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Praptham album cover
Lyrics & meaning

Netru Paritha Roja

From Praptham · 1971

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
M. S. Vishwanathan
Movie name
Praptham
Movie release year
1971
Lyrics added on
16 Dec 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Naethu paricha roja…
Naan paarthu paricha roja…
Naethu paricha roja
Naan paarthu paricha roja
Naethu paricha roja
Naan paarthu paricha roja
Mullil irundhaalum mugathil azhagundu
Naeram ponaal vaasam pogum
Vaasam ponnaalum paasam pogaadhu
Naethu paricha roja
Naan paarthu paricha roja
Naethu paricha roja
Endha kovil aanaal enna
Dheivam dheivam thaan
Endha dheivam aanaal enna
Kovil kovil thaan
Endha kovil aanaal enna
Dheivam dheivam thaan
Endha dheivam aanaal enna
Kovil kovil thaan
Odum nadhiyin neerum
Aadum kadalil saerum
Kariyil nirkum naanal
Kanneer sindhalaamaa
Naethu paricha roja
Naan paarthu paricha roja
Naethu paricha roja
Endha kolam kondal enna
Sondham sondham thaan
Endha piravi vandhaal enna
Bandham bandham thaan
Endha kolam kondal enna
Sondham sondham thaan
Endha piravi vandhaal enna
Bandham bandham thaan
Piriyum pennai kandu
Urugum nenjam undu
Piriyum pennai kandu
Urugum nenjam undu
Thandhai ullam ondru
Thanimai roja ondru
Naethu paricha roja
Naan paarthu paricha roja
Naethu paricha roja
Pottum poovum katti thangam
Pachai killi ondru
Kannil vaithu kaathida vendum
Karunai manam kondu
Pottum poovum katti thangam
Pachai killi ondru
Kannil vaithu kaathida vendum
Karunai manam kondu
Manjal posum pennum
Mai villaiyaadum kannum
Endrum unnudan vaazhga
Mangala mangaiyaaga
Mangala mangaiyaaga
Mangala mangaiyaaga
A rose plucked yesterday...
A rose I carefully plucked...
A rose plucked yesterday...
A rose I carefully plucked...
A rose plucked yesterday...
A rose I carefully plucked...
Even among thorns, it has a beautiful face.
As time goes by, its fragrance may fade,
but even if fragrance fades, love will never fade.
A rose plucked yesterday...
A rose I carefully plucked...
A rose plucked yesterday...
No matter which temple it is,
God is always God.
No matter which god it is,
a temple is always a temple.
No matter which temple it is,
God is always God.
No matter which god it is,
a temple is always a temple.
The waters of a flowing river
will join the dancing sea.
Standing on the riverbank,
should the reed shed tears?
A rose plucked yesterday...
A rose I carefully plucked...
A rose plucked yesterday...
No matter what form life takes,
family is always family.
In whatever birth we take,
a bond is always a bond.
No matter what form life takes,
family is always family.
In whatever birth we take,
a bond is always a bond.
Watching a daughter depart,
there is a heart that melts in sorrow.
Watching a daughter depart,
there is a heart that melts in sorrow.
One is a father's heart,
and the other is a lonely rose.
A rose plucked yesterday...
A rose I carefully plucked...
A rose plucked yesterday...
Adorned with a bindi and flowers, we offer
an innocent green parrot.
You must cherish and protect her like your eyes,
with a kind and caring heart.
Adorned with a bindi and flowers, we offer
an innocent green parrot.
You must cherish and protect her like your eyes,
with a kind and caring heart.
May this woman glowing with turmeric
and eyes lined with playful kohl
live with you forever,
as a blessed, happy wife.
As a blessed, happy wife.
As a blessed, happy wife.
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

'Naethu Paricha Roja' from the 1971 Tamil film 'Praptham' is a tender, deeply emotional ballad reflecting fatherly affection, impermanence, and eternal bonds. Metaphorically comparing a young bride/daughter to a freshly plucked rose and a gentle green parrot, lyricist Kannadasan contrasts physical transitiveness with immortal spiritual love. Though a flower's fragrance fades over time, true affection ('paasam') never dies. Using philosophical imagery—such as rivers flowing into the sea—the song conveys that separation in life is natural, yet familial ties ('sondham' and 'bandham') endure across forms and births. The narrator entrusts the beloved bride to her new family, asking them to protect her like the pupil of their eyes and blessing her to lead a prosperous, auspicious married life.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Naethu paricha roja / Pachai killi ondru

The daughter/bride is metaphorically described as a 'freshly plucked rose' and a 'green parrot', signifying innocence, tender beauty, and preciousness.

Analogy / Philosophical Metaphor

Odum nadhiyin neerum / Aadum kadalil saerum

The river flowing into the ocean serves as an analogy for life's natural transitions and destiny, comforting the heart during painful separation.

Monai (Initial Alliteration)

Mullil irundhaalum mugathil azhagundu

Repetition of the initial 'Mu' sound ('Mullil', 'mugathil') creates musicality.

Anaphora / Epizeuxis (Repetition for Emphasis)

Sondham sondham thaan / Bandham bandham thaan

Repetition of words like 'sondham' and 'bandham' emphasizes the absolute and unbreakable nature of kinship.

Did you know?

Trivia

'Praptham' (1971) was produced and directed by the legendary actress Savitri, who also starred in the film alongside Sivaji Ganesan and Chandrababu. It was a remake of the 1964 Telugu classic 'Mooga Manasulu'. The music was composed by M. S. Viswanathan, with iconic vocals provided by T. M. Soundararajan, featuring poetic lyrics by Kaviarasu Kannadasan.

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