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Isaimozhi
Lyrics & meaning

Oru Maman Illamaththan

From Sumai · 1981

Lyricist
Vaali
Singer
K. J. Yesudas
Music director
M. S. Vishwanathan
Details
Sumai1981

Lyrics & meaning

Tanglish lyrics English translation
Male
Aa….aa….aa….oru raththiri oru poongodiAh… ah… ah… One night, a flowering vine (a tender woman)
paai virichchava paduththaa purandaaSpread her mat, laid down, and tossed and turned restless.
Paavam padukkai mullaachchuPoor thing, her bed turned into a bed of thorns.
Male
Oru maaman illaamathathaanJust because she lacks her beloved uncle/suitor,
Intha mainaa thindaaduthaaThis maina bird is struggling in distress.
Idhai paarththaanae oruththan paavi manushanSeeing this, a sinful man
Bhoopaanam pottanammaaSang the morning raga (Bhoopalam) to taunt her.
Male
Kaaththum ippa soodaachchuthu kaadhalEven the cool breeze feels hot now; love
Paduththu paadachchuthuIs torturing her continuously.
Kaaththum ippa soodaachchuthu kaadhalEven the cool breeze feels hot now; love
Paduththu paadachchuthuIs torturing her continuously.
Male
Oru maaman illaamathathaanJust because she lacks her beloved uncle/suitor,
Intha mainaa thindaaduthaaThis maina bird is struggling in distress.
Idhai paarththaanae oruththan paavi manushanSeeing this, a sinful man
Bhoopaanam pottanammaaSang the morning raga to taunt her.
Male
Thanneerai kaanaatha oodaiyithuThis is a stream that has not seen water,
Thegathai saeraatha aadaiyithu oruThis is a garment that has not embraced a body,
Aalaagi aalaagi naalaagi naalaagiHaving grown up day by day, year after year,
Podhuvil oruvitha kalakkam adhu yaenWhy is there a general sense of inner turmoil?
Male
Oru maaman illaamathathaanJust because she lacks her beloved uncle/suitor,
Intha mainaa thindaaduthaaThis maina bird is struggling in distress.
Idhai paarththaanae oruththan paavi manushanSeeing this, a sinful man
Bhoopaanam pottanammaaSang the morning raga to taunt her.
Male
Semmeenai kaveri aa endrathuThe river Kaveri called out to the red fish,
sellaamal meeningu yaen nindrathuWhy did the fish stay back without going?
Adhu naadaamal naadaamal koodaamal koodaamalWithout seeking, without reuniting,
Santhosham ennaavathuWhat happiness can there ever be?
Male
Ilamai thanalena kodhikkumYouth boils like hot embers,
Idhyam puzhuvena thavikkumThe heart writhes like a worm in agony,
Imaigal urangida marukkumThe eyelids refuse to sleep,
Iravai pagalena ninaikkum adhu yaenAnd mistaking night for day—why is that so?
Male
Oru maaman illaamathathaanJust because she lacks her beloved uncle/suitor,
Intha mainaa thindaaduthaaThis maina bird is struggling in distress.
Idhai paarththaanae oruththan paavi manushanSeeing this, a sinful man
Bhoopaanam pottanammaaSang the morning raga to taunt her.

Beyond the translation

Song interpretation

The song 'Oru Rathiri Oru Poongodi' captures the deep romantic yearning, sleeplessness, and agonizing heat of youthful passion experienced by a young woman in the absence of her beloved. Metaphorically described as a tender flowering vine ('poongodi') and a helpless bird ('maina'), she tosses and turns through the night as her bed feels like thorns and the usually cool night breeze feels scorching hot due to her unfulfilled desire.

Writing craft

Poetic devices

Metaphor (Uruvagam)

oru raththiri oru poongodi

The young woman is metaphorically referred to as a tender flowering vine ('poongodi') and later as a bird ('mainaa').

Hyperbole (Uyarvu Navortchi)

Paavam padukkai mullaachchu

Exaggerating the sleepless discomfort of romantic longing by describing her soft bed turning into sharp thorns.

Simile (Upamai)

Ilamai thanalena kodhikkum / Idhyam puzhuvena thavikkum

Youth is compared to burning ember ('thanalena') and the aching heart is compared to a writhing worm ('puzhuvena').

Iyaipu (End Rhyme)

Ilamai thanalena kodhikkum / Idhyam puzhuvena thavikkum / Imaigal urangida marukkum / Iravai pagalena ninaikkum

The lines end with rhythmic, rhyming verbal endings ('kodhikkum', 'thavikkum', 'marukkum', 'ninaikkum').

Did you know?

Trivia

'Oru Rathiri Oru Poongodi' is a memorable track from the 1981 movie 'Sumai', composed by Gangai Amaran and penned by Vaali. Rendered in the rich vocal tone of K. J. Yesudas, the lyrics cleverly weave references to classical music ragas like 'Bhoopalam' (a dawn raga) to poetically emphasize the endless, agonizing wait through a sleepless night.

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