- Lyricist
- Kannadasan
- Singers
- B. S. Sasirekha, T. K. Kala
- Music director
- M. S. Vishwanathan
- Movie name
- En Kelvikku Enna Bathil
- Movie release year
- 1971
- Lyrics added on
- 5 Jul 2023
Lyrics & meaning
Beyond the translation
Overall song meaning
'Orae Vaanam Orae Bhoomi' is a stirring social reformer anthem from the 1971 film 'En Kelvikku Enna Bathil', featuring lyrics by Kannadasan and music by M. S. Viswanathan. The song advocates passionately for universal brotherhood, social equality, and the complete abolition of caste and religious discrimination. It points out the hypocrisy of politicians who preach caste eradication on public stages while retaining caste surnames, and questions institutional practices like requesting caste identity during school admissions.
Writing craft
Poetic devices
Anaphora / Repetition (Sol Porul Pinvarunilayani)
“Orae vaanam orae bhoomi orae saamithaan”
The repetitive use of the word 'Orae' (One/Only) at the beginning of phrases emphasizes the fundamental oneness of humanity and nature.
Simile (Upamai Ani)
“Kaattu moongil koottam pola”
Human society living in unity is compared to a cluster of wild bamboo trees that stand strong together.
Simile (Upamai Ani)
“Kaakkai kuruvi jaathi pola”
The act of sharing food and resources among people is compared to crows and sparrows, referencing Mahakavi Bharathiyar's philosophical view of nature.
Metaphor (Uruvagani)
“Rama raajiyaththil raththa gangai”
The communal bloodshed caused by caste conflicts in an ideal nation is metaphorically described as 'a Ganges river of blood'.
Iyaipu (Rhyming Refrain)
“Saernthu vaazhuvom / Pagirnthu unnuvom / Oonga seiguvom”
The ending 'om' suffix creates a rhythmic, collective call-to-action refrain that unites the lead singer and the chorus.
Did you know?
Trivia
The song's lyricist Kannadasan draws direct inspiration from Mahakavi Subramania Bharati's iconic phrase 'Kaakkai kuruvi engal jaathi' (Crows and sparrows are our caste/kin) to preach egalitarianism. Sung powerfully by B. S. Sasirekha and T. K. Kala under M. S. Viswanathan's composition, the song remains one of Tamil cinema's most direct critiques of political and administrative hypocrisy surrounding caste discrimination.
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