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Isaimozhi
Lyrics & meaning

Naan Pudikka Vandha

From Devi Sridevi · 1983

Lyricist
Gangai Amaran
Singers
Gangai Amaran, B. Sasireka
Music director
Ilayaraja
Details
Devi Sridevi1983

Lyrics & meaning

Tanglish lyrics English translation
Male
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Poo manakkuthu engo manakkuthadiyoFlowers smell fragrant, where is that fragrance coming from?
Female
Nee muyal pudikkum kallanallavaaAren't you the thief who catches the hare?
Love-vu valai virikkum kullanallavaaAren't you the cunning dwarf who casts the net of love?
Male
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilae hae…Embrace me, my peacock, hae…
Female
Poo poo malar sendaagalaamFlowers, flowers, we can become a bouquet of flowers,
Vaa vaa adha panthaadalaamCome, come, we can play ball with it,
Paar paar pudhu muththaranthaanLook, look, this is a fresh pearl kiss,
Thaa thaa oru achchaaranthaanGive, give, it is an advance token!
Male
Hot-in magarani seettu kattu raniQueen of hearts, queen of the deck of cards,
Kadhal muththangalil kelu saththangalaththaanListen to the sounds amidst the kisses of love,
Intha raja vachcha kannu rani machchathilaththaanThe eye this king placed is right on the queen's beauty mark!
Amma mor pachchadikku vengaayamOh girl, for the buttermilk pachadi,
Vetti vaikka vaaShall I come chop the onions?
Male
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Poo manakkuthu engo manakkuthadiyoFlowers smell fragrant, where is that fragrance coming from?
Female
Nee muyal pudikkum kallanallavaaAren't you the thief who catches the hare?
Love-vu valai virikkum kullanallavaaAren't you the cunning dwarf who casts the net of love?
Male
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Female
One one plus redaagalaamOne plus one can turn red,
Two two three endraagalaamTwo and two can become three,
No no time thallaathaiyaaNo, no, do not push time away, sir,
Kael kael vanthu appavaththaanAsk, ask father directly!
Male
Kozhi briyani kooda variyaa neeChicken biryani, are you coming along?
Naattu vellakkatti pootti vachchirukkuthoIs the country jaggery kept locked away?
Intha kaattu malligaikku kadhal nenjirukkuthoDoes this wild jasmine possess a heart capable of love?
Amma aattukkallirukkuOh girl, the grinding stone is ready,
Idlikku roppy vaikka vaShall I come grind the batter for idlis?
Male
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Poo manakkuthu engo manakkuthadiyoFlowers smell fragrant, where is that fragrance coming from?
Female
Nee muyal pudikkum kallanallavaaAren't you the thief who catches the hare?
Love-vu valai virikkum kullanallavaaAren't you the cunning dwarf who casts the net of love?
Male
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilaeEmbrace me, my peacock!
Naan pudikka vantha muyaleOh hare that I came to catch,
Ennai nee anaichchukadi mayilae hae…Embrace me, my peacock, hae…

Beyond the translation

Song interpretation

Naan Pudikka Vantha Muyale is a playful, folk-infused romantic song from the 1983 Tamil film Devi Sridevi, penned by lyricist Gangai Amaran. The song captures a humorous and intimate flirtatious dialogue between two lovers. The male lead addresses his beloved tenderly using animal metaphors like a timid hare ('muyal') and a graceful peacock ('mayil'), while the female lead teasingly calls him a cunning hunter who traps her in a net of love. The lyrics combine passionate expressions of romantic desire with colloquial rural household references—such as offering to chop onions for pachadi, grinding idli batter on the stone, or sharing chicken biryani and country jaggery. This blend of domestic imagery, playful banter, and rhythmic repetition reflects the earthy charm of Tamil folk-style duet compositions.

Writing craft

Poetic devices

Metaphor (Uvamaani)

Naan pudikka vantha muyale / Ennai nee anaichchukadi mayilae

The lovers address each other as 'muyal' (hare) and 'mayil' (peacock), symbolizing innocence, elusive beauty, and grace.

Edhugai (Second-letter rhyme)

Nee muyal pudikkum kallanallavaa / Love-vu valai virikkum kullanallavaa

Rhyming of the second syllable in consecutive lines ('kallanallavaa' / 'kullanallavaa').

Adukku Thodar (Anaphora / Words repetition)

Poo poo malar sendaagalaam / Vaa vaa adha panthaadalaam

Doubled words ('Poo poo', 'Vaa vaa', 'Paar paar', 'Thaa thaa') used to create cadence, urgency, and playfulness.

Did you know?

Trivia

Gangai Amaran is renowned for bringing colloquial, everyday village banter and earthy humor into mainstream Tamil cinema lyrics during the late 1970s and 1980s. Songs like this showcase his unique style of integrating domestic kitchen imagery (like idli batter and onions) into romantic tracks.

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