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Isaimozhi
Lyrics & meaning

Naan Yaar

From Pariyerum Perumal · 2018

Lyricist
Mari Selvaraj
Singers
Vijay Narain, Ananthu
Music director
Santhosh Narayanan
Details
Pariyerum Perumal2018

Lyrics & meaning

Tanglish lyrics English translation
Chorus
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Male
Adaipadum kadhavukkulBehind doors that are shut
Udaipadum uyirA life that gets shattered
Vidigindra pozhuthilumEven as the day dawns
Posungidum uyirA life that gets scorched
Paranthidum paravaiyumEven a bird in flight
Thurathidum uyirChases this life away
Poothidum nilathilumEven on fertile blooming land
Nasangidum uyirA life that gets crushed
Male
Peigindra mazhaiyilumEven in the pouring rain
Erinthidum uyirA life that continues to burn
Sirikkindra manitharumEven laughing human beings
Veruthidum uyirA life that they despise
Paarkindra kadavulumEven the watching God
Maranthidum uyirA life that He forgets
Varukindra saavaiyumA life that endures even
Poruthidum uyirThe death that approaches
Male
Naan yaar..Who am I..
Naan yaar…Who am I…
Male
Nee ozhi…You are light…
Naan yaar…Who am I…
Nee mazhai…You are rain…
Naan yaar…Who am I…
Naan yaar…Who am I…
Male
Naan yaar..Who am I..
Naan yaar…Who am I…
Naan yaar…Who am I…
Chorus
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Male
Rayil thedi vanthu kollumSeeking a train to end its life, who am I?
Naan yaar….Who am I….
Pookkum maramengumHanging from trees filled with blossoms,
Thookkil thongumHanging in execution,
Naan yaar…Who am I…
Male
Nadhiyil seththaLike a dead fish floating
Meenaai mithakkumIn the river,
Naan yaar…Who am I…
Kudusaikkul kathari erinthaScreaming and burning inside a hut,
Naan yaar….Who am I….
Male
Thee eratha saamyinguA deity here untouched by fire,
Naan yaar…Who am I…
Un kai padamal thanneer parugumDrinking water without touching your hands,
Naan yaar…Who am I…
Oor suvarkatti thooram vaikkaIsolated by walls built around the village,
Naan yaar…Who am I…
Malakkuzhikkul moochaiyadakkumSuffocating inside a septic pit,
Naan yaar..Who am I..
Chorus
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Male
Naan yaaarrrr…..Who am I…..
Naaaaan yaaaarrrr……Who am I……
Male
Arasan endru solvorumunduThere are those who call me king
Adimai endru ninaipporumunduThere are those who view me as a slave
Yer piditha vazhvum unduThere is a history of holding the plough
Por seitha kadhaiyum unduThere is a history of waging war
Male
{Marithapin udal engum{After death, across the entire body
Neelam paravumA blue hue spreads
Naan yaar…Who am I…
Puthaithapin neelaAfter burial, in the vast blue
Kadalil neenthumOcean swimming
Naan yaar…} (2)Who am I…} (2)
Male
Naaaannnn…yaaarrrrrWho am I
Male :{Marithapin udal engumMale :{After death, across the entire body
Neelam paravumA blue hue spreads
Naan yaar…Who am I…
Puthaithapin neelaAfter burial, in the vast blue
Kadalil neenthumOcean swimming
Naan yaar.. } (2)Who am I.. } (2)
Chorus
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo
Hoo ooo hoo ooo ooo hoo oooHoo ooo hoo ooo ooo hoo ooo

Beyond the translation

Song interpretation

'Naan Yaar' from Pariyerum Perumal is a powerful existential and anti-caste anthem. Written by director Mari Selvaraj and composed by Santhosh Narayanan, the song questions the identity and forced marginalization of oppressed communities throughout history and in contemporary society. Through haunting imagery of arson, manual scavenging, untouchability, and honor killings, the protagonist repeatedly asks 'Who am I?'—demanding recognition, dignity, and basic human rights.

Writing craft

Poetic devices

Rhetorical Questioning (Anaphora)

Naan yaar..

The persistent repetition of 'Naan Yaar' (Who am I?) serves as an existential rhetorical device highlighting structural oppression.

Contrast / Antithesis

Peigindra mazhaiyilum / Erinthidum uyir

Contrasting rain with fire to emphasize relentless suffering even in conditions that should provide relief.

Emona (Second-letter Rhyme)

Adaipadum kadhavukkul / Udaipadum uyir

The second consonant 'da' matches across lines ('Adaipadum' and 'Udaipadum'), a traditional Tamil poetic device.

Metaphor

Neelam paravum / Puthaithapin neela kadalil neenthum

The spreading blue color post-death symbolizes liberation and connection to the vast blue ocean and sky, referencing Dalit symbolism.

Did you know?

Trivia

The song 'Naan Yaar' features blue imagery which is deeply symbolic of Ambedkarite ideology and Dalit liberation. Director Mari Selvaraj penned these visceral lyrics himself to reflect real-life caste atrocities documented in Tamil Nadu.

Keep listening

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