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Isaimozhi
Nalla Penmani album cover
Lyrics & meaning

Oru Naal Kettadhu

From Nalla Penmani · 1979

Lyricist
Vaali
Singer
P. Susheela
Music director
V. Kumar
Movie name
Nalla Penmani
Movie release year
1979
Lyrics added on
3 Jan 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Oru naal kettathu
Netruthaan kidaithathu
Naan oru naal kettathu
Netruthaan kidaithathu
Oru naal kettathu
Netruthaan kidaithathu
Naan oru naal kettathu
Netruthaan kidaithathu
Mannan kai thottu thottu
Muthirai ittu ittu
Mannan kai thottu thottu
Muthirai ittu ittu amammaa amammaa
Inbangalai enna naan solvathu
Naan oru naal kettathu
Netruthaan kidaithathu
Pitham konda pathiniyin mayakkam
Nitham adhu theligindra varaikkum
Kattru thantha vithai solla inikkum
Kattru thantha vithai solla inikkum
Unakkum enakkum intha ragasiyam
Irukka vendum adhu avasiyam
Yaarum kaanaathathu
Naan oru naal kettathu
Netruthaan kidaithathu
Maalaiyitta mangai ennai pirinthu
Matroruthi ennm indri irunthu
Maalaiyitta mangai ennai pirinthu
Matroruthi ennm indri irunthu
Vittakkurai thottakurai thodarnthu
Vittakkurai thottakurai thodarnthu
Iravin kavithai thannai padithavan
Idhazhin madhuvai allai kudithavan
Ennai paaraattinaan
Naan oru naal kettathu
Netruthaan kidaithathu
What I asked for one day
I got only yesterday
What I asked for one day
I got only yesterday
What I asked for one day
I got only yesterday
What I asked for one day
I got only yesterday
With my king touching me again and again,
and leaving his mark over and over,
with my king touching me again and again,
and leaving his mark over and over, oh my!
How can I even describe the pleasures?
What I asked for one day
I got only yesterday
A devoted wife dizzy with passionate love,
until her spell clears away each day,
it is so sweet to speak of the art of love he taught!
It is so sweet to speak of the art of love he taught!
Between you and me, this secret
must be kept, it is necessary.
Something no one has ever seen...
What I asked for one day
I got only yesterday
Separated from me, the woman he married,
without ever thinking of another woman,
separated from me, the woman he married,
without ever thinking of another woman,
continuing our unfinished bond from past lives,
continuing our unfinished bond from past lives,
he read the poem of the night,
drank deep the sweet nectar of my lips,
and showered me with praise...
What I asked for one day
I got only yesterday
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

The song 'Oru Naal Kettathu' is an intimate, joyful expression of romantic fulfillment by a woman who has finally reunited with her husband. She celebrates obtaining the love and passion she had been yearning for. The lyrics depict her joy as her husband tenderly embraces her and seals their intimacy, leaving her overwhelmed with ecstasy. The track touches upon themes of marital fidelity, karmic continuation ('vittakkurai thottakurai'), and shared secret moments between lovers. Lyricist Vaali uses elegant metaphors of night poetry and lip nectar, rendered with deep sensuality by P. Susheela under V. Kumar's melodious composition.

Writing craft

Poetic devices

Adukku Thodar (Repetition for Emphasis)

Mannan kai thottu thottu / Muthirai ittu ittu

The repetition of 'thottu thottu' (touching repeatedly) and 'ittu ittu' (sealing repeatedly) highlights continuous tender affection.

Ethugai (Second Letter Rhyme)

Pitham konda pathiniyin... / Nitham adhu theligindra...

The second letter 'th' rhymes between 'Pitham' and 'Nitham'.

Monai (First Letter Rhyme)

Mannan kai thottu thottu / Muthirai ittu ittu

The starting 'M' sound in 'Mannan' and 'Muthirai' creates a harmonious Monai.

Metaphor

Idhazhin madhuvai allai kudithavan

'Idhazhin madhu' compares the sweetness of a kiss/lips to nectar or honey.

Cultural/Philosophical Idiom

Vittakkurai thottakurai thodarnthu

'Vittakkurai thottakurai' refers to the Tamil cultural concept of karmic ties left unfinished in previous births continuing into the present life.

Did you know?

Trivia

The song is composed by V. Kumar, a prominent music director in Tamil cinema during the 1960s and 1970s who was often referred to as 'Mellisai Maamani' for his simple yet haunting melodies. The rendition by P. Susheela is celebrated for capturing the delicate balance of sensuality and classical grace, enhanced by Vaali's evocative Tamil lyricism.

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