!
Shall I bathe you in milk?
Shall I bathe you in honey?
Shall I bathe you in milk?
Shall I bathe you in honey?
Shall I bathe you in milk?
Shall I bathe you in honey?
I know the playful games of love,
And you know all the sweet arts of romance.
I know the playful games of love,
And you know all the sweet arts of romance.
Are there still secrets between us?
Are this fear and shyness really needed?
What I told you is only a little,
The desire in my heart is a hundred times more.
What I told you is only a little,
The desire in my heart is a hundred times more.
A slender waist is as delicate as a thread,
Embrace it with your flower-soft hands.
Shall I bathe you in milk?
Shall I bathe you in honey?
You are my Krishna, singing of my well-being,
The king of my heart,
Shall I circle around you and worship you?
Shall I bathe you in milk?
Shall I bathe you in honey?
Female
Male
Male
Male
Female
Female
Male
Female
Female
Female
Male
Female
Male
Female

Beyond the translation

Overall song meaning

This classic duet uses sacred temple ritual metaphors—such as milk and honey abhishekam, flower offerings, and evening poojas—to express deep romantic love and physical intimacy. The male lover treats his beloved as a divine goddess, hailing her beauty as a walking temple chariot and her smile as a dew-drenched diamond, setting their union within the shrine of Manmatha (the god of love). In turn, the female lover affectionately responds by addressing him as her Krishna and king, embracing their romantic bond without hesitation. Lyricist Vaali skillfully blends devotional reverence with romantic sensuality, elevated by M. S. Viswanathan's classical musical composition.

Writing craft

Poetic devices

Metaphor (Urvagam)

Punnagai enbathu pani vairam

Directly compares a gentle smile to a diamond glistening with dew drops.

Hyperbole (Uyarvu Navitchi)

Idhu kaal kondu nadakkindra therazhgu

Exaggerates the lady's graceful walk and beauty as a grand temple chariot moving on human feet.

Iyaibu (End Rhyme)

Unnidam sonnathu oralavu / Nenjil ullathu aasai nooralavu

Uses matching end-rhymes (oralavu, nooralavu, noolalavu) to create rhythmic harmony.

Did you know?

Trivia

The song brilliantly employs religious ritual vocabulary ('Paalaapishegam', 'Thaenaapishegam', 'Poojai', 'Mantra') to metaphorically describe conjugal love and romantic adoration, a signature lyrical style of poet Vaali during the 1970s.

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